9780934658133 - Staring Back: On Picasso's Demoiselles d'Avignon von Blereau, Laura; Cohen, Janie; Gersh-Nesic, Beth S. (14 Ergebnisse)

Zustand: New. Twenty-first-century views on a Modernist icon Num Pages: 58 pages, 27 illus. BIC Classification: ACV. Category: (G) General (US: Trade). Dimension: 244 x 255 x 6. Weight in Grams: 298. . 2015. paperback. Not a first edition copy. . . . Books ship from the US and Ireland.

paperback. Zustand: Very Good. With Powell's sticker on front Very Good paperback with light shelfwear - NICE! Oversized.

paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Zustand: New. Twenty-first-century views on a Modernist icon Num Pages: 58 pages, 27 illus. BIC Classification: ACV. Category: (G) General (US: Trade). Dimension: 244 x 255 x 6. Weight in Grams: 298. . 2015. paperback. Not a first edition copy. . . .

Zustand: New.

paperback. Zustand: New.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: new. Paperback. The catalogue of a 2015 exhibit at the Fleming Museum. Picasso's major 1907 painting, Les Demoiselles d'Avignon, created an uproar in the Paris art world and laid the foundation for the development of Cubism. The Fleming Museum's exhibition explored Picasso's extraordinary process in creating the painting, through innovative installations and advanced technologies that transformed the museum experience. The painting's ongoing legacy is examined through the work of a diverse group of American, African, and European contemporary artists. Picasso found inspiration for Demoiselles in art history and contemporary visual culture. Through a variety of new visual technologies, visitors to the exhibit could understand how he synthesized and transformed these diverse sources - from Iberian, African, Oceanic, and Egyptian art to Baroque painting, Cezanne's and Gauguin's work, and colonial photographers' images of African women - to launch a radically new artistic vocabulary. The largest section of the exhibition highlighted the continuing pull of the painting - over 100 years after its creation - as evidenced in the work of international artists, including Leonce Raphael Agbodjelou, Gerri Davis, Damian Elwes, Julian Friedler, Kathleen Gilje, Carlo Maria Mariani, Sophie Matisse, Stas Orlovski, and Jackson Tupper. Catalogue of 2015 exhibit at the Fleming Museum of Art in Vermont USA. The largest section of the exhibition highlighted the continuing pull of Picasso's major 1907 painting, Les Demoiselles d'Avignon, over 100 years after its creation - as evidenced in the work of international artists. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

paperback. Zustand: Very Good in Wrappers. No Jacket. First Edition. Burlington. 2015. Fleming Museum of Art/University of Vermont. 1st American Edition. Very Good in Wrappers. 0934658137. 56 pages. paperback. keywords: Art. DESCRIPTION - This book documents the Fleming Museum of Art's spring 2015 exhibition, Staring Back: The Creation and Legacy of Picasso's Demoiselles d'Avignon. It includes a fictional piece that explores the newly revealed connections between Les Demoiselles and a genre of colonial African photographic erotica marketed in Paris in the early twentieth century; an essay on the life of the painting from its creation until its purchase by the Museum of Modern Art; and an essay on the audio, video, and other advanced technologies used in the exhibition to reintroduce the ambitious, then twenty-five-year-old Picasso to the public. It also features brief entries on the works of ten contemporary artists in the exhibition--work that engages Les Demoiselles more than a century after its creation. The text is written in a lively, contemporary manner and will appeal to the general public as well as Picasso scholars. inventory #48286.

Paperback. Color-pictorial wraps with aqua lettering. 56 pp. Mainly color illustrations. Portraits. This book documents the Fleming Museum of Art's spring 2015 exhibition, 'Staring back: The creation and legacy of Picasso's 'Demoiselles d'Avignon''. It includes a fictional piece that explores the newly revealed connections between 'Les Demoiselles' and a genre of colonial African photographic "erotica" marketed in Paris in the early twentieth century; an essay on the life of the painting from its creation until its purchase by the Museum of Modern Art; and an essay on the audio, video, and other advanced technologies used in the exhibition to reintroduce the ambitious, then twenty-five-year-old Picasso to the public. -First Search. VG- light wear to corners and edges.

Softcover. Zustand: NF. Color-photographic wraps with pale blue lettering. 56 pp. with color and duotone images throughout. Catalogue from the exhbition of February to June 2015 at the Fleming Museum, University of Vermont. Essays by Laura Blereau (The Technological Avent-Garde and the Museum), Janie Cohen (The African Body and Picasso's Demoiselles [Fictional Remix]), and Beth S. Gersh-Nesic (From Paris to New York: The Life of the Demoisells). Includes an exhibition checklist and the entries by American, African, and European artists. Each work pictured in color, with biographical information about the artist and brief annotative material about the work.

Paperback. Zustand: new. Paperback. The catalogue of a 2015 exhibit at the Fleming Museum. Picasso's major 1907 painting, Les Demoiselles d'Avignon, created an uproar in the Paris art world and laid the foundation for the development of Cubism. The Fleming Museum's exhibition explored Picasso's extraordinary process in creating the painting, through innovative installations and advanced technologies that transformed the museum experience. The painting's ongoing legacy is examined through the work of a diverse group of American, African, and European contemporary artists. Picasso found inspiration for Demoiselles in art history and contemporary visual culture. Through a variety of new visual technologies, visitors to the exhibit could understand how he synthesized and transformed these diverse sources - from Iberian, African, Oceanic, and Egyptian art to Baroque painting, Cezanne's and Gauguin's work, and colonial photographers' images of African women - to launch a radically new artistic vocabulary. The largest section of the exhibition highlighted the continuing pull of the painting - over 100 years after its creation - as evidenced in the work of international artists, including Leonce Raphael Agbodjelou, Gerri Davis, Damian Elwes, Julian Friedler, Kathleen Gilje, Carlo Maria Mariani, Sophie Matisse, Stas Orlovski, and Jackson Tupper. Catalogue of 2015 exhibit at the Fleming Museum of Art in Vermont USA. The largest section of the exhibition highlighted the continuing pull of Picasso's major 1907 painting, Les Demoiselles d'Avignon, over 100 years after its creation - as evidenced in the work of international artists. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Kartoniert / Broschiert. Zustand: New.

Paperback. Zustand: New.