Sprache: Englisch
Verlag: University of Virginia Press, Charlottesville, 2013
ISBN 10: 0813934834 ISBN 13: 9780813934839
Anbieter: Grand Eagle Retail, Bensenville, IL, USA
Hardcover. Zustand: new. Hardcover. The term ""culture"" has become ubiquitous in both academic and popular conversations, but its usefulness is a point of dispute. Taking the current shift from cultural studies to aesthetics as the latest form of this discussion, Eric Aronoff contends that in American modernism, the concepts of culture and of aesthetics have always been inseparable. The modernist concept of culture, he argues, arose out of an interdisciplinary dialogue about value, meaning, and form among social critics, artists, anthropologists, and literary critics, including figures as diverse as Van Wyck Brooks, Edward Sapir, Willa Cather, Lewis Mumford, John Crowe Ransom, Raymond Weaver, and Allen Tate. These figures proposed new ways to conceive of culture that intertwined theories of aesthetic and literary value with theories of national, racial, and regional identity. Through close readings, Aronoff shows that disciplines and approaches that are often thought of as opposedcultural anthropology and aesthetics, American literary history and literary criticism, and multiculturalism and regionalismare in fact engaged in common debate and proceed from shared arguments about culture and form. The term culture has become ubiquitous in both academic and popular conversations, but its usefulness is a point of dispute. Taking the current shift from cultural studies to aesthetics as the latest form of this discussion, Eric Aronoff contends that in American modernism, the concepts of culture and of aesthetics have always been inseparable. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Sprache: Englisch
Verlag: University of Virginia Press, 2013
ISBN 10: 0813934834 ISBN 13: 9780813934839
Anbieter: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irland
Zustand: New. Series: Cultural Frames, Framing Culture. Num Pages: 248 pages. BIC Classification: 1KBB; 2AB; DSA; JFC. Category: (G) General (US: Trade). Dimension: 229 x 152 x 23. Weight in Grams: 458. . 2013. Hardcover. . . . .
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 117,14
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 226 pages. 9.00x6.00x0.75 inches. In Stock.
Sprache: Englisch
Verlag: University of Virginia Press, 2013
ISBN 10: 0813934834 ISBN 13: 9780813934839
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Series: Cultural Frames, Framing Culture. Num Pages: 248 pages. BIC Classification: 1KBB; 2AB; DSA; JFC. Category: (G) General (US: Trade). Dimension: 229 x 152 x 23. Weight in Grams: 458. . 2013. Hardcover. . . . . Books ship from the US and Ireland.
Anbieter: moluna, Greven, Deutschland
Gebunden. Zustand: New. The term culture has become ubiquitous in both academic and popular conversations, but its usefulness is a point of dispute. Taking the current shift from cultural studies to aesthetics as the latest form of this discussion, Eric Aronoff contends that in .
Sprache: Englisch
Verlag: University Of Virginia Press Okt 2013, 2013
ISBN 10: 0813934834 ISBN 13: 9780813934839
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - The term 'culture" has become ubiquitous in both academic and popular conversations, but its usefulness is a point of dispute. Taking the current shift from cultural studies to aesthetics as the latest form of this discussion, Eric Aronoff contends that in American modernism, the concepts of culture and of aesthetics have always been inseparable.