Isbn: 9780916758561 - gothic art in the gilded age: medieval and renaissance treasures in the gavet-vanderbilt-ringling collection (12 Ergebnisse)

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. . . All orders guaranteed and ship within 24 hours. Before placing your order for please contact us for confirmation on the book's binding. Check out our other listings to add to your order for discounted shipping.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hard Cover. Zustand: Good. Zustand des Schutzumschlags: Good.

hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. Well illustrated. 214 pages, 4to, black cloth, d.w. Sarasota: The John and Marble Ringling Museum of Art, (2009). A fine copy in a fine dust wrapper.

Cloth. Zustand: Fine Condition. Zustand des Schutzumschlags: Near Fine. 214 pp., 227 illustrations in color. A minor scratch to the back of the dustjacket cover, otherwise fine. Foreword by John Wetenhall and Trudy Coxe. Acknowledgments by Virginia Brilliant and Paul F. Miller. Black cloth with gilt lettering to the spine. Illustrated endpapers. Published on the occasion of the exhibition from The John and Mable Ringling Museum of Art, Sarasota FL 16 December 2009-4 April 2010 and The Preservation Society of Newport County, Newport RI 8 May-31 October 2010. Includes bibliography and index.…

Hardcover. Zustand: VG/VG. Black cloth boards with gilt stamped lettering on spine. Glossy color-illustrated dust jacket with blue lettering. 214 pp. Color and BW illustrations. Catalogue of an exhibition of the same name from December 16, 2009- April 4, 2010 at the Ringling Museum of Art, and from May 18- October 31, 2010 at the Preservation Society of Newport County.…

Hardcover. Black cloth boards with gilt stamped lettering on spine. Glossy color-illustrated dust jacket with blue lettering. 214 pp. Color and BW illustrations. Catalogue of an exhibition of the same name from December 16, 2009- April 4, 2010 at the Ringling Museum of Art, and from May 18- October 31, 2010 at the Preservation Society of Newport County. VG/VG, signed by the author on half title page.…

Hardcover. First Edition. Book condition is Very Good+; with a Very Good+ dust jacket. Text is clean and unmarked, still in factory shrinkwrap. ; 11.70 X 9.40 X 1 inches; 232 pages.

Hardcover. Zustand: Very good condition. Zustand des Schutzumschlags: Very good. xvii, 214 pp. Catalogue of the exhibition: John and Mable Ringling Museum of Art in Sarasota, 16 December 2009 - 4 April 2010; Preservation Society of Newport County, 8 May - 31 October 2010. LCC: 2009033619.

Hardcover. Zustand: New. Paintings of ruined cathedrals, mystery fiction, and nationalist claims to medieval origins for language, law, and cultural patrimony--these mark the beginning of the re-invention of the Gothic that was to become key to the Romantic Movement in early 19th-century Europe. By contrast, in the U.S., it was only after the Civil War, the spread of Ruskin s teachings, and the emergence of Gilded Age wealth that art collectors developed a taste and an interpretation for artefacts previously consigned to a Dark Age of blind faith and alien codes of representation.In this highly original book, a team of international experts trace the history of the first sizable collection of Gothic art brought from Paris to the U.S. in 1889. Though it belonged to Alva Vanderbilt (the Commodore s daughter-in-law), it was sold to John Ringling in 1927 and is now part of the Ringling Museum.The essays explain why early Italian paintings, including a masterpiece by Piero di Cosimo, could be regarded as Gothic rather than as Renaissance and show how 19th-century installations of the objects enveloped them in an atmosphere of mystery and ancient privilege.A catalogue with color illustrations of every object in the collection makes this book indispensable to museum visitors as well as to scholars of medieval art, medieval revivals, and the history of collecting.…