Isbn: 9780857451620 - the return of jazz: joachim-ernst berendt and west german cultural change (17 Ergebnisse)

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  • Sprache: Englisch

    Verlag: Berghahn Books, 2011

    0857451626 / 9780857451620

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    Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

  • Sprache: Englisch

    Verlag: -, 2011

    0857451626 / 9780857451620

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    Paperback. Zustand: Very Good. The Return of Jazz: Joachim-Ernst Berendt and West German Cultural Change This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

  • Sprache: Englisch

    Verlag: Berghahn Books 01/r /15 M, 2011

    0857451626 / 9780857451620

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    Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

  • Sprache: Englisch

    Verlag: Berghahn Books, GB, 2011

    0857451626 / 9780857451620

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    Paperback. Zustand: New. Jazz has had a peculiar and fascinating history in Germany. The influential but controversial German writer, broadcaster, and record producer, Joachim-Ernst Berendt (1922-2000), author of the world's best-selling jazz book, labored to legitimize jazz in West Germany after its ideological renunciation during the Nazi era. German musicians began, in a highly productive way, to question their all-too-eager adoption of American culture and how they sought to make valid artistic statements reflecting their identity as Europeans. This book explores the significance of some of Berendt's most important writings and record productions. Particular attention is given to the "Jazz Meets the World" encounters that he engineered with musicians from Japan, Tunisia, Brazil, Indonesia, and India. This proto-"world music" demonstrates how some West Germans went about creating a post-nationalist identity after the Third Reich. Berendt's powerful role as the West German "Jazz Pope" is explored, as is the groundswell of criticism directed at him in the wake of 1968.

  • Sprache: Englisch

    Verlag: Berghahn Books, Oxford, 2011

    0857451626 / 9780857451620

    • Softcover

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    Paperback. Zustand: new. Paperback. Jazz has had a peculiar and fascinating history in Germany. The influential but controversial German writer, broadcaster, and record producer, Joachim-Ernst Berendt (19222000), author of the worlds best-selling jazz book, labored to legitimize jazz in West Germany after its ideological renunciation during the Nazi era. German musicians began, in a highly productive way, to question their all-too-eager adoption of American culture and how they sought to make valid artistic statements reflecting their identity as Europeans. This book explores the significance of some of Berendts most important writings and record productions. Particular attention is given to the Jazz Meets the World encounters that he engineered with musicians from Japan, Tunisia, Brazil, Indonesia, and India. This proto-world music demonstrates how some West Germans went about creating a post-nationalist identity after the Third Reich. Berendts powerful role as the West German Jazz Pope is explored, as is the groundswell of criticism directed at him in the wake of 1968. Jazz has had a peculiar and fascinating history in Germany. The influential but controversial German writer, broadcaster, and record producer, Joachim-Ernst Berendt (1922-2000), author of the world's best-selling jazz book, labored to legitimize jazz in West Germany after its ideological renunciation during the Nazi era. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Sprache: Englisch

    Verlag: Berghahn Books, GB, 2011

    0857451626 / 9780857451620

    • Softcover

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    Paperback. Zustand: New. Jazz has had a peculiar and fascinating history in Germany. The influential but controversial German writer, broadcaster, and record producer, Joachim-Ernst Berendt (1922-2000), author of the world's best-selling jazz book, labored to legitimize jazz in West Germany after its ideological renunciation during the Nazi era. German musicians began, in a highly productive way, to question their all-too-eager adoption of American culture and how they sought to make valid artistic statements reflecting their identity as Europeans. This book explores the significance of some of Berendt's most important writings and record productions. Particular attention is given to the "Jazz Meets the World" encounters that he engineered with musicians from Japan, Tunisia, Brazil, Indonesia, and India. This proto-"world music" demonstrates how some West Germans went about creating a post-nationalist identity after the Third Reich. Berendt's powerful role as the West German "Jazz Pope" is explored, as is the groundswell of criticism directed at him in the wake of 1968.

  • Sprache: Englisch

    Verlag: Berghahn Books, 2011

    0857451626 / 9780857451620

    • Softcover

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  • Sprache: Englisch

    Verlag: Berghahn Books, 2011

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    Paperback. Zustand: Brand New. 296 pages. 9.00x6.00x0.75 inches. In Stock.

  • Sprache: Englisch

    Verlag: Berghahn Books Feb 2011, 2011

    0857451626 / 9780857451620

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    Taschenbuch. Zustand: Neu. Neuware - Jazz has had a peculiar and fascinating history in Germany. The influential but controversial German writer, broadcaster, and record producer, Joachim-Ernst Berendt (1922-2000), author of the world's best-selling jazz book, labored to legitimize jazz in West Germany after its ideological renunciation during the Nazi era. German musicians began, in a highly productive way, to question their all-too-eager adoption of American culture and how they sought to make valid artistic statements reflecting their identity as Europeans. This book explores the significance of some of Berendt's most important writings and record productions. Particular attention is given to the 'Jazz Meets the World' encounters that he engineered with musicians from Japan, Tunisia, Brazil, Indonesia, and India. This proto-'world music' demonstrates how some West Germans went about creating a post-nationalist identity after the Third Reich. Berendt's powerful role as the West German 'Jazz Pope' is explored, as is the groundswell of criticism directed at him in the wake of 1968.

