Isbn: 9780955406300 - hogarth, france and british art: the rise of the arts in 18th-century britain (28 Ergebnisse)

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good +. Gift Inscription On Free End Page, Otherwise In Very Nice Condition. Hogarth Has Long Been Viewed As An Insular And Chauvinistic Individual, With A Particular Aversion To All Things French. On The Contrary, While Hogarth Himself Liked To Project This Image, His Effective Invention Of British Art Was Founded Upon A Profound Knowledge Of Contemporary French Art And Theory. This Lavishly Illustrated Book Conjures Up In Great Detail The French And Wider European Context Within Which Hogarth's Art Was Formed. Robin Simon Examines The Ways In Which Hogarth Interacted With And Influenced His Contemporaries Not Only In Painting And Printmaking, But Also In Sculpture, Poetry, The Novel, The Theater, Public Life, Art Education, Copyright Law, Music And Opera. In This Wide-Ranging But Richly Detailed Book, Full Of Analyses Of Individual Works, The Author Draws Upon A Mass Of New Material, With Fresh Analyses Of Hogarth's Most Famous And Less Well-Known Works Alike, Opening A Window On To One Of The Most Creative And Formative Periods In British Life. Robin Simon, Fsa, Is Editor Of The British Art Journal, Having Been Editor Of Apollo Magazine And A Tenured University Academic For Many Years Before That. He Is The Author Of Many Scholarly Articles On British Art, And His Books Include The Portrait In Britain And America (1987).…

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. 313 pages, with index and bibliography. An analysis of French influences on the anti-French Hogarth, the book also "examines the ways in which Hogarth interacted with his contemporaries in painting and print-making, sculpture, poetry", etc. (from the jacket). Printed on semi-gloss paper, nearly 250 b&w illustrations (cuts) and 86 reproductions on color plates. 4to (8-1/2 x 12"), gray cloth with black lettering on spine. Unclipped jacket has light shelf wear. Pages unmarked. Hogarth (illustrator). …

hardcover. Zustand: Fine. New & unread, however may have light shelf wear to cover face, edges or corners. Shipped from the UK within 2 business days of order being placed.

Zustand: New. 2020. Illustrated. hardcover. . . . . .

Zustand: New.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Grey cloth boards with black lettering to spine. Boards are generally in good order, just a little shelfwear. No particular bumping or wear to corners. Slight damage to cloth on top board edges. Spine is intact and bright with just a little mild bumping to ends. Textblock is tight, bright and clean. 313 pp. Pictoral glazed paper dust jacket with white lettering to spine and front. Dj is in a good condition albeit with some mild creasing to the edges. Additional photos are available upon request. When securely packed this item will weigh in the region of 1897g. Unless specifically mentioned, all our books are photographed so you can see what you are buying. ABE may, however, display a stock image whilst processing ours. (YBP Ref: 032901:8c) Size: Folio - over 12" - 15" tall Language: ENG 1897 G. Book.…

Zustand: New. pp. 313 Illus.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

FIRST EDITION4to. grey cloth hardback in unclipped dust jacket. 313pp., Indexed, profusely illustrated in b/w and colour. A clean copy with no previous owners' markings or inscriptions. A VERY GOOD COPY in VERY GOOD DUST JACKET. (Shelf 25) ISBN: 9780955406300 PLEASE NOTE: VERY HEAVY BOOK (1.8 kg+) Postage rates vary according to destination, weight and speed. For an accurate overseas quote PLEASE either call or email us before ordering. [AbeBooks shipping quote is based on items weighing up to 1 kilo only]. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct. …

Pp. Zustand: Sehr gut. 313 Seiten ; Ill. ; Sprache sehr guter Zustand, leichte Lagerspuren am Schutzumschlag Sprache: Englisch Gewicht in Gramm: 1780.

Zustand: As New. Unread book in perfect condition.

Hardback. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. A clean, bright, attractive copy. 295 x 215 mm. 314 pp + 80 pages of colour plates. Numerous b&w figures in the text.

Zustand: New. 2020. Illustrated. hardcover. . . . . . Books ship from the US and Ireland.

