ISBN: 9780816670178 - man ray, african art, and the modernist lens (17 Ergebnisse)

paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Zustand: Very Good. 1st Edition. A solid very good copy. Light edge wear. Contents fine.

Oversized Paperback. Zustand: Good.

Soft cover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. First edition, first printing. Fine- oversize trade paper original with french flaps, clean and unmarked. Heavy oversize book will require a variable shipping surcharge based on its final destination.

Paperback. Zustand: new. New Copy. Customer Service Guaranteed.

Soft cover. Zustand: Very Good. 1st Edition. Oversized soft cover book (184 pages) illustrated with numerous color and b/w photographs/reproductions. Moderate rubbing/scuffing on covers. INTERNATIONAL SHIPPING WILL REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (UL-2-Middle-L) rareviewbooks.

Softcover, 184 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1150grams, ISBN:9780816670178. …

Soft cover. Zustand: Very Good. The book is in very good condition, little shelf rubbing apparent. Text and images inside appear clean and clear throughout. 'This groundbreaking analysis spotlights a select group of Man Ray's photographs within the context of modernist photographic history and the "discovery" of African art by the early twentieth-century avant-garde. Featuring more than seventy photographs by Man Ray-some never before reproduced-alongside many rarely seen photographs of African art by his European and American contemporaries, Man Ray, African Art, and the Modernist Lens uncovers a virtually unknown chapter in both the inventive activities of this celebrated artist and in this overlooked facet of photographic history. Meticulously researched and compellingly presented, Wendy A. Grossman raises thought-provoking questions about the role photographs played in shaping perceptions of African art and, in turn, how such images led to distinctive modernist viewpoints across racial and geographic boundaries. Particularly notable is the treatment of the African pieces both as integral components of the modernist history to which they contributed and, as elucidated by original scholarship by African art experts, as objects with their own independent cultural histories. Revealing a more complex engagement with African art by Man Ray and his contemporaries than has been previously known, Grossman provides a rich and nuanced study that makes an important addition to our understanding of critical issues in modernism that continue to influence the way we see African art today. With an essay by Ian Walker and additional contributions by Yaëlle Biro, Poul Mørk, Rainer Stamm, and Tomás Winter. Concordance of African objects edited by Letty Wilson Bonnell.' xv+184 pages. 8.75 x 11.6 inches. May require additional postage. This listing was made by a small independent book shop. We carefully inspect every single book we list and give accurate descriptions. If you require we will promptly send pictures of listed books upon request. Size: 4to - over 9¾ - 12" tall. Book.…

First Edition. First edition. Softcover. 183 pages. An examination of the impact that African art had on Man Ray and modern art. Features text by Wendy A. Grossman, Ian Walker, Yaelle Biro, Poul Mork, Rainer Stamm, and Tomal Winter. Includes over 70 images by Man Ray, some of which were previously never published. Also includes a timeline and a checklist. A fine copy in French style wrappers.…

Couverture souple. Zustand: Bon état. Livre en anglais. In-4 broché 29 cm sur 21,5. 183 pages. Bon état d'occasion.

Paperback. Zustand: Brand New. 1st edition. 200 pages. 11.50x8.50x0.75 inches. In Stock.

28,5*22,5 cm. OBroschur. 183 Seiten Einband leicht berieben, sonst gut. G09-2 ISBN 9780816670178 Wichtiger Hinweis: Aufgrund der EPR-Regelung zur Zeit KEIN Versand in EU-Länder. Due to EPR, there is currently no delivery to EU-countries. Sprache: Englisch Gewicht in Gramm: 1200.

Soft cover. Zustand: New. 1st Edition. Brand new large pbk.; still in original shrinkwrap.

Soft cover. Zustand: New. No Jacket. 1st Edition. First edition 2009, first printing, no previous printings listed. Published on occasion of the traveling exhibition. Published by International Arts and Artists. Large softcover in French wraps without DJ as issued. Condition new. square tight and crisp book, spine not creased, sharp corners, not an ex-library, no edgewear, no names no underlinings no highlights no bent pages, Not a reminder. Folio, 200 pages, illustrated throughout. Large and heavy book will require additional postage for international orders.…

Paperback. Zustand: New. This groundbreaking analysis spotlights a select group of Man Rayâs photographs within the context of modernist photographic history and the âdiscoveryâ of African art by the early twentieth-century avant-garde. Featuring more than seventy photographs by Man Rayâ"some never before reproducedâ"alongside many rarely seen photographs of African art by his European and American contemporaries, Man Ray, African Art, and the Modernist Lens uncovers a virtually unknown chapter in both the inventive activities of this celebrated artist and in this overlooked facet of photographic history. Meticulously researched and compellingly presented, Wendy A. Grossman raises thought-provoking questions about the role photographs played in shaping perceptions of African art and, in turn, how such images led to distinctive modernist viewpoints across racial and geographic boundaries. Particularly notable is the treatment of the African pieces both as integral components of the modernist history to which they contributed and, as elucidated by original scholarship by African art experts, as objects with their own independent cultural histories. Revealing a more complex engagement with African art by Man Ray and his contemporaries than has been previously known, Grossman provides a rich and nuanced study that makes an important addition to our understanding of critical issues in modernism that continue to influence the way we see African art today. With an essay by Ian Walker and additional contributions by Yaëlle Biro, Poul Mà rk, Rainer Stamm, and Tomás Winter. Concordance of African objects edited by Letty Wilson Bonnell.…