9780822319702 - gilles deleuze’s time machine (post-contemporary interventions) von rodowick, david (33 Ergebnisse)
Sprache: Englisch
Verlag: Duke University Press, 1997
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Sprache: Englisch
Verlag: Duke University Press, 1997
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Sprache: Englisch
Verlag: Duke University Press, 1997
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Sprache: Englisch
Verlag: Duke University Press Books, 1997
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Sprache: Englisch
Verlag: Duke University Press July 1997, 1997
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Sprache: Englisch
Verlag: Duke University Press, 1997
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Sprache: Englisch
Verlag: Duke University Press Books, 1997
- Softcover
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paperback. Zustand: Fine.
Weitere BilderSprache: Englisch
Verlag: Duke University Press, 1997
- Softcover
- Erstausgabe
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Soft cover. Zustand: As New. 1st Edition. Softcover volume, measuring approximately 6" x 9.5", is like new. xviii/258. "Although Gilles Deleuze is one of France's most celebrated twentieth-century philosophers, his theories of cinema have largely been ignored by American scholars. Film theorist D. N. Rodowick fills this gap by p…resenting the first comprehensive study, in any language, of Deleuze's work on film and images. Placing Deleuze's two books on cinema"The Movement-Image" and "The Time-Image"in the context of French cultural theory of the 1960s and 1970s, Rodowick examines the logic of Deleuze's theories and the relationship of these theories to his influential philosophy of difference. Rodowick illuminates the connections between Deleuze's writings on visual and scientific texts and describes the formal logic of his theory of images and signs. Revealing how Deleuzian views on film speak to the broader network of philosophical problems addressed in Deleuze's other booksincluding his influential work with Félix GuattariRodowick shows not only how Deleuze modifies the dominant traditions of film theory, but also how the study of cinema is central to the project of modern philosophy.".
Sprache: Englisch
Verlag: Duke University Press (December 1997) 12/1/1997, 1997
- Softcover
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Sprache: Englisch
Verlag: Duke University Press Books, 1997
- Softcover
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Sprache: Englisch
Verlag: Duke University Press Books, 1997
- Softcover
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Sprache: Englisch
Verlag: MD - Duke University Press, 1997
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Gilles Deleuze's Time Machine
Rodowick, David Norman; Fish, Stanley Eugene (EDT); Jameson, Fredric (EDT)
Sprache: Englisch
Verlag: Duke University Press, 1997
- Softcover
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Sprache: Englisch
Verlag: Duke University Press, US, 1997
- Softcover
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Paperback. Zustand: New. Although Gilles Deleuze is one of France's most celebrated twentieth-century philosophers, his theories of cinema have largely been ignored by American scholars. Film theorist D. N. Rodowick fills this gap by presenting the first comprehensive study, in any language, of Deleuze's work on film and images.… Placing Deleuze's two books on cinema-The Movement-Image and The Time-Image-in the context of French cultural theory of the 1960s and 1970s, Rodowick examines the logic of Deleuze's theories and the relationship of these theories to his influential philosophy of difference. Rodowick illuminates the connections between Deleuze's writings on visual and scientific texts and describes the formal logic of his theory of images and signs. Revealing how Deleuzian views on film speak to the broader network of philosophical problems addressed in Deleuze's other books-including his influential work with FÉlix Guattari-Rodowick shows not only how Deleuze modifies the dominant traditions of film theory, but also how the study of cinema is central to the project of modern philosophy.
Sprache: Englisch
Verlag: Duke University Press 7/10/1997, 1997
- Softcover
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Paperback or Softback. Zustand: New. Gilles Deleuze's Time Machine. Book.
Gilles Deleuze's Time Machine
Rodowick, David Norman; Fish, Stanley Eugene (EDT); Jameson, Fredric (EDT)
Sprache: Englisch
Verlag: Duke University Press, 1997
- Softcover
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Sprache: Englisch
Verlag: Duke University Press, 1997
- Softcover
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Zustand: New. Gilles Deleuze is one of France's most celebrated twentieth-century philosophers. Placing Deleuze's two books on cinema - "The Movement-Image" and "The Time-Image" - in the context of French cultural theory of the 1960s and 1970s, the author examines the logic of Deleuze's theories and their relationship to his phi…losophy of difference. Series: Post-Contemporary Interventions / Latin America in Translation. Num Pages: 280 pages, 41 black and white photographs, 5 figures. BIC Classification: APFA; HPCF. Category: (P) Professional & Vocational. Dimension: 236 x 193 x 20. Weight in Grams: 468. . 1997. Paperback. . . . .
Sprache: Englisch
Verlag: Duke University Press, US, 1997
- Softcover
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Paperback. Zustand: New. Although Gilles Deleuze is one of France's most celebrated twentieth-century philosophers, his theories of cinema have largely been ignored by American scholars. Film theorist D. N. Rodowick fills this gap by presenting the first comprehensive study, in any language, of Deleuze's work on film and images.… Placing Deleuze's two books on cinema-The Movement-Image and The Time-Image-in the context of French cultural theory of the 1960s and 1970s, Rodowick examines the logic of Deleuze's theories and the relationship of these theories to his influential philosophy of difference. Rodowick illuminates the connections between Deleuze's writings on visual and scientific texts and describes the formal logic of his theory of images and signs. Revealing how Deleuzian views on film speak to the broader network of philosophical problems addressed in Deleuze's other books-including his influential work with FÉlix Guattari-Rodowick shows not only how Deleuze modifies the dominant traditions of film theory, but also how the study of cinema is central to the project of modern philosophy.
