9780892362837 - style-architecture and building-art: transformations of architecture in the nineteenth century and its present condition (texts and documents series) von muthesius, hermann; anderson, stanford (28 Ergebnisse)
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Sprache: Englisch
Verlag: The Getty Center for the History of Art and the Humanities, Santa Monica & The University of Chicago Press, Chicago (Serie Texts & Documents), 1994
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Zustand: Gut. 26 cm ; Introduction and Translation by Stanford Anderson. Englischsprachige Paperbackausgabe, 129 Seiten. Umschlag etwas berieben. Gutes Exemplar. pw143 ISBN: 0892362839.
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Paperback. Zustand: New. This text attempts to define the elements of early modernist architecture according to notions of realism and simplicity. Although the author, Hermann Muthesius, is perhaps most well-known in Anglo-American architectural literature for his studies of the English house, his work constituted a wide-ranging… modernist polemic emanating from the German realist movement of the late 1890s. Notions introduced in the book became common in later modernist historiography: disdain for the 19th century's artistic eclecticism and lack of originality; appreciation of the material and industrial aspects of building technology; and a simpler approach to design. Muthesius' critique of stylistic architecture is not only linked to the development of the Deutsche Werkbund movement, but also can be viewed more broadly as a cornerstone of the modern movement. The introduction by Standford Anderson situates Muthesius and his work in turn-of-the-century architectural discourse and analyzes his vision of a new form of architecture.Anderson also discusses the rationale underlying the call for cultural renewal, the role of English architectural models in Muthesius's thought, critical differences between the first and second editions of "Style-Architecture and Building-Art", the influence of the Jugendstil and art nouveau movements on Muthesius and, in turn, the influence of Muthesius on the Deutsche Werkbund movement.
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Zustand: New. This text aims to define the elements of early modernist architecture according to notions of realism and simplicity. Its critique of stylistic architecture is not only linked to the development of the Deutsche Werkbund movement, but also can be viewed as a cornerstone of the modern movement. Translator(s): Anderso…n, Stanford. Series: Texts & Documents. Num Pages: 208 pages, 7 illustrations. BIC Classification: 1DFG; AMA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 259 x 192 x 11. Weight in Grams: 460. . 2006. Illustrated. Paperback. . . . .
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Paperback. Zustand: new. Paperback. Style-Architecture and Building-Art is Hermann Muthesius's classic criticism of nineteenth century architecture. Now published for the first time in English, this pivotal text represents the first serious effort by Muthesius to define the elements of early modernist architecture according to n…otions of realism and simplicity. Although Muthesius is known best in Anglo-American architectural literature for his studies of the English house, his scholarship constituted a wide-ranging modernist polemic emanating from the German realist movement of the late 1890s. Notions that were introduced in Style-Architecture and Building-Art became common in later modernist historiography: disdain for the nineteenth century's artistic eclecticism and lack of originality; appreciation of the material and industrial aspects of building technology, and, above all, a simpler approach to design. Muthesius' critique of stylistic architecture is not only linked to the development of the Deutsche Werkbund movement, but also can be viewed more broadly as a cornerstone of the modern movement. In his introduction, Standford Anderson situates Muthesius and his work in turn-of-the-century architectural discourse and analyzes his vision of a new form of architecture. Anderson also discusses the rationale underlying the call for cultural renewal, the role of English architectural models in Muthesiuss thought, critical differences between the first and second editions of Style-Architecture and Building-Art, the influence of the Jugendstil and Art Nouveau movements on Muthesius and, in turn, the influence of Muthesius on the Deutsche Werkbund movement. This text aims to define the elements of early modernist architecture according to notions of realism and simplicity. Its critique of stylistic architecture is not only linked to the development of the Deutsche Werkbund movement, but also can be viewed as a cornerstone of the modern movement. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Zustand: New. This text aims to define the elements of early modernist architecture according to notions of realism and simplicity. Its critique of stylistic architecture is not only linked to the development of the Deutsche Werkbund movement, but also can be viewed as a cornerstone of the modern movement. Translator(s): Anderso…n, Stanford. Series: Texts & Documents. Num Pages: 208 pages, 7 illustrations. BIC Classification: 1DFG; AMA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 259 x 192 x 11. Weight in Grams: 460. . 2006. Illustrated. Paperback. . . . . Books ship from the US and Ireland.
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Sprache: Englisch
Verlag: The Getty Center For The History Of Art, U.S.A., 1996
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Zustand: Very Good. No Dj. Larger 8vo pp. 129, "Although Muthesius is known best in Anglo-American architectural literature for his studies of the English house, his scholarship constituted a wide-ranging modernist polemic emanating from the German realist movement of the late 1890s. Notions that were introduced in Style-Archite…cture and Building-Art became common in later modernist historiography: disdain for the nineteenth century's artistic. book.
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Paperback. Zustand: new. Paperback. Style-Architecture and Building-Art is Hermann Muthesius's classic criticism of nineteenth century architecture. Now published for the first time in English, this pivotal text represents the first serious effort by Muthesius to define the elements of early modernist architecture according to n…otions of realism and simplicity. Although Muthesius is known best in Anglo-American architectural literature for his studies of the English house, his scholarship constituted a wide-ranging modernist polemic emanating from the German realist movement of the late 1890s. Notions that were introduced in Style-Architecture and Building-Art became common in later modernist historiography: disdain for the nineteenth century's artistic eclecticism and lack of originality; appreciation of the material and industrial aspects of building technology, and, above all, a simpler approach to design. Muthesius' critique of stylistic architecture is not only linked to the development of the Deutsche Werkbund movement, but also can be viewed more broadly as a cornerstone of the modern movement. In his introduction, Standford Anderson situates Muthesius and his work in turn-of-the-century architectural discourse and analyzes his vision of a new form of architecture. Anderson also discusses the rationale underlying the call for cultural renewal, the role of English architectural models in Muthesiuss thought, critical differences between the first and second editions of Style-Architecture and Building-Art, the influence of the Jugendstil and Art Nouveau movements on Muthesius and, in turn, the influence of Muthesius on the Deutsche Werkbund movement. This text aims to define the elements of early modernist architecture according to notions of realism and simplicity. Its critique of stylistic architecture is not only linked to the development of the Deutsche Werkbund movement, but also can be viewed as a cornerstone of the modern movement. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Paperback. Zustand: New. This text attempts to define the elements of early modernist architecture according to notions of realism and simplicity. Although the author, Hermann Muthesius, is perhaps most well-known in Anglo-American architectural literature for his studies of the English house, his work constituted a wide-ranging… modernist polemic emanating from the German realist movement of the late 1890s. Notions introduced in the book became common in later modernist historiography: disdain for the 19th century's artistic eclecticism and lack of originality; appreciation of the material and industrial aspects of building technology; and a simpler approach to design. Muthesius' critique of stylistic architecture is not only linked to the development of the Deutsche Werkbund movement, but also can be viewed more broadly as a cornerstone of the modern movement. The introduction by Standford Anderson situates Muthesius and his work in turn-of-the-century architectural discourse and analyzes his vision of a new form of architecture.Anderson also discusses the rationale underlying the call for cultural renewal, the role of English architectural models in Muthesius's thought, critical differences between the first and second editions of "Style-Architecture and Building-Art", the influence of the Jugendstil and art nouveau movements on Muthesius and, in turn, the influence of Muthesius on the Deutsche Werkbund movement.
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