Isbn: 9780878464609 - french prints from the age of the musketeers (14 Ergebnisse)

Zustand: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Zustand: Very Good+. 4to 11" - 13" tall.

Soft Cover. Zustand: Fine. This is a fine softcover copy with no wear at all. Completely clean. This catalog was prepared to accompany the traveling exhibition that opened at the Museum of Fine Arts, Boston from October 21, 1998 to January 10, 1999. List of 126 works catalogued. Illustrated in black & white. 12" high X 9, 277 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and shipped with tracking.…

Paperback. Zustand: Fine. Exhibition catalog. Black and white illustrations throughout. First edition (paperback). Fine in oversize illustrated wraps.

Soft cover. Zustand: New. No Jacket. 1st Edition. First edition 1998, first printing. Published in conjunction with travelng exhibition by Museum of Fine Arts Boston. Large softcover without DJ as issued. Condition new, square tight and clean book, corners not bumped, no shelfwear, spine not creased, no names, no underlinings, no highlights, no bent page corners, not a reminder. Folio, 278 pages, illustrated throughout. Heavy book may require additional postage for international orders.…

paperback. Zustand: fine. More than 100 black & white illustrations. ix + 277 pages. 4to, printed wrappers. Boston: Museum of Fine Arts, 1998. A fine copy. Scarce. Contributions by Alvin L. Clark, Jr., Carl Goldstein, Marianne Grivel, Graham Larkin, Maxime Preaud, H. Diane Russell.

Laminated illustrated wrappers, 4to, 30 cm, ix, 277, [1] pp, ills. 126 entries. Catalogue of an exhibition; in addition to the entries described it includes an introduction and an appendix with biographies of the printmakers. From the introduction - "Prints by the thousands were produced during the first half of the seventeenth century in France. Like our own age, that era was highly oriented toward the visual. This exhibition and its catalogue intend to reveal the diversity of printmaking from about 1610 to shortly after 1660. . The selection of prints, by fifty artists, has been made not only on the basis of quality, but also to illustrate the scope of life in seventeenth-century France. They are arranged by topic so as to make it possible to juxtapose fine-arts prints by major artists with a broader, more popular print production. The five decades covered in this book were very important ones for the development of French printmaking, and yet the achievements of that time are not very well known. . Among the graphic artists of the period, Jacques Callot is certainly the most famous, His lively prints depicting people and place', war and its consequences, have never gone out of favor, His disciple Abraham Bosse enlightens us regarding the fashions and activities of a growing middle class, whereas Claude Mellan, Jean Morin, and Robert Nantcuil provide vivid portraits of the luminaries of the time. Best known for their figura! subjects, whether religious, historical, or mythological, are the painter' etchers Jacques Bellange, Laurent de La Hyre. Chude Vignon, and the circle of Simon Vouet. A growing number of landscape etchers includes La Hyre and Morin; the most famous, of course, is the expatriate Claude Lorrain, But no less accomplished are the painters Samuel Bernard, Jean Voucher, and Claude Lefebvre, as well as Richelieu's architect Jacques Lemercier, Works by the printmakers Pierre Brebiate, Nicolas and Noel Cochin, Gregoire Hura, and Daniel Rabel are rare outside of Prance, and hence little known, ., The exhibition focuses on the printmaking activities of Paris, Despite some printmaking activity in the provinces, the capital city attracted the most and the best printmakers.This exhibition spans an amazing variety of subjects executed in a range of artistic styles. These styles extend from the late mannerism of Jacques Bellange to the restrained early classicism of Laurent de La Hyre and Claude Mellan. Simon Vouet's baroque altarpieces are interpreted by Jean Daret and Michel Dorigny, and Philippe de Champaigne's sober realist images are etched by Jean Morin. In her study of the print business in Paris, Marianne Grivel analyzed thousands of French seventeenth-century prints according to eighteen divisions of subject matter. This exhibition includes a number of examples from (he most popular categories - religion' portraiture. topography, genre, allegory, nature, history, fashion, and mythology; and samples the less numerous categories - architecture, caricature, military, pedagogy, festival, theses, and galanteries. " Very Good.…

Paperback. Zustand: Fine. First Edition. Inside the text is clean with no remarks or highlights. 277 pages with the index of the prints.We will state signed at the description section. we confirm they are signed via email or stated in the description box. - Specializing in academic, collectiblle and historically significant, providing the utmost quality and customer service satisfaction. For any questions feel free to email us.…

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Zustand: Very Good.

kartoniert kartoniert. Zustand: Sehr gut. mit Abbildungen, 277 Seiten Zust: Gutes Exemplar. In englischer Sprache. Schneller Versand und persönlicher Service - jedes Buch händisch geprüft und beschrieben - aus unserem Familienbetrieb seit über 25 Jahren. Eine Rechnung mit ausgewiesener Mehrwertsteuer liegt jeder unserer Lieferungen bei. Wir versenden mit der deutschen Post. Sprache: Englisch Gewicht in Gramm: 1500.…

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Zustand: gut. 1998. French Prints from the Age of the Musketeers. In englischer Sprache. pages.

Paperback. Zustand: New. 0.8 x 11.4 x 9.1 Inches.