Isbn: 9780823213429 - the italian presence in american art, 1860-1920 (11 Ergebnisse)

Zustand: Very Good. Used - Very Good.

Zustand: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Hardcover with Dust Jacket. Zustand: VERY GOOD. Zustand des Schutzumschlags: Very Good. 139 pp. B&W and color plates. Clean and sharp with bright dust jacket.

Hardcover. Zustand: VG/VG. Blue cloth, green & color illus. dust jacket, 265 pp. 16 color, 149 bw plates. Continues from Jaffe's previous book, "The Italian Presence in American Art, 1760-1860." "While all art reflects the cultural context in which it is created, the nature of American art, predominantly Romantic-Realism, makes the link between idea and image particularly visible. What becomes evident is that 'the Italian presence' was almost never a simple matter of direct influence; rather it was an experience for American artists that afford them, above all, insight and inspiration. Italy was America's muse." (dj) Contents as follows: Celebrating Botticelli : the taste for the Italian Renaissance in the United States, 1870-1920 / Lillian B. Miller -- Frederic Edwin Church and Italy / Gerald L. Carr -- Inness and Italy / Nicolai Cikovsky, Jr. -- John H. Twachtman : a "modern" in Venice, 1877-1878 / Lisa N. Peters -- The murals by Constantino Brumidi for the United States Capital Rotunda, 1860-1880 : an iconographic interpretation / Francis V. O'Connor -- Italian inspiration in Maitland Armstrong's stained glass and mosaics / Robert O. Jones -- H. Siddons Mowbray : murals of the American Renaissance / Richard Murray --American "high" renaissance : Bowdoin's Walker art building and its murals / H. Barbara Weinberg -- American memorial sculpture and the Protestant cemetery in Rome / William H. Gerdts -- In the Tuscan mode : Italian influences on the architecture of Cass Gilbert / Timothy Rub -- Stanford White and Italy / Paul R. Baker -- From the Pio-Clementino to museums of fine arts : the Italian presence in American museum design, 1860-1920 / Helen Searing -- Lizzie Boott at Bellosguardo / Carol M. Osborne -- From private grief to public monument : the funerary effigy of Elizabeth Boot Duveneck / Lois Dinnerstein -- Rome and the American Academy : art Mecca or artistic backwater? / Susan Rather -- The old boy network in Rome : Tenth Street studio artists abroad / Annette Blaugrund -- The Italian garden in America, 1890s-1920s / Margherita Azzi Visentini. …

Zustand: BUONO USATO. Da revisionare INGLESE Legatura tutta tela blu, con titoli in argento solo al dorso, ben preservata da sovraccoperta con alette, illustrata, con piccoli segni d'uso e con etichetta adesiva a cavallo del piede del dorso. Pagine ottime, con ampio margine e testo a due colonne, corredate da 149 tavole in bianco e nero, nel testo. Il volume potrebbe contenere timbri, il materiale à stato regolarmente acquisito dalla nostra Libreria. Numero pagine 265. …

Hardback. Zustand: New. Like a magic potion, Italianita has seeped through the stream of American aesthetic consciousness ever since Benjamin West stepped onto Italian soil in 1760. The first period of this artistic phenomenon was investigated in The Italian Presence in American Art, 1760-1860 and the book at hand thus continues this intellectual exploration in its development during the following sixty years. Those decades between the Civil War and World War I brought to a climax the growing sense of American continental nationhood, and this strengthened perception of national identity was reflected in American art. A synthesis was achieved in which American values and images were fused with the great tradition flowing from its Italian source. Among the themes that arise from this examination of the role that Italy played in shaping American art is first and foremost the struggle to resolve the issue of what American art ought to express: our European heritage or our cultural independence. This question penetrates to the heart of the most widely debated topic in present-day American culture - multiculturalism. The reader may well find previously unconsidered relationships between our past and present, and may be led to reconsider problems posed by the conflicting needs of unity and diversity in our nation. Other themes that appear in these essays deal with the development of American wealth and its role in influencing the taste of the period, and with feminism. In these pages it will be noticed how very closely American art mirrors the American Experience. While all art reflects the cultural context in which it is created, the nature of American art, predominantly Romantic-Realism, makes the link between idea and image particularly visible. What becomes evident is that "the Italian presence" was almost never a simple matter of direct influence; rather it was an experience for American artists that afforded them, above all, insight and inspiration. Italy was America's muse.…

Hardback. Zustand: New. Like a magic potion, Italianita has seeped through the stream of American aesthetic consciousness ever since Benjamin West stepped onto Italian soil in 1760. The first period of this artistic phenomenon was investigated in The Italian Presence in American Art, 1760-1860 and the book at hand thus continues this intellectual exploration in its development during the following sixty years. Those decades between the Civil War and World War I brought to a climax the growing sense of American continental nationhood, and this strengthened perception of national identity was reflected in American art. A synthesis was achieved in which American values and images were fused with the great tradition flowing from its Italian source. Among the themes that arise from this examination of the role that Italy played in shaping American art is first and foremost the struggle to resolve the issue of what American art ought to express: our European heritage or our cultural independence. This question penetrates to the heart of the most widely debated topic in present-day American culture - multiculturalism. The reader may well find previously unconsidered relationships between our past and present, and may be led to reconsider problems posed by the conflicting needs of unity and diversity in our nation. Other themes that appear in these essays deal with the development of American wealth and its role in influencing the taste of the period, and with feminism. In these pages it will be noticed how very closely American art mirrors the American Experience. While all art reflects the cultural context in which it is created, the nature of American art, predominantly Romantic-Realism, makes the link between idea and image particularly visible. What becomes evident is that "the Italian presence" was almost never a simple matter of direct influence; rather it was an experience for American artists that afforded them, above all, insight and inspiration. Italy was America's muse.…

Hardcover. Zustand: New.

Hardcover. Zustand: New.

1992. Fordham University Press. Hardback. Book - VG/Nearly New. DJ - VG/Nearly New. Ex-lib.

1992. Fordham University Press. Hardback. Book - VG. DJ - VG. Ex-lib.