Isbn: 9780745606606 - visual theory (25 Ergebnisse)

Paperback. Zustand: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Re-bound by library. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780745606606.…

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Book contains pencil markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780745606606.…

Zustand: As New. Unread book in perfect condition.

Zustand: New. pp. 300 23:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on White w/Gloss Lam.

Zustand: New.

Zustand: New. pp. 300.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: New. In recent years there has been a growing interest in problems of theory and method in the field of art history. Semiology, phenomenology, feminism, analytical philosophy and Marxism have all contributed to a lively debate among art historians and have helped to stimulate new research. This volume draws together some of the authors who have been most prominent and influential in recent methodological debates and enables them to develop their views. The contributions include Norman Bryson on semiology and the limits of meaning; Arthur C. Danto on description and pictorial perception; Rosalind Krauss on language; Linda Nochlin on gender and power; Michael Podro on depiction; David Summers on image and metaphor; Richard Wollheim on the role of spectator. Each of these major contributions is subjected to critical scrutiny by other well-known figures in the field. A unique volume which will establish itself as a key reference point for the discussion of art historical method.…

Paperback. Zustand: Brand New. 250 pages. 8.94x6.06x0.71 inches. In Stock.

Zustand: New. Draws together some of the most prominent and influential authors of recent methodological debates in the field of art history. Editor(s): Bryson, Norman; Holly, Michael Ann; Moxey, Keith P. F. Num Pages: 300 pages, black & white illustrations. BIC Classification: ABA; AC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 227 x 149 x 16. Weight in Grams: 426. . 1990. Paperback. . . . . …

Zustand: New.

PF. Zustand: New.

Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.

Zustand: As New. Unread book in perfect condition.

Zustand: New. In English.

Zustand: New. Draws together some of the most prominent and influential authors of recent methodological debates in the field of art history. Editor(s): Bryson, Norman; Holly, Michael Ann; Moxey, Keith P. F. Num Pages: 300 pages, black & white illustrations. BIC Classification: ABA; AC. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 227 x 149 x 16. Weight in Grams: 426. . 1990. Paperback. . . . . Books ship from the US and Ireland. …

Zustand: Very Good.

Taschenbuch. Zustand: Neu. Neuware - In recent years there has been a growing interest in problems of theory and method in the field of art history. Semiology, phenomenology, feminism, analytical philosophy and Marxism have all contributed to a lively debate among art historians and have helped to stimulate new research. This volume draws together some of the authors who have been most prominent and influential in recent methodological debates and enables them to develop their views. The contributions include Norman Bryson on semiology and the limits of meaning; Arthur C. Danto on description and pictorial perception; Rosalind Krauss on language; Linda Nochlin on gender and power; Michael Podro on depiction; David Summers on image and metaphor; Richard Wollheim on the role of spectator. Each of these major contributions is subjected to critical scrutiny by other well-known figures in the field. A unique volume which will establish itself as a key reference point for the discussion of art historical method.…

Kartoniert / Broschiert. Zustand: New. Draws together some of the most prominent and influential authors of recent methodological debates in the field of art history.Klappentextrnrn&#8727 This book is a manifesto for new approaches to the theory and interpretation of visual art.

Paperback. Zustand: New. In recent years there has been a growing interest in problems of theory and method in the field of art history. Semiology, phenomenology, feminism, analytical philosophy and Marxism have all contributed to a lively debate among art historians and have helped to stimulate new research. This volume draws together some of the authors who have been most prominent and influential in recent methodological debates and enables them to develop their views. The contributions include Norman Bryson on semiology and the limits of meaning; Arthur C. Danto on description and pictorial perception; Rosalind Krauss on language; Linda Nochlin on gender and power; Michael Podro on depiction; David Summers on image and metaphor; Richard Wollheim on the role of spectator. Each of these major contributions is subjected to critical scrutiny by other well-known figures in the field. A unique volume which will establish itself as a key reference point for the discussion of art historical method.…

Paperback / softback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.