ISBN: 9780742539501 - hollywood hybrids: mixing genres in contemporary films (film studies: genre and beyond) (11 Ergebnisse)

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Zustand: New. Through close readings of films by US filmmakers such as Quentin Tarantino, David Lynch, Errol Morris, and, Joel and Ethan Coen, this work studies provocative, disorienting strategies of genre mixing in contemporary cinema. It also explores foreign parallels to US hybrid cinema in films by such directors as Pedro Almodovar and Stephen Chow. Series: Genre and Beyond: A Film Studies Series. Num Pages: 192 pages, black & white illustrations. BIC Classification: APFA. Category: (G) General (US: Trade). Dimension: 234 x 156 x 12. Weight in Grams: 449. . 2007. Hardback. . . . .…

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Zustand: New. Through close readings of films by US filmmakers such as Quentin Tarantino, David Lynch, Errol Morris, and, Joel and Ethan Coen, this work studies provocative, disorienting strategies of genre mixing in contemporary cinema. It also explores foreign parallels to US hybrid cinema in films by such directors as Pedro Almodovar and Stephen Chow. Series: Genre and Beyond: A Film Studies Series. Num Pages: 192 pages, black & white illustrations. BIC Classification: APFA. Category: (G) General (US: Trade). Dimension: 234 x 156 x 12. Weight in Grams: 449. . 2007. Hardback. . . . . Books ship from the US and Ireland.…

Sprache: Englisch
Verlag: Rowman & Littlefield Publishers, Incorporated, 2007
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Zustand: New. pp. 192.

Sprache: Englisch
Verlag: Rowman & Littlefield Publishers, Incorporated, 2007
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Zustand: New. pp. 192 52:B&W 6.14 x 9.21in or 234 x 156mm (Royal 8vo) Case Laminate on White w/Gloss Lam.

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Hardcover. Zustand: Brand New. illustrated edition. 192 pages. 9.00x6.00x0.50 inches. In Stock.

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Hardcover. Zustand: new. Hardcover. 'He wanted to move in and out of the various signature styles of all these genres_Western, melodrama, thriller, horror,' said cinematographer Robert Richardson of Quentin Tarantino's goals in making Kill Bill: Vols. 1 & 2. Through close readings of work by major U.S. filmmakers such as Tarantino, David Lynch, Errol Morris, Todd Haynes, and Joel and Ethan Coen, Hollywood Hybrids studies provocative, disorienting strategies of genre mixing in contemporary cinema. The book also investigates foreign parallels to U.S. hybrid cinema in films by such directors as Pedro Almod-var (Spain) and Stephen Chow (Hong Kong). Rather than explore genre primarily from the standpoint of movie critics, producers, marketers, and spectators, Hollywood Hybrids focuses on genre mixing as a key creative interest motivating celebrated filmmakers. The book thus relates genre to auteur theory. Hollywood Hybrids also links recent hybrid cinema to earlier instances of hybrid form in film and other arts, including painting, music, literature, and architecture. The book concludes that hybrid films allude not only to multiple films and genres, but also to hybrid features of consciousness and identity that increasingly heighten as well as complicate human experience. Through close readings of films by US filmmakers such as Quentin Tarantino, David Lynch, Errol Morris, and, Joel and Ethan Coen, this work studies provocative, disorienting strategies of genre mixing in contemporary cinema. It also explores foreign parallels to US hybrid cinema in films by such directors as Pedro Almodovar and Stephen Chow. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Through close readings of films by US filmmakers such as Quentin Tarantino, David Lynch, Errol Morris, and, Joel and Ethan Coen, this work studies provocative, disorienting strategies of genre mixing in contemporary cinema. It also explores foreign parallel.…

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Hardcover. Zustand: new. Hardcover. 'He wanted to move in and out of the various signature styles of all these genres_Western, melodrama, thriller, horror,' said cinematographer Robert Richardson of Quentin Tarantino's goals in making Kill Bill: Vols. 1 & 2. Through close readings of work by major U.S. filmmakers such as Tarantino, David Lynch, Errol Morris, Todd Haynes, and Joel and Ethan Coen, Hollywood Hybrids studies provocative, disorienting strategies of genre mixing in contemporary cinema. The book also investigates foreign parallels to U.S. hybrid cinema in films by such directors as Pedro Almod-var (Spain) and Stephen Chow (Hong Kong). Rather than explore genre primarily from the standpoint of movie critics, producers, marketers, and spectators, Hollywood Hybrids focuses on genre mixing as a key creative interest motivating celebrated filmmakers. The book thus relates genre to auteur theory. Hollywood Hybrids also links recent hybrid cinema to earlier instances of hybrid form in film and other arts, including painting, music, literature, and architecture. The book concludes that hybrid films allude not only to multiple films and genres, but also to hybrid features of consciousness and identity that increasingly heighten as well as complicate human experience. Through close readings of films by US filmmakers such as Quentin Tarantino, David Lynch, Errol Morris, and, Joel and Ethan Coen, this work studies provocative, disorienting strategies of genre mixing in contemporary cinema. It also explores foreign parallels to US hybrid cinema in films by such directors as Pedro Almodovar and Stephen Chow. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

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Buch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Through close readings of films by U.S. filmmakers such as Quentin Tarantino, David Lynch, Errol Morris, Todd Haynes, and Joel and Ethan Coen, Hollywood Hybrids studies provocative, disorienting strategies of genre mixing in contemporary cinema. The book also explores foreign parallels to U.S. hybrid cinema in films by such directors as Pedro Almodovar (Spain) and Stephen Chow (Hong Kong). Hollywood Hybrids regards genre mixing as a key creative interest motivating major filmmakers around the globe.…