9780804734721 - fantasm and fiction: on textual envisioning (cultural memory in the present) von schwenger, peter (22 Ergebnisse)
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Sprache: Englisch
Verlag: Stanford University Press, 1999
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Paperback. Zustand: New. Mental image, dream, fantasy, hallucination-all these are comprised in the psychoanalytic concept of the fantasm. Perhaps only such a multifarious concept is adequate to the range of visual elements involved in the experience of reading fiction, or of writing it. Soon after the birth of the novel, doctor…s expressed concern that readers might be possessed by what they were reading, haunted by textual fantasms. Contemporary writers like John Gardner, Maurice Blanchot, and John Banville figure this possession as a kind of textual dreaming: fiction, like dream, draws from a fantasmal unconscious. For the reader's images to become conscious, however, they must be cued by a material text through framing strategies and evocative gaps. This book analyzes the complex relationship between the fantasmal experience and the material text, reading a wide range of works-such as Calvino's If on a Winter's Night a Traveller, Coleridge's "Kubla Khan," Sorrentino's Mulligan Stew, and Rimbaud's "The Vowels"-that treat explicitly what is implicit in reading. Although the specific images of individual readers cannot be predicted, one can speculate on the modes of these images: are they focused or fogged, schematic or emotive, fleeting or enduring? These are questions not only for theorists but for artists who make textual visualization visible. Drawing on artists' books, marginal drawings by authors, and films such as Prospero's Books, Fantasm and Fiction illuminates the process of textual visualization. The author develops, in addition, "A Politics of Visualization" through analyses of the photographs of David Wojnarowicz, Derek Jarman's film Blue, and Nicole Brossard's novel Picture Theory. In this richly suggestive study, the fantasm emerges as a crucial aspect not only of reading but of any kind of envisioning.
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Sprache: Englisch
Verlag: Stanford University Press, 1999
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Verlag: Stanford University Press, 1999
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Zustand: New. pp. 512.
Sprache: Englisch
Verlag: Stanford University Press, 1999
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Verlag: Stanford University Press, 1999
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Zustand: New. This book analyzes the complex relationship between the fantasmal experience and the material text, reading a wide range of works that treat explicitly what is implicit in reading. Also, drawing on artists' books, drawings by authors, and films such as Prospero's Books , the author illuminates the process of textua…l visualization. Series: Cultural Memory in the Present. Num Pages: 192 pages, Illustrations. BIC Classification: DSBH; DSK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5182 x 3226 x 12. Weight in Grams: 270. . 1999. Paperback. . . . .
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Sprache: Englisch
Verlag: Stanford University Press, 1999
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Verlag: Stanford Univ Pr, 1999
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Sprache: Englisch
Verlag: Stanford University Press, 1999
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Zustand: New. pp. 512 1st Edition.
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Zustand: New. This book analyzes the complex relationship between the fantasmal experience and the material text, reading a wide range of works that treat explicitly what is implicit in reading. Also, drawing on artists' books, drawings by authors, and films such as Prospero's Books , the author illuminates the process of textua…l visualization. Series: Cultural Memory in the Present. Num Pages: 192 pages, Illustrations. BIC Classification: DSBH; DSK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 5182 x 3226 x 12. Weight in Grams: 270. . 1999. Paperback. . . . . Books ship from the US and Ireland.
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Sprache: Englisch
Verlag: Stanford University Press, 1999
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Sprache: Englisch
Verlag: Stanford: Stanford University Press, 1999., Stanford:, 1999
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Soft cover. Zustand: Very Good. SCHWENGER, PETER Fantasm and fiction on textual envisioning. (Cultural memory in the present). Stanford: Stanford University Press, 1999. Large 8vo., x, 174 p. Paperback. Very good ISBN: 9780804734721 CATALOG: Literature KEYWORDS: history of literature philosophy Mental image, dream, fantasy, hall…ucination—all these are comprised in the psychoanalytic concept of the fantasm. Perhaps only such a multifarious concept is adequate to the range of visual elements involved in the experience of reading fiction, or of writing it. Soon after the birth of the novel, doctors expressed concern that readers might be possessed by what they were reading, haunted by textual fantasms. Contemporary writers like John Gardner, Maurice Blanchot, and John Banville figure this possession as a kind of textual dreaming: fiction, like dream, draws from a fantasmal unconscious. For the reader's images to become conscious, however, they must be cued by a material text through framing strategies and evocative gaps. This book analyzes the complex relationship between the fantasmal experience and the material text, reading a wide range of works—such as Calvino's If on a Winter's Night a Traveller, Coleridge's "Kubla Khan," Sorrentino's Mulligan Stew, and Rimbaud's "The Vowels"—that treat explicitly what is implicit in reading. Although the specific images of individual readers cannot be predicted, one can speculate on the modes of these images: are they focused or fogged, schematic or emotive, fleeting or enduring? These are questions not only for theorists but for artists who make textual visualization visible. Drawing on artists' books, marginal drawings by authors, and films such as Prospero's Books, Fantasm and Fiction illuminates the process of textual visualization. The author develops, in addition, "A Politics of Visualization" through analyses of the photographs of David Wojnarowicz, Derek Jarman's film Blue, and Nicole Brossard's novel Picture Theory. In this richly suggestive study, the fantasm emerges as a crucial aspect not only of reading but of any kind of envisioning.
