Isbn: 9780822347033 - crafting mexico: intellectuals, artisans, and the state after the revolution (15 Ergebnisse)

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  • Sprache: Englisch

    Verlag: Duke University Press, 2010

    0822347032 / 9780822347033

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  • Sprache: Englisch

    Verlag: Duke University Press Books, 2010

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    paperback. Zustand: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

  • Sprache: Englisch

    Verlag: Duke University Press, 2010

    0822347032 / 9780822347033

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  • Sprache: Englisch

    Verlag: Duke University Press Books, 2010

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  • Sprache: Englisch

    Verlag: Duke University Press, 2010

    0822347032 / 9780822347033

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  • Sprache: Englisch

    Verlag: Duke University Press, 2010

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  • Sprache: Englisch

    Verlag: Duke University Press, US, 2010

    0822347032 / 9780822347033

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    Paperback. Zustand: New. After Mexico's revolution of 1910-1920, intellectuals sought to forge a unified cultural nation out of the country's diverse populace. Their efforts resulted in an "ethnicized" interpretation of Mexicanness that intentionally incorporated elements of folk and indigenous culture. In this rich history, Rick A. LÓpez explains how thinkers and artists, including the anthropologist Manuel Gamio, the composer Carlos ChÁvez, the educator MoisÉs SÁenz, the painter Diego Rivera, and many less-known figures, formulated and promoted a notion of nationhood in which previously denigrated vernacular arts-dance, music, and handicrafts such as textiles, basketry, ceramics, wooden toys, and ritual masks-came to be seen as symbolic of Mexico's modernity and national distinctiveness. LÓpez examines how the nationalist project intersected with transnational intellectual and artistic currents, as well as how it was adapted in rural communities. He provides an in-depth account of artisanal practices in the village of OlinalÁ, located in the mountainous southern state of Guerrero. Since the 1920s, OlinalÁ has been renowned for its lacquered boxes and gourds, which have been considered to be among the "most Mexican" of the nation's arts. Crafting Mexico illuminates the role of cultural politics and visual production in Mexico's transformation from a regionally and culturally fragmented country into a modern nation-state with an inclusive and compelling national identity.…

  • Sprache: Englisch

    Verlag: Duke University Press, 2010

    0822347032 / 9780822347033

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    Zustand: New. In English.

  • Sprache: Englisch

    Verlag: Duke Univ Pr, 2010

    0822347032 / 9780822347033

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    Paperback. Zustand: Brand New. 408 pages. 9.25x6.25x1.25 inches. In Stock.

  • Sprache: Englisch

    Verlag: Duke University Press, US, 2010

    0822347032 / 9780822347033

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    Paperback. Zustand: New. After Mexico's revolution of 1910-1920, intellectuals sought to forge a unified cultural nation out of the country's diverse populace. Their efforts resulted in an "ethnicized" interpretation of Mexicanness that intentionally incorporated elements of folk and indigenous culture. In this rich history, Rick A. LÓpez explains how thinkers and artists, including the anthropologist Manuel Gamio, the composer Carlos ChÁvez, the educator MoisÉs SÁenz, the painter Diego Rivera, and many less-known figures, formulated and promoted a notion of nationhood in which previously denigrated vernacular arts-dance, music, and handicrafts such as textiles, basketry, ceramics, wooden toys, and ritual masks-came to be seen as symbolic of Mexico's modernity and national distinctiveness. LÓpez examines how the nationalist project intersected with transnational intellectual and artistic currents, as well as how it was adapted in rural communities. He provides an in-depth account of artisanal practices in the village of OlinalÁ, located in the mountainous southern state of Guerrero. Since the 1920s, OlinalÁ has been renowned for its lacquered boxes and gourds, which have been considered to be among the "most Mexican" of the nation's arts. Crafting Mexico illuminates the role of cultural politics and visual production in Mexico's transformation from a regionally and culturally fragmented country into a modern nation-state with an inclusive and compelling national identity.…