Sprache: Englisch
Verlag: Duke University Press, 1997
- Softcover
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Zustand: New. Gilles Deleuze is one of France's most celebrated twentieth-century philosophers. Placing Deleuze's two books on cinema - "The Movement-Image" and "The Time-Image" - in the context of French cultural theory of the 1960s and 1970s, the author examines the logic of Deleuze's theories and their relationship to his phi…losophy of difference. Series: Post-Contemporary Interventions / Latin America in Translation. Num Pages: 280 pages, 41 black and white photographs, 5 figures. BIC Classification: APFA; HPCF. Category: (P) Professional & Vocational. Dimension: 236 x 193 x 20. Weight in Grams: 468. . 1997. Paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Duke University Press, 1997
- Softcover
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Zustand: as new. Durham, N.C. : Duke University Press, 1997. Paperback. 258 pp. - lles Deleuze is one of France's most celebrated twentieth-century philosophers. Placing Deleuze's two books on cinema - "The Movement-Image" and "The Time-Image" - in the context of French cultural theory of the 1960s and 1970s, the author examines… the logic of Deleuze's theories and their relationship to his philosophy of difference. lthough Gilles Deleuze is one of France's most celebrated twentieth-century philosophers, his theories of cinema have largely been ignored by American scholars. Film theorist D. N. Rodowick fills this gap by presenting the first comprehensive study, in any language, of Deleuze's work on film and images. Placing Deleuze's two books on cinema The Movement-Image and The Time-Imagein the context of French cultural theory of the 1960s and 1970s, Rodowick examines the logic of Deleuze's theories and the relationship of these theories to his influential philosophy of difference. Rodowick illuminates the connections between Deleuze's writings on visual and scientific texts and describes the formal logic of his theory of images and signs. Revealing how Deleuzian views on film speak to the broader network of philosophical problems addressed in Deleuze's other booksincluding his influential work with Félix GuattariRodowick shows not only how Deleuze modifies the dominant traditions of film theory, but also how the study of cinema is central to the project of modern philosophy. Condition : as new copy. ISBN 9780822319702. Keywords : PHILOSOPHY.
Gilles Deleuze's Time Machine
Rodowick, David Norman; Fish, Stanley Eugene (EDT); Jameson, Fredric (EDT)
Sprache: Englisch
Verlag: Duke University Press, 1997
- Softcover
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Sprache: Englisch
Verlag: Duke University Press, 1997
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Sprache: Englisch
Verlag: Duke Univ Pr, 1997
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Sprache: Englisch
Verlag: Duke University Press, 1997
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Sprache: Englisch
Verlag: Duke University Press, 1997
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paperback. Zustand: Fine.
Gilles Deleuze's Time Machine
Rodowick, David Norman; Fish, Stanley Eugene (EDT); Jameson, Fredric (EDT)
Sprache: Englisch
Verlag: Duke University Press, 1997
- Softcover
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Sprache: Englisch
Verlag: Duke University Press Books, 1997
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paperback. Zustand: New. In shrink wrap. Looks like an interesting title.
Sprache: Englisch
Verlag: Duke University Press, 1997
- Softcover
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Zustand: New. Gilles Deleuze is one of France s most celebrated twentieth-century philosophers. Placing Deleuze s two books on cinema - The Movement-Image and The Time-Image - in the context of French cultural theory of the 1960s and 1970s, the author examines the lo.
Sprache: Englisch
Verlag: Duke University Press, US, 1997
- Softcover
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Paperback. Zustand: New. Although Gilles Deleuze is one of France's most celebrated twentieth-century philosophers, his theories of cinema have largely been ignored by American scholars. Film theorist D. N. Rodowick fills this gap by presenting the first comprehensive study, in any language, of Deleuze's work on film and images.… Placing Deleuze's two books on cinema-The Movement-Image and The Time-Image-in the context of French cultural theory of the 1960s and 1970s, Rodowick examines the logic of Deleuze's theories and the relationship of these theories to his influential philosophy of difference. Rodowick illuminates the connections between Deleuze's writings on visual and scientific texts and describes the formal logic of his theory of images and signs. Revealing how Deleuzian views on film speak to the broader network of philosophical problems addressed in Deleuze's other books-including his influential work with FÉlix Guattari-Rodowick shows not only how Deleuze modifies the dominant traditions of film theory, but also how the study of cinema is central to the project of modern philosophy.
Sprache: Englisch
Verlag: Duke University Press, US, 1997
- Softcover
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Paperback. Zustand: New. Although Gilles Deleuze is one of France's most celebrated twentieth-century philosophers, his theories of cinema have largely been ignored by American scholars. Film theorist D. N. Rodowick fills this gap by presenting the first comprehensive study, in any language, of Deleuze's work on film and images.… Placing Deleuze's two books on cinema-The Movement-Image and The Time-Image-in the context of French cultural theory of the 1960s and 1970s, Rodowick examines the logic of Deleuze's theories and the relationship of these theories to his influential philosophy of difference. Rodowick illuminates the connections between Deleuze's writings on visual and scientific texts and describes the formal logic of his theory of images and signs. Revealing how Deleuzian views on film speak to the broader network of philosophical problems addressed in Deleuze's other books-including his influential work with FÉlix Guattari-Rodowick shows not only how Deleuze modifies the dominant traditions of film theory, but also how the study of cinema is central to the project of modern philosophy.
