Sprache: Englisch
Verlag: Psychology Press, East Sussex, 1997
ISBN 10: 0863774520 ISBN 13: 9780863774522
Anbieter: Underground Books, ABAA, Carrollton, GA, USA
Hardcover. Zustand: Very good. Hardcover. 9 1/4" X 6 1/4". xvii, 461pp. Very mild shelf wear to covers, corners, and edges of paper over boards. Dust-spotting and stamps from "Expert Performance Lab" to edges of text block. Stamp to front paste-down. Pages are clean and unmarked. Binding is sound. ABOUT THIS BOOK: This text comprises of reviews of work relating to music and mind. It presents a range of approaches from the psychological through the computational, to the musicological. The reviews were selected from papers submitted at the Third International Conference on Music Perception and Cognition Liege 1994 to illustrate the wide range of perspectives now being adopted in studying how humans make and respond to music. The book is divided ino five sections. The first part illustrates the role of analysis and ethnomusicology in understanding cultural determinants of musical behaviour. The second part charts what is known about aquisition of musical competence, from pre-birth through to the expert performer. The evidence accumulated about specific areas of the brain which control musical thinking and behaviour is examined in Part Three. The fourth part examines how neurological, behavioural and artificial intelligence approaches are converging to shed light on processes in auditory perception. Finally, Part Five highlights the important developments in how we conceptualize the way in which musical structures are represented in the mind.(Publisher).
Sprache: Englisch
Verlag: Psychology Press East Sussex, 1997
ISBN 10: 0863774520 ISBN 13: 9780863774522
Anbieter: Wissenschaftl. Antiquariat Th. Haker e.K, Klettgau, Deutschland
hardcover. fest gebunden. Zustand: Sehr gut. 461 p. In very good condition. ISBN: 0863774520 Sprache: Englisch Gewicht in Gramm: 878.
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In den WarenkorbGebunden. Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Irene Deliege, John A. SlobodaThis text comprises of reviews of work relating to music and mind. It presents a range of approaches from the psychological through the computational, to the musicological. The reviews were selected from papers submitted at.
Anbieter: preigu, Osnabrück, Deutschland
Buch. Zustand: Neu. Perception And Cognition Of Music | Irene Deliege (u. a.) | Buch | Einband - fest (Hardcover) | Englisch | 1997 | Psychology Press | EAN 9780863774522 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book comprises a series of 'state-of-the-art' reviews on work relating music and mind. It offers a uniquely broad range of approaches within a single volume, ranging from the psychological, through the computational, to the musicological. Authors were selected from presenters at the Third International Conference on Music Perception and Cognition (Liege, 1994) to illustrate the wide range of perspectives now being adopted in studying how humans make and respond to music. The book is divided into four sections, each illustrating a different approach to the topic. Section 1, Musicological Approaches, illustrates the role of analysis and ethnomusicology in understanding cultural determinants of musical behavior. Section 2, Developmental Approaches, charts what is known about the acquisition of musical competence, from pre-birth through to the expert performer. Section 3, Biological Approaches, examines the evidence now accumulating about specific areas of the brain which control musical thinking and behavior. Section 4, Acoustical and Computational Approaches, examine how neurological, behavioral and artificial intelligence approaches are converging to shed light on fundamental processes in auditory perception. Finally, Section 5, Structural Approaches, highlights important developments in how we conceptualize the way in which musical structures are represented in the mind. This book provides an up-to-date entry into major preoccupations of current music psychology, suitable for advanced undergraduates, graduate students, and researchers in the field.