ISBN: 9780804762502 - primitive modernities: tango, samba, and nation (26 Ergebnisse)

Paperback. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

paperback. Zustand: New. 1st Edition. Ships in a BOX from Central Missouri! UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Zustand: As New. Unread book in perfect condition.

paperback. Zustand: Like New. 1st Edition. Ships in a BOX from Central Missouri! Like Brand NEW. No tears, highlighting or writing because it's never been used! May have minor shelf wear. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Zustand: New.

Paperback. Zustand: New. Primitive Modernities invites us to reconsider the boundaries that usually separate popular culture from the culture of the elite. It focuses on the cultural network that enabled popular music-tango and samba-to transform into national and modern forms. The origin of tango and samba is considered primitive, marginal. Yet in the early decades of the twentieth century, they each came to symbolize a nation: Argentina and Brazil, respectively. Garramuño analyzes the aesthetic and ideological processes that enabled this transformation.Starting with the late nineteenth century, the author traces the changing meanings of the "primitive" in art, from savage and exotic to being linked to the modern. She considers not only music, but also painting, poetry, novels, essays, and films. Indeed, Garramuño understands culture as fundamentally a space of differences. In this sense, the book is also a reconsideration of the field of comparativism and of Brazil's place in Latin American Studies.…

Zustand: New.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: new.

Zustand: New. pp. 216.

Zustand: New. In English.

Zustand: New. 2011. 1st Edition. Paperback. . . . . .

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.

Paperback. Zustand: Brand New. 200 pages. 9.25x6.25x0.75 inches. In Stock.

Zustand: New. pp. 216.

Zustand: New. 2011. 1st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: New. Primitive Modernities invites us to reconsider the boundaries that usually separate popular culture from the culture of the elite. It focuses on the cultural network that enabled popular music-tango and samba-to transform into national and modern forms. The origin of tango and samba is considered primitive, marginal. Yet in the early decades of the twentieth century, they each came to symbolize a nation: Argentina and Brazil, respectively. Garramuño analyzes the aesthetic and ideological processes that enabled this transformation.Starting with the late nineteenth century, the author traces the changing meanings of the "primitive" in art, from savage and exotic to being linked to the modern. She considers not only music, but also painting, poetry, novels, essays, and films. Indeed, Garramuño understands culture as fundamentally a space of differences. In this sense, the book is also a reconsideration of the field of comparativism and of Brazil's place in Latin American Studies.…

Kartoniert / Broschiert. Zustand: New. Primitive Modernities traces how the changing meaning of the primitive enabled the transformation of tango and samba-music considered primitive and marginal into art forms that symbolized the nations of Argentina and Brazil.&Uumlber den Autorr.

Taschenbuch. Zustand: Neu. Primitive Modernities | Tango, Samba, and Nation | Florencia Garramuno | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2011 | Stanford University Press | EAN 9780804762502 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu. …

Paperback. Zustand: Brand New. 200 pages. 9.25x6.25x0.75 inches. In Stock. This item is printed on demand.

Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Primitive Modernities invites us to reconsider the boundaries that usually separate popular culture from the culture of the elite. It focuses on the cultural network that enabled popular music-tango and samba-to transform into national and modern forms. The origin of tango and samba is considered primitive, marginal. Yet in the early decades of the twentieth century, they each came to symbolize a nation: Argentina and Brazil, respectively. Garramuño analyzes the aesthetic and ideological processes that enabled this transformation.Starting with the late nineteenth century, the author traces the changing meanings of the 'primitive' in art, from savage and exotic to being linked to the modern. She considers not only music, but also painting, poetry, novels, essays, and films. Indeed, Garramuño understands culture as fundamentally a space of differences. In this sense, the book is also a reconsideration of the field of comparativism and of Brazil's place in Latin American Studies. 216 pp. Englisch.…

Paperback / softback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Primitive Modernities invites us to reconsider the boundaries that usually separate popular culture from the culture of the elite. It focuses on the cultural network that enabled popular music-tango and samba-to transform into national and modern forms. The origin of tango and samba is considered primitive, marginal. Yet in the early decades of the twentieth century, they each came to symbolize a nation: Argentina and Brazil, respectively. Garramuño analyzes the aesthetic and ideological processes that enabled this transformation.Starting with the late nineteenth century, the author traces the changing meanings of the 'primitive' in art, from savage and exotic to being linked to the modern. She considers not only music, but also painting, poetry, novels, essays, and films. Indeed, Garramuño understands culture as fundamentally a space of differences. In this sense, the book is also a reconsideration of the field of comparativism and of Brazil's place in Latin American Studies.…