ISBN: 9780804733915 - the crossing of the visible (cultural memory in the present) (17 Ergebnisse)

hardcover. Zustand: Very Good. Ex-library hardcover. No dust jacket. Library stickers, labels and stamps on cover and inside. Cover is in good condition. Spine is tight. Pages are clean, free of markings, notes or stains. If not for the library stickers and markings this book would be like new - looks like i was never checked out. Ships from Friends bookstore to benefit Beaverton (Oregon) library. …

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Hardback. Zustand: New. Painting, according to Jean-Luc Marion, is a central topic of concern for philosophy, particularly phenomenology. For the question of painting is, at its heart, a question of visibility-of appearance. As such, the painting is a privileged case of the phenomenon; the painting becomes an index for investigating the conditions of appearance-or what Marion describes as "phenomenality" in general. In The Crossing of the Visible, Marion takes up just such a project. The natural outgrowth of his earlier reflections on icons, these four studies carefully consider the history of painting-from classical to contemporary-as a fund for phenomenological reflection on the conditions of (in)visibility. Ranging across artists from Raphael to Rothko, Caravaggio to Pollock, The Crossing of the Visible offers both a critique of contemporary accounts of the visual and a constructive alternative. According to Marion, the proper response to the "nihilism" of postmodernity is not iconoclasm, but rather a radically iconic account of the visual and the arts that opens them to the invisible.…

Zustand: As New. Unread book in perfect condition.

Hardback. Zustand: New. New copy - Usually dispatched within 4 working days.

Zustand: New.

Zustand: New. In English.

Zustand: New. Painting, according to Jean-Luc Marion, is a topic of central concern for philosophy, particularly phenomenology. These four studies carefully consider the history of painting - from classical to contemporary - as a fund for phenomenological reflection on the conditions of (in)visibility. Translator(s): Smith, James K. A. Series: Cultural Memory in the Present Series. Num Pages: 120 pages. BIC Classification: AC; AFC; HPCF3. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5487 x 3556 x 14. Weight in Grams: 254. . 2004. Hardcover. . . . .…

Zustand: New. pp. 120.

Zustand: New. pp. 120.

Zustand: New. Painting, according to Jean-Luc Marion, is a topic of central concern for philosophy, particularly phenomenology. These four studies carefully consider the history of painting - from classical to contemporary - as a fund for phenomenological reflection on the conditions of (in)visibility. Translator(s): Smith, James K. A. Series: Cultural Memory in the Present Series. Num Pages: 120 pages. BIC Classification: AC; AFC; HPCF3. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5487 x 3556 x 14. Weight in Grams: 254. . 2004. Hardcover. . . . . Books ship from the US and Ireland.…

Hardback. Zustand: New. Painting, according to Jean-Luc Marion, is a central topic of concern for philosophy, particularly phenomenology. For the question of painting is, at its heart, a question of visibility-of appearance. As such, the painting is a privileged case of the phenomenon; the painting becomes an index for investigating the conditions of appearance-or what Marion describes as "phenomenality" in general. In The Crossing of the Visible, Marion takes up just such a project. The natural outgrowth of his earlier reflections on icons, these four studies carefully consider the history of painting-from classical to contemporary-as a fund for phenomenological reflection on the conditions of (in)visibility. Ranging across artists from Raphael to Rothko, Caravaggio to Pollock, The Crossing of the Visible offers both a critique of contemporary accounts of the visual and a constructive alternative. According to Marion, the proper response to the "nihilism" of postmodernity is not iconoclasm, but rather a radically iconic account of the visual and the arts that opens them to the invisible.…

Hardcover. Zustand: Brand New. 1st edition. 120 pages. 9.00x6.00x0.50 inches. In Stock.

Gebunden. Zustand: New. Ranging across artists from Raphael to Rothko, Caravaggio to Pollock, The Crossing of the Visible offers both a critique of contemporary accounts of the visual and a constructive alternative. According to Marion, the proper response to the nihilism of po.

Buch. Zustand: Neu. Neuware - Painting, according to Jean-Luc Marion, is a central topic of concern for philosophy, particularly phenomenology. For the question of painting is, at its heart, a question of visibility-of appearance. As such, the painting is a privileged case of the phenomenon; the painting becomes an index for investigating the conditions of appearance-or what Marion describes as 'phenomenality' in general. In The Crossing of the Visible, Marion takes up just such a project. The natural outgrowth of his earlier reflections on icons, these four studies carefully consider the history of painting-from classical to contemporary-as a fund for phenomenological reflection on the conditions of (in)visibility. Ranging across artists from Raphael to Rothko, Caravaggio to Pollock, The Crossing of the Visible offers both a critique of contemporary accounts of the visual and a constructive alternative. According to Marion, the proper response to the 'nihilism' of postmodernity is not iconoclasm, but rather a radically iconic account of the visual and the arts that opens them to the invisible.…

Hardcover. Zustand: Brand New. 1st edition. 120 pages. 9.00x6.00x0.50 inches. In Stock. This item is printed on demand.