Sprache: Englisch
Verlag: Smithsonian Institution Press, 1979
ISBN 10: 0874748879 ISBN 13: 9780874748871
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Paperback. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Smithsonian Institution Press, 1979
ISBN 10: 0874748879 ISBN 13: 9780874748871
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Smithsonian Institution Press, 1979
ISBN 10: 0874748879 ISBN 13: 9780874748871
Anbieter: Gulf Coast Books, Cypress, TX, USA
paperback. Zustand: Good.
Sprache: Englisch
Verlag: Smithsonian Institution Press, 1979
ISBN 10: 0874748879 ISBN 13: 9780874748871
Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Sprache: Englisch
Verlag: Smithsonian Institution Press, 1979
ISBN 10: 0874748879 ISBN 13: 9780874748871
Anbieter: Atlantic Books, Mars Hill, NC, USA
Paperback. Zustand: Very Good. Oversize Oblong Softcover. Black and white and color illustrations. 112 paintings shown.
Sprache: Englisch
Verlag: Smithsonian Books,US June 1979, 1979
ISBN 10: 0874748879 ISBN 13: 9780874748871
Anbieter: Eighth Day Books, LLC, Wichita, KS, USA
Paper Back. Zustand: Good. Binding good, text unmarked, pages age-toned, curling at some corners. Cover shows edgewear, loss along spine, and minor creasing.
Sprache: Englisch
Verlag: Smithsonian Institution Press, 1979
ISBN 10: 0874748879 ISBN 13: 9780874748871
Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
Sprache: Englisch
Verlag: Smithsonian Institution Pres, 1978
ISBN 10: 0874748879 ISBN 13: 9780874748871
Anbieter: BookDepart, Shepherdstown, WV, USA
Paperback. Zustand: UsedGood. Paperback; from the collections of the Cooper-Hewitt Museum, the Smithsonia n Institution's National Museum of Design; fading, scuffing, and edge wear to exterior; in good condition with clean text, firm binding.
Sprache: Englisch
Verlag: Smithsonian Books,US June 1979, 1979
ISBN 10: 0874748879 ISBN 13: 9780874748871
Anbieter: Eighth Day Books, LLC, Wichita, KS, USA
Paper Back. Zustand: Good. Used - good to very good. Light shelf wear to covers, a very nice copy with several color plates, numerous black and white.
Sprache: Englisch
Verlag: Smithsonian Institution Press, 1979
ISBN 10: 0874748879 ISBN 13: 9780874748871
Anbieter: GoldBooks, Denver, CO, USA
Paperback. Zustand: new. New Copy. Customer Service Guaranteed.
Sprache: Englisch
Verlag: Smithsonian Institution Press, Washington, D.C., 1978
ISBN 10: 0874748879 ISBN 13: 9780874748871
Softbound. Color pictorial & tan wraps, 110 pp. 14 color, 98 bw repros. Issued in conjunction with a series of exhibitions of sketches by American artist Frederic Edwin Church (1826-1900). Begins with an illustrated narrative. The illustrated catalogue presents the 112 pieces from the exhibition. Includes a bibliography. This exhibition and catalogue just scratch the surface of the Church material available at the Cooper-Hewitt. G (Ex-gallery with spine label and few interior marks; moderate edge and corner wear to covers; edge of book block has scuff mark; page surfaces are clear.).
Sprache: Englisch
Verlag: Smithsonian Institution Press, Washington, D. C., 1978
ISBN 10: 0874748879 ISBN 13: 9780874748871
Anbieter: Pegasus Books, Farmington Hills, MI, USA
Paperback. Zustand: Fine. B & W and Color; 10 x 8 3/4; ix, 110 pages; Soft cover is oblong shaped, brown spine with white lettering. Pages are clean and tight; appears as if unused. Lavishly illustrated with 112 pictures, 15 of them color. 'There are few American painters who were as celebrated, successful, or influential as Frederic Edwin Church (1826-1900). While many of his contemporaries died broke, discredited, or forgotten, Church managed to live a prosperous life until the end of an era that was shaped by his influence on artists, collectors, and museums. That influence continues today through frequent exhibitions, scholarly catalogues, and illustrated books. Even now there are major exhibitions that include his drawings and paintings as well as several books still in print that describe his painting techniques and the ways he managed his successful career. Church's influence isn't based on his having been an innovative painter or an active teacher. Instead, it emanates from his powerfully executed paintings of both well-known sites and exotic locations; from his influence as a founder of The Metropolitan Museum of Art, in New York City, and as a member of the National Academy, also in New York City; and from the efforts of collectors to make a vast number of his sketches available to art students. Church's method of developing large studio pictures was typical of most 19th-century artists. He made detailed graphite drawings and oil sketches on location and acquired photographs of those scenes to compose oil paintings in his New York studio. He even went so far as to paint over someone else's photographic prints to compose his most popular painting of Niagara Falls. What helped Church stand out in the crowd of painters was his instinct for establishing arresting compositions, his preference for dramatic lighting and intriguing details, and his brilliant marketing strategies'. What helped Church stand out in the crowd of painters was his instinct for establishing arresting compositions, his preference for dramatic lighting and intriguing details, and his brilliant marketing strategies'. What helped Church stand out in the crowd of painters was his instinct for establishing arresting compositions, his preference for dramatic lighting and intriguing details, and his brilliant marketing strategies'. What helped Church stand out in the crowd of painters was his instinct for establishing arresting compositions, his preference for dramatic lighting and intriguing details, and his brilliant marketing strategies'.
Sprache: Englisch
Verlag: Smithsonian Institution Press, 1979
ISBN 10: 0874748879 ISBN 13: 9780874748871
Anbieter: Heights Catalogues, Books, Comics, New York, NY, USA
Zustand: Like new. HEMA2028 Close Observation, Selected Oil Sketches by Frederic E. Church, Essays Theodore E. Stebbins, Jr., Selections from the Cooper Hewitt & Smithsonian, 1978, 8.5"x10.125", b&w with some color, 110 pages.
Sprache: Englisch
Verlag: Smithsonian Institution Press, 1979
ISBN 10: 0874748879 ISBN 13: 9780874748871
Anbieter: BennettBooksLtd, Los Angeles, CA, USA
paperback. Zustand: New. In shrink wrap. Looks like an interesting title!
Anbieter: Studibuch, Stuttgart, Deutschland
paperback. Zustand: Gut. 110 Seiten; 9780874748871.3 Gewicht in Gramm: 500.