Zustand: Good. Item in good condition and has highlighting/writing on text. Used texts may not contain supplemental items such as CDs, info-trac etc.
Soft cover. Zustand: Fine. Paperback. Crisp and clean copy, like new condition. Book.
Paperback. Zustand: Good. The first 20 pages have under linings and and markings, remainder of book appears unmarked and unread. Providing superior service since 2001. Dropshippers heartily welcomed.
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: As New. Unread book in perfect condition.
Sprache: Englisch
Verlag: MP - University Of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 23,84
Anzahl: 15 verfügbar
In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: New.
Anbieter: Brook Bookstore On Demand, Napoli, NA, Italien
EUR 28,87
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: new.
Sprache: Englisch
Verlag: University of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 20,19
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. Volume 26. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780816634026.
Sprache: Englisch
Verlag: University of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 30,82
Anzahl: 3 verfügbar
In den WarenkorbZustand: New. pp. 320.
Sprache: Englisch
Verlag: University of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Anbieter: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irland
EUR 31,20
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. Series: Electronic Mediations. Num Pages: 320 pages, 22 b&w illustrations. BIC Classification: AP. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 156 x 22. Weight in Grams: 468. . 2008. Paperback. . . . .
Sprache: Englisch
Verlag: University of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Anbieter: THE SAINT BOOKSTORE, Southport, Vereinigtes Königreich
EUR 23,84
Anzahl: Mehr als 20 verfügbar
In den WarenkorbPaperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.
Sprache: Englisch
Verlag: University of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Series: Electronic Mediations. Num Pages: 320 pages, 22 b&w illustrations. BIC Classification: AP. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 156 x 22. Weight in Grams: 468. . 2008. Paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: University of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Anbieter: Books Puddle, New York, NY, USA
Zustand: New. pp. 320.
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
EUR 29,87
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: As New. Unread book in perfect condition.
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
EUR 32,90
Anzahl: 1 verfügbar
In den WarenkorbZustand: Good. Volume 26. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780816634026.
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
EUR 33,44
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 46,27
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 309 pages. 8.50x5.75x1.00 inches. In Stock.
Sprache: Englisch
Verlag: University of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Anbieter: preigu, Osnabrück, Deutschland
Taschenbuch. Zustand: Neu. Digital Baroque | New Media Art and Cinematic Folds | Timothy Murray | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2008 | University of Minnesota Press | EAN 9780816634026 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 26,78
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 309 pages. 8.50x5.75x1.00 inches. In Stock. This item is printed on demand.
Sprache: Englisch
Verlag: University Of Minnesota Press Dez 2008, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Anbieter: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Deutschland
Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -A surprising and original application of theories of new media artIn this intellectually groundbreaking work, Timothy Murray investigates a paradox embodied in the book's title: What is the relationship between digital, in the form of new media art, and baroque, a highly developed early modern philosophy of art Making an exquisite and unexpected connection between the old and the new, Digital Baroque analyzes the philosophical paradigms that inform contemporary screen arts. Examining a wide range of art forms, Murray reflects on the rhetorical, emotive, and social forces inherent in the screen arts' dialogue with early modern concepts. Among the works discussed are digitally oriented films by Peter Greenaway, Jean-Luc Godard, and Chris Marker; video installations by Thierry Kuntzel, Keith Piper, and Renate Ferro; and interactive media works by Toni Dove, David Rokeby, and Jill Scott. Sophisticated readings reveal the electronic psychosocial webs and digital representations that link text, film, and computer. Murray puts forth an innovative Deleuzian psychophilosophical approach-one that argues that understanding new media art requires a fundamental conceptual shift from linear visual projection to nonlinear temporal folds intrinsic to the digital form. 336 pp. Englisch.
Sprache: Englisch
Verlag: University of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Anbieter: Biblios, Frankfurt am main, HESSE, Deutschland
Zustand: New. PRINT ON DEMAND pp. 320.
Sprache: Englisch
Verlag: University of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Anbieter: moluna, Greven, Deutschland
EUR 30,34
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt.
Sprache: Englisch
Verlag: University Of Minnesota Press, 2008
ISBN 10: 0816634025 ISBN 13: 9780816634026
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - A surprising and original application of theories of new media artIn this intellectually groundbreaking work, Timothy Murray investigates a paradox embodied in the book's title: What is the relationship between digital, in the form of new media art, and baroque, a highly developed early modern philosophy of art Making an exquisite and unexpected connection between the old and the new, Digital Baroque analyzes the philosophical paradigms that inform contemporary screen arts. Examining a wide range of art forms, Murray reflects on the rhetorical, emotive, and social forces inherent in the screen arts' dialogue with early modern concepts. Among the works discussed are digitally oriented films by Peter Greenaway, Jean-Luc Godard, and Chris Marker; video installations by Thierry Kuntzel, Keith Piper, and Renate Ferro; and interactive media works by Toni Dove, David Rokeby, and Jill Scott. Sophisticated readings reveal the electronic psychosocial webs and digital representations that link text, film, and computer. Murray puts forth an innovative Deleuzian psychophilosophical approach-one that argues that understanding new media art requires a fundamental conceptual shift from linear visual projection to nonlinear temporal folds intrinsic to the digital form.