Isbn: 9780941193443 - electric mud (3 Ergebnisse)
Weitere BilderSprache: Englisch
Verlag: Blaffer Gallery, The Art Museum of the University of Houston, 2009
- Softcover
Anbieter: Exquisite Corpse Booksellers, Houston, TX, USAExquisite Corpse Booksellers
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Sehr gut
EUR 22,49
EUR 7,82 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
Wrappers. Zustand: Fine Condition. 94 pages. Paperback. Texts in English. Crisp, tight, sharp and clean condition, with minimal shelfwear to the edges and extremities. 36 illustrations in color. Preface by Claudia Schmuckli, Director. Pictorial wraps. Published on the occasion of the exhibition from the Blaffer Gallery, The Art Museum of the University of Houston, Houston TX January 17-March 29, 2009. Artists included: Brian Calvin, Anna Sew Hoy, Ron Nagle, Michael Reafsnyder, James Richards and Patrick Wilson. This group exhibition focuses on the physical similarities of clay and paint. Book.…
Weitere Bilder- Softcover
Anbieter: Mullen Books, ABAA, Marietta, PA, USAMullen Books, ABAA
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EUR 26,97
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Paperback. Zustand: VG. Gray and color-illustrated wraps with black lettering. 94 pp. Color illustrations. Catalogue of an exhibition at the Blaffer Gallery in Houston from January 17 to March 29, 2009.

- Softcover
Anbieter: BWS BKS, Ferndale, NY, USABWS BKS
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EUR 1.777,86
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Paperback. Zustand: New. "The sizzling, scintillating juice that flows between viewers and the works in this show may seem to be magic because none of them has to be plugged in," writes Los Angeles Times critic David Pagel, extolling the media featured in Electric Mud, which is published concurrently with an exhibition that Pagel organized at Houston's Blaffer Gallery. Pagel's "juice" and the "electric mud" of this volume's title refer to paint and clay, which are examined here for their physical similarities and fluid boundaries. Six full-color illustrations are given to each artist included: Brian Calvin, Anna Sew Hoy, Ron Nagle, Michael Reafsnyder, James Richards and Patrick Wilson--all of whom collapse the fictitious distinctions between art and craft, painting and ceramics, form and function, leisure and labor, still life and real life, confounding the boundaries between each. The edition includes essays by Pagel and Sara Cochran, Phoenix Art Museum curator.…