ISBN: 9780789208316 - italian frescoes: high renaissance and mannerism 1510-1600 (7 Ergebnisse)

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st. Dust jacket in clear protector. 496pp 8.40lb 13.0x11.0x1.5in EXTRA SHIPPING CHARGES NECESSARY.

Hardcover. Zustand: Fine. Near Fine. US shipping only due to size ; Folio - over 12 - 15" tall.

Zustand: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: New. Zustand des Schutzumschlags: New. Rare, massive volume, rich with Italian Frescoes. New copy in stock. Spine is slightly angled.

Zustand: Very Good. Very Good+ in a Very Good+ dust jacket; Hardcover; Dust jacket is clean and intact with no tears, and has not been price-clipped (Now fitted with a new, Brodart jacket protector); Unmarked boards with "straight" edge-corners; The textblock edges are unblemished; The endpapers and all text pages are bright and unmarked; The binding is tight with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Extra-Large Format (Folio, 12.75" - 14" tall); Heavy (8.4 lbs); Fresco illustration to jacket with title in white lettering; 2004, Abbeville Press; 496 pages; "Italian Frescoes: High Renaissance and Mannerism 1510-1600," by Julian Kliemann & Michael Rohlmann.…

Zustand: gut. 2004. Italian Frescoes. High Renaissance and Mannerism. 1500 - 1600. In englischer Sprache. pages.

Hardcover. Zustand: New. Following the success of the previous volumes in this extraordinary Series (The Early Renaissance and The Flowering of the Renaissance), Italian Frescoes: The High Renaissance to the Early Baroque presents twenty-two fresco cycles that include brilliant works by Michelangelo, Raphael, Titian, Andrea del Sarto, Parmigianino, Bronzino, Veronese, and Carracci all of them still visible on walls and ceilings of palaces and churches spanning Italy from the Veneto to Rome. The authors present such celebrated sites as the Sistine Chapel in Rome, Palladio Villa Barbaro in Maser, and the Palazzo del Te in Mantua as well as lesser known gems. Each of the twenty-two chapters is concise and authoritative, offering a descriptive and interpretive essay on all aspects of fresco painting, covering the artists and their patrons in the context of their cultural and political history. Each essay concludes with a diagram of the fresco cycle, followed by a series of full- and double-page colour plates showing the entire cycle, many reproduced from new photographs of recently restored frescoes.…