  • Sprache: Englisch

    Verlag: Duke University Press, 2010

    0822347032 / 9780822347033

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    Zustand: New. Examines the role of the vernacular arts in Mexico s transformation from a regionally and culturally fragmented country into a modern nation-state with an inclusive and compelling national identity. Num Pages: 424 pages, 16 color illustrations, 23 b&w, 1 map. BIC Classification: 1KLCM; HBJK; HBTB; JFC. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 235 x 156 x 26. Weight in Grams: 644. . 2010. Illustrated. Paperback. . . . . …

  • Sprache: Englisch

    Verlag: Duke University Press, 2010

    0822347032 / 9780822347033

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    Zustand: New. Examines the role of the vernacular arts in Mexico s transformation from a regionally and culturally fragmented country into a modern nation-state with an inclusive and compelling national identity. Num Pages: 424 pages, 16 color illustrations, 23 b&w, 1 map. BIC Classification: 1KLCM; HBJK; HBTB; JFC. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 235 x 156 x 26. Weight in Grams: 644. . 2010. Illustrated. Paperback. . . . . Books ship from the US and Ireland. …

  • Sprache: Englisch

    Verlag: Duke University Press, US, 2010

    0822347032 / 9780822347033

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    Paperback. Zustand: New. After Mexico's revolution of 1910-1920, intellectuals sought to forge a unified cultural nation out of the country's diverse populace. Their efforts resulted in an "ethnicized" interpretation of Mexicanness that intentionally incorporated elements of folk and indigenous culture. In this rich history, Rick A. LÓpez explains how thinkers and artists, including the anthropologist Manuel Gamio, the composer Carlos ChÁvez, the educator MoisÉs SÁenz, the painter Diego Rivera, and many less-known figures, formulated and promoted a notion of nationhood in which previously denigrated vernacular arts-dance, music, and handicrafts such as textiles, basketry, ceramics, wooden toys, and ritual masks-came to be seen as symbolic of Mexico's modernity and national distinctiveness. LÓpez examines how the nationalist project intersected with transnational intellectual and artistic currents, as well as how it was adapted in rural communities. He provides an in-depth account of artisanal practices in the village of OlinalÁ, located in the mountainous southern state of Guerrero. Since the 1920s, OlinalÁ has been renowned for its lacquered boxes and gourds, which have been considered to be among the "most Mexican" of the nation's arts. Crafting Mexico illuminates the role of cultural politics and visual production in Mexico's transformation from a regionally and culturally fragmented country into a modern nation-state with an inclusive and compelling national identity.…

  • Sprache: Englisch

    Verlag: Duke University Press, 2010

    0822347032 / 9780822347033

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    Zustand: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

  • Sprache: Englisch

    Verlag: Duke University Press, US, 2010

    0822347032 / 9780822347033

    • Softcover

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    Paperback. Zustand: New. After Mexico's revolution of 1910-1920, intellectuals sought to forge a unified cultural nation out of the country's diverse populace. Their efforts resulted in an "ethnicized" interpretation of Mexicanness that intentionally incorporated elements of folk and indigenous culture. In this rich history, Rick A. LÓpez explains how thinkers and artists, including the anthropologist Manuel Gamio, the composer Carlos ChÁvez, the educator MoisÉs SÁenz, the painter Diego Rivera, and many less-known figures, formulated and promoted a notion of nationhood in which previously denigrated vernacular arts-dance, music, and handicrafts such as textiles, basketry, ceramics, wooden toys, and ritual masks-came to be seen as symbolic of Mexico's modernity and national distinctiveness. LÓpez examines how the nationalist project intersected with transnational intellectual and artistic currents, as well as how it was adapted in rural communities. He provides an in-depth account of artisanal practices in the village of OlinalÁ, located in the mountainous southern state of Guerrero. Since the 1920s, OlinalÁ has been renowned for its lacquered boxes and gourds, which have been considered to be among the "most Mexican" of the nation's arts. Crafting Mexico illuminates the role of cultural politics and visual production in Mexico's transformation from a regionally and culturally fragmented country into a modern nation-state with an inclusive and compelling national identity.…