Isbn: 9780847845620 - albert oehlen: new paintings (20 Ergebnisse)

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Hardback. Zustand: New. This book documents two new bodies of work; a series of large four-part aluminium panel paintings incorporating Oehlen's recurring motif of trees and a series titled Finger Paintings, in which colour-blocked advertisements are an extension of the canvas, providing fragmented, ready-made surfaces for Oehlen's visceral markings, made with his hands as well as with brushes, rags, and spray cans. Both series were exhibited at Gagosian Gallery, Los Angeles, in summer 2014. …

Zustand: New. This book documents two new bodies of work. Num Pages: 100 pages, full colour illustrations. BIC Classification: ACXJ; AFC; AGB. Category: (G) General (US: Trade). Dimension: 290 x 327 x 17. Weight in Grams: 1272. . 2015. Hardcover. . . . .

Hardcover. Zustand: new. Hardcover. In a new series of huge four-part aluminum panel paintings, rendered in a simple, striking palette of red, black, and white, Oehlen creates tree-like forms as vehicles for a methodical deflation of content. The tree has been a recurring motif since the 1980s. Oehlen exuberantly demonstrates a tension between man- and machine-made imagery, while branch-like sprays mitigate any sense of pure abstraction. Open-ended, "unfinished" dialogues between binary oppositions are unsettling yet compelling: in any one work, the paint, the collaged pictures and texts, and patches of white canvas each occupy their own space, like a worktable clutter without a center. The appearance of the surfaces gives way to mesmerizing color-layers of graffitia testament to Oehlen's ability to elevate common genres and materials through rigorous experimentation. Albert Oehlen was born in 1954 in Krefeld, Germany and studied at Hochschule fur Bildende Kunste, Hamburg. From 2000-09 he was a professor of painting at Kunstakademie Dusseldorf. His most recent solo exhibition was "Albert Oehlen: Malerei," Museum Moderner Kunst, Vienna (2013). Oehlen's work was included in the 2013 Venice Biennale. His work is in museum collections around the world. This book documents two new bodies of work. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Zustand: New. This book documents two new bodies of work; a series of large four-part aluminium panel paintings incorporating Oehlen's recurring motif of trees and a series titled Finger Paintings, in which colour-blocked advertisements are an extension of the canvas, providing fragmented, ready-made surfaces for Oehlen's visceral markings, made with his hands as well as with brushes, rags, and spray cans. Both series were exhibited at Gagosian Gallery, Los Angeles, in summer 2014. …

Zustand: New.

Zustand: New. This book documents two new bodies of work. Num Pages: 100 pages, full colour illustrations. BIC Classification: ACXJ; AFC; AGB. Category: (G) General (US: Trade). Dimension: 290 x 327 x 17. Weight in Grams: 1272. . 2015. Hardcover. . . . . Books ship from the US and Ireland.

Zustand: New.

Hardcover. Zustand: New.

Paperback. Zustand: Brand New. 100 pages. 13.00x12.00x0.75 inches. In Stock.

Hardcover. Zustand: New.

Zustand: New.

Freund, Esther et al. ALBERT OEHLEN: New Paintings. 104 pages, illustrated throughout in color. 4to, boards. New York, Gagosian Gallery, 2014.

Hardcover. Zustand: new. Hardcover. In a new series of huge four-part aluminum panel paintings, rendered in a simple, striking palette of red, black, and white, Oehlen creates tree-like forms as vehicles for a methodical deflation of content. The tree has been a recurring motif since the 1980s. Oehlen exuberantly demonstrates a tension between man- and machine-made imagery, while branch-like sprays mitigate any sense of pure abstraction. Open-ended, "unfinished" dialogues between binary oppositions are unsettling yet compelling: in any one work, the paint, the collaged pictures and texts, and patches of white canvas each occupy their own space, like a worktable clutter without a center. The appearance of the surfaces gives way to mesmerizing color-layers of graffitia testament to Oehlen's ability to elevate common genres and materials through rigorous experimentation. Albert Oehlen was born in 1954 in Krefeld, Germany and studied at Hochschule fur Bildende Kunste, Hamburg. From 2000-09 he was a professor of painting at Kunstakademie Dusseldorf. His most recent solo exhibition was "Albert Oehlen: Malerei," Museum Moderner Kunst, Vienna (2013). Oehlen's work was included in the 2013 Venice Biennale. His work is in museum collections around the world. This book documents two new bodies of work. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. …

Hardback. Zustand: New. This book documents two new bodies of work; a series of large four-part aluminium panel paintings incorporating Oehlen's recurring motif of trees and a series titled Finger Paintings, in which colour-blocked advertisements are an extension of the canvas, providing fragmented, ready-made surfaces for Oehlen's visceral markings, made with his hands as well as with brushes, rags, and spray cans. Both series were exhibited at Gagosian Gallery, Los Angeles, in summer 2014. …

Hardcover. Zustand: new. Hardcover. In a new series of huge four-part aluminum panel paintings, rendered in a simple, striking palette of red, black, and white, Oehlen creates tree-like forms as vehicles for a methodical deflation of content. The tree has been a recurring motif since the 1980s. Oehlen exuberantly demonstrates a tension between man- and machine-made imagery, while branch-like sprays mitigate any sense of pure abstraction. Open-ended, "unfinished" dialogues between binary oppositions are unsettling yet compelling: in any one work, the paint, the collaged pictures and texts, and patches of white canvas each occupy their own space, like a worktable clutter without a center. The appearance of the surfaces gives way to mesmerizing color-layers of graffitia testament to Oehlen's ability to elevate common genres and materials through rigorous experimentation. Albert Oehlen was born in 1954 in Krefeld, Germany and studied at Hochschule fur Bildende Kunste, Hamburg. From 2000-09 he was a professor of painting at Kunstakademie Dusseldorf. His most recent solo exhibition was "Albert Oehlen: Malerei," Museum Moderner Kunst, Vienna (2013). Oehlen's work was included in the 2013 Venice Biennale. His work is in museum collections around the world. This book documents two new bodies of work. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Hardback. Zustand: New. This book documents two new bodies of work; a series of large four-part aluminium panel paintings incorporating Oehlen's recurring motif of trees and a series titled Finger Paintings, in which colour-blocked advertisements are an extension of the canvas, providing fragmented, ready-made surfaces for Oehlen's visceral markings, made with his hands as well as with brushes, rags, and spray cans. Both series were exhibited at Gagosian Gallery, Los Angeles, in summer 2014. …