Sprache: Englisch
Verlag: STANFORD UNIVERSITY PRESS, STANFORD, CA, 1999
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Tapa blanda. Zustand: New. 1ª edición. SCHWENGER, P.: FANTASM AND FICTION. ON TEXTUAL ENVISIONING. STANFORD, CA, 1999, x 174 p. figuras, 280 gr. Encuadernacion original. Nuevo. (NB-6-1) 280 gr. Libro.
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Sprache: Englisch
Verlag: Stanford University Press, US, 1999
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Paperback. Zustand: New. Mental image, dream, fantasy, hallucination-all these are comprised in the psychoanalytic concept of the fantasm. Perhaps only such a multifarious concept is adequate to the range of visual elements involved in the experience of reading fiction, or of writing it. Soon after the birth of the novel, doctor…s expressed concern that readers might be possessed by what they were reading, haunted by textual fantasms. Contemporary writers like John Gardner, Maurice Blanchot, and John Banville figure this possession as a kind of textual dreaming: fiction, like dream, draws from a fantasmal unconscious. For the reader's images to become conscious, however, they must be cued by a material text through framing strategies and evocative gaps. This book analyzes the complex relationship between the fantasmal experience and the material text, reading a wide range of works-such as Calvino's If on a Winter's Night a Traveller, Coleridge's "Kubla Khan," Sorrentino's Mulligan Stew, and Rimbaud's "The Vowels"-that treat explicitly what is implicit in reading. Although the specific images of individual readers cannot be predicted, one can speculate on the modes of these images: are they focused or fogged, schematic or emotive, fleeting or enduring? These are questions not only for theorists but for artists who make textual visualization visible. Drawing on artists' books, marginal drawings by authors, and films such as Prospero's Books, Fantasm and Fiction illuminates the process of textual visualization. The author develops, in addition, "A Politics of Visualization" through analyses of the photographs of David Wojnarowicz, Derek Jarman's film Blue, and Nicole Brossard's novel Picture Theory. In this richly suggestive study, the fantasm emerges as a crucial aspect not only of reading but of any kind of envisioning.
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Sprache: Englisch
Verlag: STANFORD UNIV PR, 1999
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Kartoniert / Broschiert. Zustand: New. This book analyzes the complex relationship between the fantasmal experience and the material text, reading a wide range of works that treat explicitly what is implicit in reading. Also, drawing on artists books, drawings by authors, and films such as Pro.
Sprache: Englisch
Verlag: Stanford University Press, 1999
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paperback. Zustand: New. In shrink wrap. Looks like an interesting title.
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Sprache: Englisch
Verlag: Stanford University Press Jun 1999, 1999
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Taschenbuch. Zustand: Neu. Neuware - Mental image, dream, fantasy, hallucination-all these are comprised in the psychoanalytic concept of the fantasm. Perhaps only such a multifarious concept is adequate to the range of visual elements involved in the experience of reading fiction, or of writing it. Soon after the birth of the n…ovel, doctors expressed concern that readers might be possessed by what they were reading, haunted by textual fantasms. Contemporary writers like John Gardner, Maurice Blanchot, and John Banville figure this possession as a kind of textual dreaming: fiction, like dream, draws from a fantasmal unconscious. For the reader's images to become conscious, however, they must be cued by a material text through framing strategies and evocative gaps. This book analyzes the complex relationship between the fantasmal experience and the material text, reading a wide range of works-such as Calvino's If on a Winter's Night a Traveller, Coleridge's 'Kubla Khan,' Sorrentino's Mulligan Stew, and Rimbaud's 'The Vowels'-that treat explicitly what is implicit in reading. Although the specific images of individual readers cannot be predicted, one can speculate on the modes of these images: are they focused or fogged, schematic or emotive, fleeting or enduring These are questions not only for theorists but for artists who make textual visualization visible. Drawing on artists' books, marginal drawings by authors, and films such as Prospero's Books, Fantasm and Fiction illuminates the process of textual visualization. The author develops, in addition, 'A Politics of Visualization' through analyses of the photographs of David Wojnarowicz, Derek Jarman's film Blue, and Nicole Brossard's novel Picture Theory. In this richly suggestive study, the fantasm emerges as a crucial aspect not only of reading but of any kind of envisioning.
Sprache: Englisch
Verlag: Stanford Univ Pr, 1999
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Sprache: Englisch
Verlag: Stanford University Press, 1999
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