Isbn: 9780809311903 - in form: digressions on the act of fiction (crosscurrents/modern critiques. third series) (8 Ergebnisse)

Zustand: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

hardcover. Zustand: Good. Southern Illinois University Press 1985 8vo. 247 pages. highlighting to text pages. rubbing to dust jacket with chips, creases, and tears to top and bottom edges.

Hardcover. Zustand: Fair. Zustand des Schutzumschlags: Good. Text block good.; 247 pages; Crosscurrents; 8vo 8" - 9" tall; 247 pages.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Text is unmarked; pages are bright, though the page edges are a little age toned. Binding is sturdy. Dust jacket is shelf rubbed and lightly edge worn.

Zustand: Sehr gut. 22.5cm x 13.8cm. xxii, 247 pages. Original Hardcover with original dustjacket. Very good condition with only minor signs of wear. Includes for Example: Form, a dynamic force that must never be taken for granted, but must be created as the work itself is shaped/ The writer struggles to escape pre-existing ideas, inventing as he writes: "The next word is always a surprise"/ Writing - an action that becomes literary only in retrospect/ The variables involved in the act of fiction, considering the theory, criticism, lived experience, and even the publication process as they form/ Proposal that that primary concern of the writer is liberation from the stage formulas that falsify our experience/ "The novel must change or die", Sukenik asserts/ The "form of the traditional novel as a metaphor for a society that no longer exists"/ Digressions toward a study of comosition/ Digressions in the politics of language/ Digressions on narrative authority/ The Finnegan digression/ Film digression/ Wallace Stevens: theory and practice/ Castaneda: Upward and Juanward/ Innovative fiction/ Innovative criteria etc. Sukenick is one of the most original contemporary novelists/ He describes these essays as "the comments of a fiction writer about writing, not those of a critic on what has been written".…

Hardcover.