Isbn: 9780817358402 - edith wharton in context: essays on intertextuality (18 Ergebnisse)

Paperback. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Zustand: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: new.

Paperback. Zustand: Brand New. reprint edition. 263 pages. 9.50x6.25x1.00 inches. In Stock.

Zustand: New. Num Pages: 284 pages, 7 illustrations. BIC Classification: DSRC. Category: (G) General (US: Trade). Dimension: 229 x 152 x 25. Weight in Grams: 454. . 2015. Paperback. . . . .

Zustand: New. pp. 288.

Zustand: New.

Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.

Zustand: New. Num Pages: 284 pages, 7 illustrations. BIC Classification: DSRC. Category: (G) General (US: Trade). Dimension: 229 x 152 x 25. Weight in Grams: 454. . 2015. Paperback. . . . . Books ship from the US and Ireland.

Zustand: As New. Unread book in perfect condition.

Zustand: New. pp. 288.

Taschenbuch. Zustand: Neu. Edith Wharton in Context | Essays on Intertextuality | Adeline R Tintner | Taschenbuch | Englisch | 2015 | University of Alabama Press | EAN 9780817358402 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu. …

Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware - Tintner provides a detailed analysis of the complex interplay between Wharton and James?how they influenced each other and how some of their writings operate as homages or personal jokes. So deeply was James in Wharton's confidence, Tintner argues, that he provided her with source models for a number of her characters. In addition, Wharton found in his fiction structures for her own, especially for The Age of Innocence. Tintner also brings her considerable knowledge of art history to bear in her study of art allusions in Wharton's work. Wharton's response both to the Italian painters active before Raphael and to the English Pre-Raphaelites of a generation before her own is analyzed here in three essays. These pieces demonstrate Wharton's sensibility to changes in art tastes and collecting, the inheritance of Rossetti's revolutionary paintings in the unfinished novel, The Buccaneers, and the importance of home in The Glimpses of the Moon, as demonstrated by Wharton's use of Tiepolo's fresco in the church of Scalzi. Tintner concludes by considering Wharton's literary legacy and who Wharton has figured in the imaginations of recent writers, including Richard Howard, Louis Auchincloss, and Cathleen Schine. Tintner finds some part of Wharton's personality or work evoked in a number of contemporary works and argues that this presence signals the beginning of an increasing influence. 284 pp. Englisch.…

Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Tintner provides a detailed analysis of the complex interplay between Wharton and James?how they influenced each other and how some of their writings operate as homages or personal jokes. So deeply was James in Wharton's confidence, Tintner argues, that he provided her with source models for a number of her characters. In addition, Wharton found in his fiction structures for her own, especially for The Age of Innocence. Tintner also brings her considerable knowledge of art history to bear in her study of art allusions in Wharton's work. Wharton's response both to the Italian painters active before Raphael and to the English Pre-Raphaelites of a generation before her own is analyzed here in three essays. These pieces demonstrate Wharton's sensibility to changes in art tastes and collecting, the inheritance of Rossetti's revolutionary paintings in the unfinished novel, The Buccaneers, and the importance of home in The Glimpses of the Moon, as demonstrated by Wharton's use of Tiepolo's fresco in the church of Scalzi. Tintner concludes by considering Wharton's literary legacy and who Wharton has figured in the imaginations of recent writers, including Richard Howard, Louis Auchincloss, and Cathleen Schine. Tintner finds some part of Wharton's personality or work evoked in a number of contemporary works and argues that this presence signals the beginning of an increasing influence.…