Hardback. Zustand: New. Hogarth has long been viewed as an insular and chauvinistic individual, with a particular aversion to all things French. On the contrary, while Hogarth himself liked to project this image, his effective invention of British art was founded upon a profound knowledge of contemporary French art and theory. This lavishly illustrated book conjures up in great detail the French and wider European context within which Hogarth's art was formed. Robin Simon examines the ways in which Hogarth interacted with and influenced his contemporaries not only in painting and printmaking, but also in sculpture, poetry, the novel, the theater, public life, art education, copyright law, music and opera. In this wide-ranging but richly detailed book, full of analyses of individual works, the author draws upon a mass of new material, with fresh analyses of Hogarth's most famous and less well-known works alike, opening a window on to one of the most creative and formative periods in British life. Robin Simon, FSA, is Editor of The British Art Journal, having been Editor of Apollo magazine and a tenured university academic for many years before that. He is the author of many scholarly articles on British art, and his books include The Portrait in Britain and America (1987).…

Zustand: New. In English.

Zustand: New.

Hardcover. Zustand: new. Hardcover. Hogarth has long been viewed as an insular and chauvinistic individual, with a particular aversion to all things French. On the contrary, while Hogarth himself liked to project this image, his effective invention of British art was founded upon a profound knowledge of contemporary French art and theory. This lavishly illustrated book conjures up in great detail the French and wider European context within which Hogarth's art was formed. Robin Simon examines the ways in which Hogarth interacted with and influenced his contemporaries not only in painting and printmaking, but also in sculpture, poetry, the novel, the theater, public life, art education, copyright law, music and opera. In this wide-ranging but richly detailed book, full of analyses of individual works, the author draws upon a mass of new material, with fresh analyses of Hogarth's most famous and less well-known works alike, opening a window on to one of the most creative and formative periods in British life. Robin Simon, FSA, is Editor of The British Art Journal, having been Editor of Apollo magazine and a tenured university academic for many years before that. He is the author of many scholarly articles on British art, and his books include The Portrait in Britain and America (1987). Hogarth, France and British Art is a radical reappraisal of the art and achievement of William Hogarth (1697-1764). Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. First Edition. Tight Firm Clean Copy - First Edition - No Signatures, Inscriptions Or Notations Discovered. Illustrated. Grey Cloth Hard Cover With Black Titles To Spine - No Visible Wear. Unclipped Jacket In Similar Condition. A Heavy Book Additional Postage Will Be Requested For Overseas Delivery.…

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Brand New. 313 pages. 12.25x8.50x1.25 inches. In Stock.

hardcover. Zustand: New. Shipped from the UK within 2 business days of order being placed.

Zustand: New. pp. 313.

Hardback. Zustand: New. Hogarth has long been viewed as an insular and chauvinistic individual, with a particular aversion to all things French. On the contrary, while Hogarth himself liked to project this image, his effective invention of British art was founded upon a profound knowledge of contemporary French art and theory. This lavishly illustrated book conjures up in great detail the French and wider European context within which Hogarth's art was formed. Robin Simon examines the ways in which Hogarth interacted with and influenced his contemporaries not only in painting and printmaking, but also in sculpture, poetry, the novel, the theater, public life, art education, copyright law, music and opera. In this wide-ranging but richly detailed book, full of analyses of individual works, the author draws upon a mass of new material, with fresh analyses of Hogarth's most famous and less well-known works alike, opening a window on to one of the most creative and formative periods in British life. Robin Simon, FSA, is Editor of The British Art Journal, having been Editor of Apollo magazine and a tenured university academic for many years before that. He is the author of many scholarly articles on British art, and his books include The Portrait in Britain and America (1987).…

Hardcover. Zustand: new. Hardcover. Hogarth has long been viewed as an insular and chauvinistic individual, with a particular aversion to all things French. On the contrary, while Hogarth himself liked to project this image, his effective invention of British art was founded upon a profound knowledge of contemporary French art and theory. This lavishly illustrated book conjures up in great detail the French and wider European context within which Hogarth's art was formed. Robin Simon examines the ways in which Hogarth interacted with and influenced his contemporaries not only in painting and printmaking, but also in sculpture, poetry, the novel, the theater, public life, art education, copyright law, music and opera. In this wide-ranging but richly detailed book, full of analyses of individual works, the author draws upon a mass of new material, with fresh analyses of Hogarth's most famous and less well-known works alike, opening a window on to one of the most creative and formative periods in British life. Robin Simon, FSA, is Editor of The British Art Journal, having been Editor of Apollo magazine and a tenured university academic for many years before that. He is the author of many scholarly articles on British art, and his books include The Portrait in Britain and America (1987). Hogarth, France and British Art is a radical reappraisal of the art and achievement of William Hogarth (1697-1764). Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Zustand: New.