Sprache: Englisch
Verlag: Duke University Press Books, 2008
ISBN 10: 0822342642 ISBN 13: 9780822342649
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In den WarenkorbZustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9780822342649.
Zustand: New.
Sprache: Englisch
Verlag: Duke University Press, US, 2008
ISBN 10: 0822342642 ISBN 13: 9780822342649
Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes Königreich
EUR 42,96
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In den WarenkorbPaperback. Zustand: New. In Two Bits, Christopher M. Kelty investigates the history and cultural significance of Free Software, revealing the people and practices that have transformed not only software but also music, film, science, and education. Free Software is a set of practices devoted to the collaborative creation of software source code that is made openly and freely available through an unconventional use of copyright law. Kelty explains how these specific practices have reoriented the relations of power around the creation, dissemination, and authorization of all kinds of knowledge. He also makes an important contribution to discussions of public spheres and social imaginaries by demonstrating how Free Software is a "recursive public"-a public organized around the ability to build, modify, and maintain the very infrastructure that gives it life in the first place. Drawing on ethnographic research that took him from an Internet healthcare start-up company in Boston to media labs in Berlin to young entrepreneurs in Bangalore, Kelty describes the technologies and the moral vision that bind together hackers, geeks, lawyers, and other Free Software advocates. In each case, he shows how their practices and way of life include not only the sharing of software source code but also ways of conceptualizing openness, writing copyright licenses, coordinating collaboration, and proselytizing. By exploring in detail how these practices came together as the Free Software movement from the 1970s to the 1990s, Kelty also considers how it is possible to understand the new movements emerging from Free Software: projects such as Creative Commons, a nonprofit organization that creates copyright licenses, and Connexions, a project to create an online scholarly textbook commons.
Zustand: As New. Unread book in perfect condition.
Sprache: Englisch
Verlag: MD - Duke University Press, 2008
ISBN 10: 0822342642 ISBN 13: 9780822342649
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 42,15
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Anbieter: Brook Bookstore On Demand, Napoli, NA, Italien
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EUR 45,93
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In den WarenkorbZustand: New. pp. 400 10 Illus.
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes Königreich
EUR 37,29
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Anbieter: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irland
Zustand: New. Investigates the history and cultural significance of Free Software. By exploring in detail how various practices came together as the Free Software movement from the 1970s to the 1990s, the author shows how it is possible to understand the new movements that are emerging out of Free Software: projects such as Creative Commons. Series: Experimental Futures. Num Pages: 400 pages, 10 illustrations, 1 table. BIC Classification: JFC; JFD. Category: (P) Professional & Vocational. Dimension: 5983 x 3971 x 24. Weight in Grams: 653. . 2008. Paperback. . . . .
Anbieter: THE SAINT BOOKSTORE, Southport, Vereinigtes Königreich
EUR 37,30
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In den WarenkorbPaperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.
Zustand: New. Investigates the history and cultural significance of Free Software. By exploring in detail how various practices came together as the Free Software movement from the 1970s to the 1990s, the author shows how it is possible to understand the new movements that are emerging out of Free Software: projects such as Creative Commons. Series: Experimental Futures. Num Pages: 400 pages, 10 illustrations, 1 table. BIC Classification: JFC; JFD. Category: (P) Professional & Vocational. Dimension: 5983 x 3971 x 24. Weight in Grams: 653. . 2008. Paperback. . . . . Books ship from the US and Ireland.
Zustand: New. pp. 400 Index.
Sprache: Englisch
Verlag: Duke University Press Books, 2008
ISBN 10: 0822342642 ISBN 13: 9780822342649
Anbieter: BennettBooksLtd, Los Angeles, CA, USA
paperback. Zustand: New. In shrink wrap. Looks like an interesting title!
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 62,30
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In den WarenkorbPaperback. Zustand: Brand New. 378 pages. 9.25x6.25x1.25 inches. In Stock.
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EUR 74,09
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In den WarenkorbZustand: As New. Unread book in perfect condition.
Sprache: Englisch
Verlag: Duke University Press, US, 2008
ISBN 10: 0822342642 ISBN 13: 9780822342649
Anbieter: Rarewaves.com UK, London, Vereinigtes Königreich
EUR 38,85
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In den WarenkorbPaperback. Zustand: New. In Two Bits, Christopher M. Kelty investigates the history and cultural significance of Free Software, revealing the people and practices that have transformed not only software but also music, film, science, and education. Free Software is a set of practices devoted to the collaborative creation of software source code that is made openly and freely available through an unconventional use of copyright law. Kelty explains how these specific practices have reoriented the relations of power around the creation, dissemination, and authorization of all kinds of knowledge. He also makes an important contribution to discussions of public spheres and social imaginaries by demonstrating how Free Software is a "recursive public"-a public organized around the ability to build, modify, and maintain the very infrastructure that gives it life in the first place. Drawing on ethnographic research that took him from an Internet healthcare start-up company in Boston to media labs in Berlin to young entrepreneurs in Bangalore, Kelty describes the technologies and the moral vision that bind together hackers, geeks, lawyers, and other Free Software advocates. In each case, he shows how their practices and way of life include not only the sharing of software source code but also ways of conceptualizing openness, writing copyright licenses, coordinating collaboration, and proselytizing. By exploring in detail how these practices came together as the Free Software movement from the 1970s to the 1990s, Kelty also considers how it is possible to understand the new movements emerging from Free Software: projects such as Creative Commons, a nonprofit organization that creates copyright licenses, and Connexions, a project to create an online scholarly textbook commons.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 40,76
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In den WarenkorbPaperback. Zustand: Brand New. 378 pages. 9.25x6.25x1.25 inches. In Stock. This item is printed on demand.
Anbieter: THE SAINT BOOKSTORE, Southport, Vereinigtes Königreich
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In den WarenkorbPaperback / softback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 698.
EUR 50,24
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In den WarenkorbZustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Investigates the history and cultural significance of Free Software. By exploring in detail how various practices came together as the Free Software movement from the 1970s to the 1990s, the author shows how it is possible to understand the new movements th.
Anbieter: preigu, Osnabrück, Deutschland
Taschenbuch. Zustand: Neu. Two Bits | The Cultural Significance of Free Software | Christopher M. Kelty | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2008 | Duke University Press | EAN 9780822342649 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In Two Bits, Christopher M. Kelty investigates the history and cultural significance of Free Software, revealing the people and practices that have transformed not only software but also music, film, science, and education. Free Software is a set of practices devoted to the collaborative creation of software source code that is made openly and freely available through an unconventional use of copyright law. Kelty explains how these specific practices have reoriented the relations of power around the creation, dissemination, and authorization of all kinds of knowledge. He also makes an important contribution to discussions of public spheres and social imaginaries by demonstrating how Free Software is a 'recursive public'-a public organized around the ability to build, modify, and maintain the very infrastructure that gives it life in the first place.Drawing on ethnographic research that took him from an Internet healthcare start-up company in Boston to media labs in Berlin to young entrepreneurs in Bangalore, Kelty describes the technologies and the moral vision that bind together hackers, geeks, lawyers, and other Free Software advocates. In each case, he shows how their practices and way of life include not only the sharing of software source code but also ways of conceptualizing openness, writing copyright licenses, coordinating collaboration, and proselytizing. By exploring in detail how these practices came together as the Free Software movement from the 1970s to the 1990s, Kelty also considers how it is possible to understand the new movements emerging from Free Software: projects such as Creative Commons, a nonprofit organization that creates copyright licenses, and Connexions, a project to create an online scholarly textbook commons.