9780804725682 - The Rules of Art: Genesis and Structure of the Literary Field (Meridian: Crossing Aesthetics) von Bourdieu, Pierre (14 Ergebnisse)

Hardcover. Zustand: Very Good. Hardcover and dust jacket. Good binding and cover. Shelf wear. Clean, unmarked pages. xx, 408 pages, 24 cm. "The long-awaited study of Flaubert and the modern literary field that constitutes the definitive work on the sociology of art by one of the world's leading social theorists.".

hardcover. Zustand: As New. Hardcover with fine dust jacket. Book is in Excellent condition, pages are clean and tight.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. A nice, clean copy. ; Meridian: Crossing Aesthetics; 8vo 8" - 9" tall; 432 pages.

Hard Cover. Zustand: As New. Zustand des Schutzumschlags: As New. First Edition. First Printing in dust jacket, Fine in Fine, no remainder or other markings, a pristine unread copy (dj in mylar protector); 8vo; (xxii) 408pp indexed.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good+ Dust Jacket. First Edition. 1st printing of 1st English-language edition. Very good hardcover with good+/very good- DJ, from a personal collection (NOT ex-library). Interior appears free of markings. Binding is tight, sturdy, and square. Top outer corner has a small spot of sun-fading. Unclipped dust jacket has rubbing and a quarter-inch closed tear at edge. Ships from Dinkytown in Minneapolis, Minnesota.

Zustand: New.

hardcover. Zustand: New. In shrink wrap. Looks like an interesting title!

Hardback. Zustand: New. Written with verve and intensity (and a good bit of wordplay), this is the long-awaited study of Flaubert and the modern literary field that constitutes the definitive work on the sociology of art by one of the world's leading social theorists. Drawing upon the history of literature and art from the mid-nineteenth century to the present, Bourdieu develops an original theory of art conceived as an autonomous value. He argues powerfully against those who refuse to acknowledge the interconnection between art and the structures of social relations within which it is produced and received. As Bourdieu shows, art's new autonomy is one such structure, which complicates but does not eliminate the interconnection. The literary universe as we know it today took shape in the nineteenth century as a space set apart from the approved academies of the state. No one could any longer dictate what ought to be written or decree the canons of good taste. Recognition and consecration were produced in and through the struggle in which writers, critics, and publishers confronted one another.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 432 | Sprache: Englisch | Produktart: Bücher | 0;"The Rules of Art" is consistently interesting, sometimes enthrallingly so. It is written with a clarity not commonly encountered in French writers on art, and with an irascible authority to which Bourdieu7;s acuity and learning certainly entitle him.1;2;Arthur C. Danto, Johnsonian Professor Emeritus, Columbia University.

Hardback. Zustand: New. Written with verve and intensity (and a good bit of wordplay), this is the long-awaited study of Flaubert and the modern literary field that constitutes the definitive work on the sociology of art by one of the world's leading social theorists. Drawing upon the history of literature and art from the mid-nineteenth century to the present, Bourdieu develops an original theory of art conceived as an autonomous value. He argues powerfully against those who refuse to acknowledge the interconnection between art and the structures of social relations within which it is produced and received. As Bourdieu shows, art's new autonomy is one such structure, which complicates but does not eliminate the interconnection. The literary universe as we know it today took shape in the nineteenth century as a space set apart from the approved academies of the state. No one could any longer dictate what ought to be written or decree the canons of good taste. Recognition and consecration were produced in and through the struggle in which writers, critics, and publishers confronted one another.

Gebunden. Zustand: New.

Hardcover. Zustand: Brand New. 1st edition. 408 pages. 9.50x6.25x1.25 inches. In Stock.

Buch. Zustand: Neu. Neuware - Written with verve and intensity (and a good bit of wordplay), this is the long-awaited study of Flaubert and the modern literary field that constitutes the definitive work on the sociology of art by one of the world's leading social theorists. Drawing upon the history of literature and art from the mid-nineteenth century to the present, Bourdieu develops an original theory of art conceived as an autonomous value. He argues powerfully against those who refuse to acknowledge the interconnection between art and the structures of social relations within which it is produced and received. As Bourdieu shows, art's new autonomy is one such structure, which complicates but does not eliminate the interconnection. The literary universe as we know it today took shape in the nineteenth century as a space set apart from the approved academies of the state. No one could any longer dictate what ought to be written or decree the canons of good taste. Recognition and consecration were produced in and through the struggle in which writers, critics, and publishers confronted one another.