  • Sprache: Englisch

    Verlag: Berghahn Books, GB, 2011

    0857451626 / 9780857451620

    • Softcover

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    Paperback. Zustand: New. Jazz has had a peculiar and fascinating history in Germany. The influential but controversial German writer, broadcaster, and record producer, Joachim-Ernst Berendt (1922-2000), author of the world's best-selling jazz book, labored to legitimize jazz in West Germany after its ideological renunciation during the Nazi era. German musicians began, in a highly productive way, to question their all-too-eager adoption of American culture and how they sought to make valid artistic statements reflecting their identity as Europeans. This book explores the significance of some of Berendt's most important writings and record productions. Particular attention is given to the "Jazz Meets the World" encounters that he engineered with musicians from Japan, Tunisia, Brazil, Indonesia, and India. This proto-"world music" demonstrates how some West Germans went about creating a post-nationalist identity after the Third Reich. Berendt's powerful role as the West German "Jazz Pope" is explored, as is the groundswell of criticism directed at him in the wake of 1968.

  • Sprache: Englisch

    Verlag: Berghahn Books, 2011

    0857451626 / 9780857451620

    • Softcover

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    Zustand: New. Jazz has had a peculiar and fascinating history in Germany. The influential but controversial German writer, broadcaster, and record producer, Joachim-Ernst Berendt (1922-2000), author of the world s best-selling jazz book, labored to legitimize jazz in Wes.

  • Sprache: Englisch

    Verlag: Berghahn Books, Oxford, 2011

    0857451626 / 9780857451620

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    Paperback. Zustand: new. Paperback. Jazz has had a peculiar and fascinating history in Germany. The influential but controversial German writer, broadcaster, and record producer, Joachim-Ernst Berendt (19222000), author of the worlds best-selling jazz book, labored to legitimize jazz in West Germany after its ideological renunciation during the Nazi era. German musicians began, in a highly productive way, to question their all-too-eager adoption of American culture and how they sought to make valid artistic statements reflecting their identity as Europeans. This book explores the significance of some of Berendts most important writings and record productions. Particular attention is given to the Jazz Meets the World encounters that he engineered with musicians from Japan, Tunisia, Brazil, Indonesia, and India. This proto-world music demonstrates how some West Germans went about creating a post-nationalist identity after the Third Reich. Berendts powerful role as the West German Jazz Pope is explored, as is the groundswell of criticism directed at him in the wake of 1968. Jazz has had a peculiar and fascinating history in Germany. The influential but controversial German writer, broadcaster, and record producer, Joachim-Ernst Berendt (1922-2000), author of the world's best-selling jazz book, labored to legitimize jazz in West Germany after its ideological renunciation during the Nazi era. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

  • Sprache: Englisch

    Verlag: Berghahn Books, GB, 2011

    0857451626 / 9780857451620

    • Softcover

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    Paperback. Zustand: New. Jazz has had a peculiar and fascinating history in Germany. The influential but controversial German writer, broadcaster, and record producer, Joachim-Ernst Berendt (1922-2000), author of the world's best-selling jazz book, labored to legitimize jazz in West Germany after its ideological renunciation during the Nazi era. German musicians began, in a highly productive way, to question their all-too-eager adoption of American culture and how they sought to make valid artistic statements reflecting their identity as Europeans. This book explores the significance of some of Berendt's most important writings and record productions. Particular attention is given to the "Jazz Meets the World" encounters that he engineered with musicians from Japan, Tunisia, Brazil, Indonesia, and India. This proto-"world music" demonstrates how some West Germans went about creating a post-nationalist identity after the Third Reich. Berendt's powerful role as the West German "Jazz Pope" is explored, as is the groundswell of criticism directed at him in the wake of 1968.

  • Sprache: Englisch

    Verlag: Berghahn Books, 2011

    0857451626 / 9780857451620

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    Paperback / softback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

  • Sprache: Englisch

    Verlag: Berghahn Books, 2011

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    Zustand: New. Print on Demand pp. 322 23:B&W 6 x 9 in or 229 x 152 mm Perfect Bound on White w/Gloss Lam.

  • Sprache: Englisch

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    Zustand: New. Print on Demand pp. 322.

  • Sprache: Englisch

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    Zustand: New. PRINT ON DEMAND pp. 322.