9780916758561 - gothic art in the gilded age: medieval and renaissance treasures in the gavet-vanderbilt-ringling collection (11 Ergebnisse)

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Sprache: Englisch
Verlag: Ringling Museum of Art Foundation, The, John & Mable, 2009
- Hardcover
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- Hardcover
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hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. Well illustrated. 214 pages, 4to, black cloth, d.w. Sarasota: The John and Marble Ringling Museum of Art, (2009). A fine copy in a fine dust wrapper.
Weitere BilderSprache: Englisch
Verlag: John and Mable Ringling Museum of Art, Sarasota, 2010
- Hardcover
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Hardcover. Zustand: VG/VG. Black cloth boards with gilt stamped lettering on spine. Glossy color-illustrated dust jacket with blue lettering. 214 pp. Color and BW illustrations. Catalogue of an exhibition of the same name from December 16, 2009- April 4, 2010 at the Ringling Museum of Art, and from May 18- October 31, 2010 at th…e Preservation Society of Newport County.
Weitere BilderSprache: Englisch
Verlag: John and Mable Ringling Museum of Art, Sarasota, 2010
- Hardcover
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Hardcover. Black cloth boards with gilt stamped lettering on spine. Glossy color-illustrated dust jacket with blue lettering. 214 pp. Color and BW illustrations. Catalogue of an exhibition of the same name from December 16, 2009- April 4, 2010 at the Ringling Museum of Art, and from May 18- October 31, 2010 at the Preservation S…ociety of Newport County. VG/VG, signed by the author on half title page.

- Hardcover
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Hardcover. First Edition. Book condition is Very Good+; with a Very Good+ dust jacket. Text is clean and unmarked, still in factory shrinkwrap. ; 11.70 X 9.40 X 1 inches; 232 pages.

Gothic Art in the Gilded Age: Medieval and Renaissance Treasures in the Gavet-Vanderbilt-Ringling Collection
Curated by Virginia Brilliant and Paul Miller; Foreward by John Wetenhall and Rudy Coxe; Acknowledgments by Virginia Brilliant and Paul Milleter; Introduction by Virginia Brilliant; Essays by Alan Chong, Paul Miller, Virginia Brilliant, Flaminia Gennari-Santori, and Charlotte Vignon; Catalogue by C. D. Dickerson, Jim Harris, Francoise Barbe, Agnes Bos, Virginia Brilliant, Glyn Davies, and Ronald McCarty.
Sprache: Englisch
Verlag: Gutenberg Periscope Publishing at Prestel Publishing, for the John and Mable Ringling Museum of Art, Pittsburg, Pennsylvania, 2009
- Hardcover
Anbieter: Andover Books and Antiquities, Andover, MA, USAAndover Books and Antiquities
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Hardcover. Zustand: Very good condition. Zustand des Schutzumschlags: Very good. xvii, 214 pp. Catalogue of the exhibition: John and Mable Ringling Museum of Art in Sarasota, 16 December 2009 - 4 April 2010; Preservation Society of Newport County, 8 May - 31 October 2010. LCC: 2009033619.

- Hardcover
Anbieter: BWS BKS, Ferndale, NY, USABWS BKS
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Hardcover. Zustand: New. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- 232 pages; 333 illustrations. -- with a bonus offer--; Paintings of ruined cathedrals, mystery fiction, and nationalist claims to medi…eval origins for language, law, and cultural patrimony--these mark the beginning of the re-invention of the Gothic that was to become key to the Romantic Movement in early 19th-century Europe. By contrast, in the U.S., it was only after the Civil War, the spread of Ruskin s teachings, and the emergence of Gilded Age wealth that art collectors developed a taste and an interpretation for artefacts previously consigned to a Dark Age of blind faith and alien codes of representation.In this highly original book, a team of international experts trace the history of the first sizable collection of Gothic art brought from Paris to the U.S. in 1889. Though it belonged to Alva Vanderbilt (the Commodore s daughter-in-law), it was sold to John Ringling in 1927 and is now part of the Ringling Museum.The essays explain why early Italian paintings, including a masterpiece by Piero di Cosimo, could be regarded as Gothic rather than as Renaissance and show how 19th-century installations of the objects enveloped them in an atmosphere of mystery and ancient privilege.A catalogue with color illustrations of every object in the collection makes this book indispensable to museum visitors as well as to scholars of medieval art, medieval revivals, and the history of collecting.