Sprache: Englisch
Verlag: University of Chicago press, 2004
ISBN 10: 0816634416 ISBN 13: 9780816634415
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Zustand: New. Brand New.
Sprache: Englisch
Verlag: MP - University Of Minnesota Press, 2004
ISBN 10: 0816634416 ISBN 13: 9780816634415
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Zustand: New.
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In den WarenkorbPaperback. Zustand: Brand New. illustrated edition. 286 pages. 9.75x7.00x0.75 inches. In Stock.
EUR 28,87
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In den WarenkorbZustand: New.
Sprache: Englisch
Verlag: University of Minnesota Press, 2004
ISBN 10: 0816634416 ISBN 13: 9780816634415
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In den WarenkorbPaperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.
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In den WarenkorbPaperback. Zustand: Brand New. illustrated edition. 286 pages. 9.75x7.00x0.75 inches. In Stock.
Sprache: Englisch
Verlag: University of Minnesota Press, 2004
ISBN 10: 0816634416 ISBN 13: 9780816634415
Anbieter: LIBRERIA LEA+, Santiago, RM, Chile
Blanda. Zustand: New. Zustand des Schutzumschlags: Nuevo. No Aplica (illustrator). 0. In The Subject of Documentary, Michael Renov focuses on how documentary filmmaking has become an important means for both examining and constructing selfhood. By looking at key figures in documentary filmmaking as well as noncanonical video art and avant-garde artists, Renov broadens the definition of what counts as documentary. Offering historical context for the explosion of personal nonfiction filmmaking in the 1980s and 1990s, Renov analyzes films in which the subjectivity of the filmmaker is expressly defined in relation to political struggle or historical trauma, from Haskell Wexler's Medium Cool to Jonas Mekas's Lost, Lost, Lost. And, looking beyond the traditional documentary, Renov contemplates such nontraditional modes of autobiographical practice as the essay film, the video confession, and the personal Web page.Unique in its attention to diverse expressions of personal nonfiction filmmaking, The Subject of Documentary forges a new understanding of the heightened role and function of subjectivity in contemporary documentary practice. Michael Renov is professor of critical studies at the USC School of Cinema-Television. He is the editor of Theorizing Documentary and the coeditor of Resolutions: Contemporary Video Practices (Minnesota, 1996) and Collecting Visible Evidence (Minnesota, 1999). 540 gr. Libro.
Anbieter: BennettBooksLtd, Los Angeles, CA, USA
paperback. Zustand: New. In shrink wrap. Looks like an interesting title!