Isbn: 9780847827565 - the iconic building (22 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Zustand: Used - Very Good. Charles Jencks, the leading architectural critic and writer, takes on 'trendiness' in architecture: namely the rise of the 'iconic building,' instantly famous and distinctively recognizable structures like Norman Foster's 'Gherkin' in London or Daniel Libeskind's Ground Zero designs in New York. Although there have always been buildings built to be instant icons such as palaces and cathedrals, Jencks sees this latest trend as being fueled by the real estate industry's thirst for profit and architects' outsize egos. Since the debut of Gehry's Guggenheim Bilbao, a roster of international architects has created iconic buildings that court publicity and controversy in equal measure. Some iconic buildings are successful creations that fulfill their contradictory requirements, while others make the public and the critics wince. In addition to Foster, Gehry and Libeskind, Jencks also discusses recent works by Peter Eisenman, Zaha Hadid, Rem Koolhaas, and Renzo Piano.Anyone interested in contemporary architecture and the direction of urban design will be interested in Jencks' witty, irreverent and sympathetic insights into how buildings can become good architecture that enhances the cityscape-and are truly iconic. Very nice clean, tight copy free of any marks. wrapped in complimentary Brodart dust jacket protector.…

Hardcover. Zustand: Used - Good. Charles Jencks, the leading architectural critic and writer, takes on 'trendiness' in architecture: namely the rise of the 'iconic building,' instantly famous and distinctively recognizable structures like Norman Foster's 'Gherkin' in London or Daniel Libeskind's Ground Zero designs in New York. Although there have always been buildings built to be instant icons such as palaces and cathedrals, Jencks sees this latest trend as being fueled by the real estate industry's thirst for profit and architects' outsize egos. Since the debut of Gehry's Guggenheim Bilbao, a roster of international architects has created iconic buildings that court publicity and controversy in equal measure. Some iconic buildings are successful creations that fulfill their contradictory requirements, while others make the public and the critics wince. In addition to Foster, Gehry and Libeskind, Jencks also discusses recent works by Peter Eisenman, Zaha Hadid, Rem Koolhaas, and Renzo Piano.Anyone interested in contemporary architecture and the direction of urban design will be interested in Jencks' witty, irreverent and sympathetic insights into how buildings can become good architecture that enhances the cityscape-and are truly iconic. Corner bumped, otherwise a nice clean tight copy.…

Hardcover. Zustand: new. New Copy. Customer Service Guaranteed.

Hardcover. Zustand: Used - Very Good. Zustand des Schutzumschlags: Very Good. Charles Jencks, the leading architectural critic and writer, takes on 'trendiness' in architecture: namely the rise of the 'iconic building,' instantly famous and distinctively recognizable structures like Norman Foster's 'Gherkin' in London or Daniel Libeskind's Ground Zero designs in New York. Although there have always been buildings built to be instant icons such as palaces and cathedrals, Jencks sees this latest trend as being fueled by the real estate industry's thirst for profit and architects' outsize egos. Since the debut of Gehry's Guggenheim Bilbao, a roster of international architects has created iconic buildings that court publicity and controversy in equal measure. Some iconic buildings are successful creations that fulfill their contradictory requirements, while others make the public and the critics wince. In addition to Foster, Gehry and Libeskind, Jencks also discusses recent works by Peter Eisenman, Zaha Hadid, Rem Koolhaas, and Renzo Piano.Anyone interested in contemporary architecture and the direction of urban design will be interested in Jencks' witty, irreverent and sympathetic insights into how buildings can become good architecture that enhances the cityscape-and are truly iconic. Very nice clean copy. Binding is clean (minor bleaching on bottom edge). Dust jacket in very good condition, protected by Brodart cover.…

Hardcover. Zustand: Near Fine. Near Fine. First Edition. Near Fine/Near Fine condition. First Edition, First Printing. No markings to text block. No marks of previous ownership or inscriptions.; 4to - over 9¾ - 12" tall.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Cloth. Zustand: New. Zustand des Schutzumschlags: New. First American. New York: Rizzoli, 2005. First American edition. 4to. Cloth binding, 224 pp. A new type of architecture has emerged in the last decadse: the iconic landmark building, which challenges the traditional architecture monument. Public architecture is now required to be an amazing piece of surreal sculpture as well as something that appeals to a diverse audience. New in new dust jacket, protected with a mylar cover. Illustrated (illustrator).…

Cloth. Zustand: New. Zustand des Schutzumschlags: New. First American. New York: Rizzoli, 2005. First American edition. 4to. Cloth binding, 224 pp. A new type of architecture has emerged in the last decadse: the iconic landmark building, which challenges the traditional architecture monument. Public architecture is now required to be an amazing piece of surreal sculpture as well as something that appeals to a diverse audience. New in new dust jacket, protected with a mylar cover. Illustrated (illustrator).…

Cloth. Zustand: New. Zustand des Schutzumschlags: New. First American. New York: Rizzoli, 2005. First American edition. 4to. Cloth binding, 224 pp. A new type of architecture has emerged in the last decadse: the iconic landmark building, which challenges the traditional architecture monument. Public architecture is now required to be an amazing piece of surreal sculpture as well as something that appeals to a diverse audience. New in new dust jacket, protected with a mylar cover. Illustrated (illustrator).…

Hardcover. Zustand: Good. Originele cloth, dust jacket, illustrations in colour, 4to.

cloth, dustjacket, 4to 224 pp., ca. 250 ills. iconic landmark building; Koolhaas, Calatrava, Stumbles, Libeskind; and others; nearfine condition (almost unused).

Hardcover. Amish blue cloth, blue & color illus. dust jacket, 234 pp., many color illus. "Public architecture is now required to be an amazing piece of surreal sculpture as well as something that appeals to a diverse audience -- at once provocative and practical yet without the context that religion and ideology once provided. Such contrary demands drive the architect toward a new convention: the enigmatic signifier. This curious sign suggests many meanings without naming any of them. The most publiczed version of the genre, Frank Gehry's New Guggenheim Museum in Bilbao, 1997, became an instant media event that forced other architects to design event buildings routinely. This 'Bilbao Effect' has led to a series of landmark buildings. . While negative reaction has continued to grow, the iconic building is with us to stay. Charles Jencks lucidly helps us separate the best of these new buildings from the mediocre ones." (dj). VG (Slight rubbing to heel of binding spine, otherwise crisp and clean.).…

Zustand: New. Satisfaction Guaranteed or your money back.

Hardcover. Zustand: Brand New. 224 pages. 12.00x7.50x0.75 inches. In Stock.

hardcover. Zustand: New. In shrink wrap. Looks like an interesting title.