Isbn: 9780804754316 - the material image: art and the real in film (cultural memory in the present) (24 Ergebnisse)

Pictorial Softcover. Paperback. Zustand: Near Fine. Zustand des Schutzumschlags: No Jacket, as Issued. 1st Edition. Pictorial Stiff Wraps, Paperback. A bright, clean, tight copy. Ink underlining on 4 of the 256 total pages (priced accordingly)."Focusing on intermediality, "The Material Image" situates film within questions of representation familiar from the other arts: What is meant by figuring the real? How is the real suggested by visual metaphors, and what is its relation to illusion? How is the spectator figured as entering the text, and how does the image enter our world? The film's spectator is integral to these concerns." GB12. …

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Paperback or Softback. Zustand: New. The Material Image: Art and the Real in Film. Book.

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Paperback. Zustand: New. Focusing on intermediality, The Material Image situates film within questions of representation familiar from the other arts: What is meant by figuring the real? How is the real suggested by visual metaphors, and what is its relation to illusion? How is the spectator figured as entering the text, and how does the image enter our world? The film's spectator is integral to these concerns. Cognitive and phenomenological approaches to perception alike claim that spectatorial affect is "real" even when it is film that produces it. Central to the staging of intermediality in film, tableaux moments in film also figure prominently in the book. Films by Scorsese, Greenaway, Wenders, and Kubrick are seen to address painterly, photographic, and digital images in relation to effects of the real. Hitchcock's films are examined with regard to modernist and realist effects in painting. Chapters on Fassbinder and Haneke analyze the significance of tableau for the body in pain, while a final chapter on horror film explores the literalism of psychopathic tableau. Here, too, art and the body-images and the real-are juxtaposed and entwined in a set of relations.…

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Zustand: New. Focusing on intermediality, The Material Image situates film within questions of representation familiar from painting and theatrical practices. Series: Cultural Memory in the Present. Num Pages: 272 pages. BIC Classification: APFA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 227 x 153 x 15. Weight in Grams: 372. . 2006. 1st Edition. Paperback. . . . . …

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Paperback. Zustand: Brand New. 1st edition. 251 pages. 8.75x6.00x0.50 inches. In Stock.

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Zustand: New. Focusing on intermediality, The Material Image situates film within questions of representation familiar from painting and theatrical practices. Series: Cultural Memory in the Present. Num Pages: 272 pages. BIC Classification: APFA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 227 x 153 x 15. Weight in Grams: 372. . 2006. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. …

Paperback. Zustand: New. Focusing on intermediality, The Material Image situates film within questions of representation familiar from the other arts: What is meant by figuring the real? How is the real suggested by visual metaphors, and what is its relation to illusion? How is the spectator figured as entering the text, and how does the image enter our world? The film's spectator is integral to these concerns. Cognitive and phenomenological approaches to perception alike claim that spectatorial affect is "real" even when it is film that produces it. Central to the staging of intermediality in film, tableaux moments in film also figure prominently in the book. Films by Scorsese, Greenaway, Wenders, and Kubrick are seen to address painterly, photographic, and digital images in relation to effects of the real. Hitchcock's films are examined with regard to modernist and realist effects in painting. Chapters on Fassbinder and Haneke analyze the significance of tableau for the body in pain, while a final chapter on horror film explores the literalism of psychopathic tableau. Here, too, art and the body-images and the real-are juxtaposed and entwined in a set of relations.…

Zustand: New. Focusing on intermediality, The Material Image situates film within questions of representation familiar from painting and theatrical practices.&Uumlber den AutorBrigitte Peucker is Elias Leavenworth Professor of German and Professo.

Taschenbuch. Zustand: Neu. The Material Image | Art and the Real in Film | Brigitte Peucker | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2006 | Stanford University Press | EAN 9780804754316 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu. …

Paperback. Zustand: Brand New. 1st edition. 251 pages. 8.75x6.00x0.50 inches. In Stock. This item is printed on demand.

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Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Focusing on intermediality, The Material Image situates film within questions of representation familiar from the other arts: What is meant by figuring the real How is the real suggested by visual metaphors, and what is its relation to illusion How is the spectator figured as entering the text, and how does the image enter our world The film's spectator is integral to these concerns. Cognitive and phenomenological approaches to perception alike claim that spectatorial affect is 'real' even when it is film that produces it. Central to the staging of intermediality in film, tableaux moments in film also figure prominently in the book. Films by Scorsese, Greenaway, Wenders, and Kubrick are seen to address painterly, photographic, and digital images in relation to effects of the real. Hitchcock's films are examined with regard to modernist and realist effects in painting. Chapters on Fassbinder and Haneke analyze the significance of tableau for the body in pain, while a final chapter on horror film explores the literalism of psychopathic tableau. Here, too, art and the body-images and the real-are juxtaposed and entwined in a set of relations. 272 pp. Englisch.…

Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Focusing on intermediality, The Material Image situates film within questions of representation familiar from the other arts: What is meant by figuring the real How is the real suggested by visual metaphors, and what is its relation to illusion How is the spectator figured as entering the text, and how does the image enter our world The film's spectator is integral to these concerns. Cognitive and phenomenological approaches to perception alike claim that spectatorial affect is 'real' even when it is film that produces it. Central to the staging of intermediality in film, tableaux moments in film also figure prominently in the book. Films by Scorsese, Greenaway, Wenders, and Kubrick are seen to address painterly, photographic, and digital images in relation to effects of the real. Hitchcock's films are examined with regard to modernist and realist effects in painting. Chapters on Fassbinder and Haneke analyze the significance of tableau for the body in pain, while a final chapter on horror film explores the literalism of psychopathic tableau. Here, too, art and the body-images and the real-are juxtaposed and entwined in a set of relations. …