ISBN: 9780970626332 - fernand leger: contrasts of forms (11 Ergebnisse)

Soft cover. Zustand: Near Fine. 48pp. light edge wear, clean with tight binding, no marks or tears. 13 full color pages of prints. essay by Maria Gough.

Paperback. Zustand: new. Paperback. Between 1912 and 1914, Fernand Leger executed a large cycle of works known as the "Contrasts of Forms". The series embraces the genres of landscape, still life, and figure, but at its core are numerous arresting compositions that sweep aside observation to focus on formal principles. The common denominator is a complex vocabulary of mingled cones, cylinders, cubes, and planes, vigorously outlined and scrubbed with color (in the paintings) or with black ink and white gouache (in the works on paper). "The Contrasts of Forms" are essential to two great chapters in the history of modern art in the years before the First World War: first, the development of cubism, and second, the emergence of abstract art. Curated by Leger scholar Matthew Affron and organized by the University of Virginia Art Museum, this tightly focused exhibition unites two landmark paintings with eleven works on paper from major museums and private collections. "Fernand Leger: Contrasts of Forms" was presented at the University of Virginia Art Museum from January 19 to March 18, 2007, and will be at the Fogg Art Museum, Harvard University Art Museums, from April 14 to June 10, 2007.The full-color catalogue features two essays. Affron examines the logic of the "Contrasts of Forms" and the importance of this cycle in shaping the character of Leger's art. Maria Gough (Stanford University) focuses on the drawings and on Leger's notion of abstraction. Between 1912 and 1914, Fernand Leger executed a large cycle of works known as the "Contrasts of Forms". The series embraces the genres of landscape, still life, and figure, but at its core are numerous arresting compositions that sweep aside observation to focus on formal principles. This work examines the logic of the "Contrasts of Forms". Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Softcover, 48 pages; very good condition except light rubbing to cover; no internal marks. Foreign shipping may be extra.

Softcover. Black illus. wraps; 48 pp.; 13 color plates, 4 color figures. Accompanied a 2007 exhibition of the same name, which appeared at the Unviersity of Virginia Art Museum and the Fogg Art Museum; includes an essay by Maria Gough. VG- (rubbed edge-wear to wraps; scuffs, scratches. rubbing to spine edges. rubbing to corners w/ light bumping. remains tightly bound).…

Paperback. Zustand: Brand New. 48 pages. 10.75x8.50x0.25 inches. In Stock.

Zustand: New. Num Pages: 48 pages, 17 colour illustrations. BIC Classification: ACXD; AFC; AGB. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 232 x 291 x 19. Weight in Grams: 272. . 2007. Illustrated. paperback. . . . .

Zustand: New. Num Pages: 48 pages, 17 colour illustrations. BIC Classification: ACXD; AFC; AGB. Category: (G) General (US: Trade); (U) Tertiary Education (US: College). Dimension: 232 x 291 x 19. Weight in Grams: 272. . 2007. Illustrated. paperback. . . . . Books ship from the US and Ireland.

Taschenbuch. Zustand: Neu. Neuware - Between 1912 and 1914, Fernand Lger executed a large cycle of works known as the Contrasts of Forms. The series embraces the genres of landscape, still life, and figure, but at its core are numerous arresting compositions that sweep aside observation to focus on formal principles. The common denominator is a complex vocabulary of mingled cones, cylinders, cubes, and planes, vigorously outlined and scrubbed with color (in the paintings) or with black ink and white gouache (in the works on paper). The Contrasts of Forms are essential to two great chapters in the history of modern art in the years before the First World War: first, the development of cubism, and second, the emergence of abstract art.Curated by Lger scholar Matthew Affron and organized by the University of Virginia Art Museum, this tightly focused exhibition unites two landmark paintings with eleven works on paper from major museums and private collections.…

Zustand: New. &Uumlber den AutorMatthew Affron is Director of Special Curatorial Projects at the University of Virginia Art Museum and Associate Professor of Art at the University of Virginia.KlappentextrnrnBetween 1912 and 1914, .

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Paperback. Zustand: New. Between 1912 and 1914, Fernand LÃ ger executed a large cycle of works known as the Contrasts of Forms. The series embraces the genres of landscape, still life, and figure, but at its core are numerous arresting compositions that sweep aside observation to focus on formal principles. The common denominator is a complex vocabulary of mingled cones, cylinders, cubes, and planes, vigorously outlined and scrubbed with color (in the paintings) or with black ink and white gouache (in the works on paper). The Contrasts of Forms are essential to two great chapters in the history of modern art in the years before the First World War: first, the development of cubism, and second, the emergence of abstract art. Curated by LÃ ger scholar Matthew Affron and organized by the University of Virginia Art Museum, this tightly focused exhibition unites two landmark paintings with eleven works on paper from major museums and private collections. Fernand LÃ ger: Contrasts of Forms was presented at the University of Virginia Art Museum from January 19 to March 18, 2007, and will be at the Fogg Art Museum, Harvard University Art Museums, from April 14 to June 10, 2007. The full-color catalogue features two essays. Affron examines the logic of the Contrasts of Forms and the importance of this cycle in shaping the character of LÃ ger's art. Maria Gough (Stanford University) focuses on the drawings and on LÃ ger's notion of abstraction.…