9780892363667 - pontormo: portrait of a halberdier (getty museum studies on art) (29 Ergebnisse)

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paperback. Zustand: Good. First Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing and/or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

- Softcover
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Softcover, 126 pages; very good condition; pages yellowed at edges; no internal marks. Foreign shipping may be extra.

- Softcover
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paperback. Zustand: As New. Used like new softcover. No spine creases, writing, highlighting or tears. A sound and square copy.

- Softcover
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Paperback. Zustand: Very Good. Text clean and tight; Getty Museum Studies On Art; 8vo 8" - 9" tall; 138 pages.

- Softcover
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Zustand: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

- Softcover
Anbieter: Hennessey + Ingalls, Los Angeles, CA, USAHennessey + Ingalls
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Trade Paperback. Zustand: Used - Good. Much has been written about the identity of the sitter in this portrait. In 1568, Vasari noted that Pontormo painted a beautiful work, a portrait of Francesco Guardi. In 1612, however, the name of Cosimo i de' Medici was attached to a description of the portrait. In this volume, Cropper arg…ues that the subject of the painting is indeed Francesco Guardi. She discusses not only the specific determination of the sitter but the tools and methods used in general for establishing the people and places portrayed in works of art. Used copy with some wearm some foxing.

- Softcover
Anbieter: Hennessey + Ingalls, Los Angeles, CA, USAHennessey + Ingalls
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Trade Paperback. Zustand: Used - Very Good. Much has been written about the identity of the sitter in this portrait. In 1568, Vasari noted that Pontormo painted a beautiful work, a portrait of Francesco Guardi. In 1612, however, the name of Cosimo i de' Medici was attached to a description of the portrait. In this volume, Croppe…r argues that the subject of the painting is indeed Francesco Guardi. She discusses not only the specific determination of the sitter but the tools and methods used in general for establishing the people and places portrayed in works of art. Very nice clean, tight copy free of any marks.

Sprache: Englisch
Verlag: Getty Trust Publications: J. Paul Getty Museum, 1998
- Softcover
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Paperback. Zustand: Very Good. Unmarked. 21 color plates. 32 b/w illustrations. 1 color foldout. French flaps. Notes. Bibliography. Genealogy of the Guardi family. In 1568, Vasari noted that Pontormo painted a beautiful work, a portrait of Francesco Guardi. In 1612, however, the name of Cosimo de'Medici was attached to a descrip…tion of the portrait. In this volume, Cropper argues that the subject of the painting is indeed Francesco Guardi. She discusses not only the specific determination of the sitter but the tools and methods used in general for establishing the people and places portrayed in works of art.

- Softcover
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Zustand: New. Brand New.

- Softcover
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paperback. Zustand: Good. First Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

- Softcover
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Sprache: Englisch
Verlag: J. Paul Getty Museum; Getty Museum Studies on Art Ser., Los Angeles, 1997
- Softcover
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Paperback. Zustand: Fine. 1st. 132 pages, illustrations (some colour); 24 cm. Firm binding, clean inside copy. *** "Much has been written about the identity of the sitter in this portrait. In 1568, Vasari noted that Pontormo painted a beautiful work, a portrait of Francesco Guardi. In 1612, however, the name of Cosimo de' Medici… was attached to a description of the portrait. In this volume, Cropper argues that the subject of the painting is indeed Francesco Guardi. She discusses not only the specific determination of the sitter but the tools and methods used in general for establishing the people and places portrayed in works of art." - Publisher. Size: 8vo.

- Softcover
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Paperback. Zustand: Fine. No Jacket. Reprint. paperback,illustrated,132 pages,a fine clean copy.Shelf B28.

- Softcover
Anbieter: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandKennys Bookshop and Art Galleries Ltd.
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Zustand: New. 1998. Paperback. . . . . .

- Softcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
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Zustand: New. 1998. Paperback. . . . . . Books ship from the US and Ireland.

- Softcover
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Zustand: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Verlag: Getty Museum, 1997
- Softcover
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Softcover. Zustand: Very Good. No Jacket. First edition. 1st 1997. Slightly better than very good condition. Getty Museum Studies on Art series. Monograph. A masterpiece of Italian Mannerism, Pontormo's painting of the Halberdier is a poignant image of a heroic youth. But is this proud and beautiful youth the Florentine duke Cos…imo I de' Medici, or is he Frencesco Guardi, unknown to history except for Vasari's mention that he was painted by Pontormo during the harrowing seige of Florence in 1529-302? The author examines the many problems surrounding this mysterious portrait, discovering new possibilities of meaning within the volatile politics of the period. Pictorial cardwraps. B/w & colour illustrations. 132 pages. A very nice copy. Packaged with care and promptly dispatched. Pontormo, Jacopo Carucci (illustrator).

- Softcover
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- Softcover
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Zustand: BUONO USATO. Da revisionare INGLESE Catalogo arricchito da 21 tavole a colori, 32 illustrazioni in b-n, 1 tavola a colori ripiegata all'interno, autore E. Cropper. N. pag. 132. Brossura filo refe, copertina illustrata con risvolti segnata da minime tracce da manipolazione, leggero attrito da compressione alla pellicola…protettiva, abrasioni lievi ai margini delle guardie, presenti etichette alla guardia e risguardia posteriore, i fogli conservano un buon aspetto seppure ossidati lievemente in cornice, pulviscolo ai tagli."Il volume potrebbe contenere timbri, il materiale à stato regolarmente acquisito dalla nostra Libreria.

- Softcover
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paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

- Softcover
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Zustand: New.

- Softcover
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Paperback. Zustand: New. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- 132 pages; 53 illustrations including 21 in color. Description: "Much has been written about the identity of the sitter in this portra…it by Pontormo. In 1568 the most famous contemporary recorder of artists' lives, the painter Giorgio Vasari, noted that Pontormo painted a beautiful work, a portrait of Francesco Guardi depicted as a soldier during the 1528 siege of Florence. However, in 1612 the name of Cosimo de'Medici was attached to a description of the portrait. In this volume, Elizabeth Cropper argues that the subject of the paintingâ"widely considered to be Pontormo's masterpieceâ"is Francesco Guardi. The book discusses not only the specific determination of the sitter, but the tools and methods used in general for establishing the people and places portrayed in works of art." -- with a bonus offer--; Much has been written about the identity of the sitter in this portrait. In 1568, Vasari noted that Pontormo painted a beautiful work, a portrait of Francesco Guardi. In 1612, however, the name of Cosimo i de' Medici was attached to a description of the portrait. In this volume, Cropper argues that the subject of the painting is indeed Francesco Guardi. She discusses not only the specific determination of the sitter but the tools and methods used in general for establishing the people and places portrayed in works of art.