Isbn: 9780971384484 - george segal: bronze (14 Ergebnisse)

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  • Sprache: Englisch

    Verlag: Mitchell-Innes & Nash, 2004

    0971384487 / 9780971384484

    • Softcover
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    Anbieter: Jay W. Nelson, Bookseller, IOBA, Austin, MN, USAJay W. Nelson, Bookseller, IOBA

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    Soft cover. Zustand: Near Fine. No Jacket. 1st Edition. Small ink nu0961461543 to front end paper.

  • Sprache: Englisch

    Verlag: Mitchell-Innes & Nash, 2003

    0971384487 / 9780971384484

    • Softcover

    Anbieter: ANARTIST, New York, NY, USAANARTIST

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    Softcover with dustjacket, 80 pages, very good condition, pages lightly yellowed at edges; no internal marks. Foreign shipping may be extra.

  • Sprache: Englisch

    Verlag: Mitchell-Innes & Nash, 2004

    0971384487 / 9780971384484

    • Softcover

    Anbieter: Lakeside Books, Benton Harbor, MI, USALakeside Books

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    Zustand: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

  • Sprache: Englisch

    Verlag: Mitchell-Innes & Nash, New York, 2004

    0971384487 / 9780971384484

    • Softcover
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    Anbieter: LEFT COAST BOOKS, Santa Maria, CA, USALEFT COAST BOOKS

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    Paperback. Zustand: Fine. 1st. 77 pages, illustrations; 23 x 27 cm. Catalogue of an exhibition held at Mitchell-Innes & Nash, April 23-June 14, 2003. Firm binding, clean inside copy. *** "In the late 1960s, George Segal began 'double-casting' his work--taking a second cast from inside the mold of the original cast. This process brought finer detail to the surface and was part of his evolution to a more naturalizing image. When, in the 1980s, he began making bronze work for outdoor installation, he continued this double-casting technique and all his bronzes were made from finished plasters. As Carroll Janis writes in the introduction, 'Segal's plaster sculpture presents an existential situation; the surrogate figure, more fragile and removed from reality when set next to the real object. The bronzes appear to reverse this idea by asserting the strength and permanence of the human figure within the surrounding environment.'" - Publisher. *** CONTENTS: "Segal Casting" by Carroll Janis; "George Segal's Bronzes" by Joan Pachner. Size: Oblong. Collectible.…

  • Sprache: Englisch

    Verlag: Mitchell-Innes and Nash, US, 2004

    0971384487 / 9780971384484

    • Softcover

    Anbieter: Rarewaves USA, HEBRON, KY, USARarewaves USA

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    Paperback. Zustand: New. In the late 1960s, George Segal began "double-casting" his work--taking a second cast from inside the mold of the original cast. This process brought finer detail to the surface and was part of his evolution to a more naturalizing image. When, in the 1980s, he began making bronze work for outdoor installation, he continued this double-casting technique and all his bronzes were made from finished plasters. As Carroll Janis writes in the introduction, "Segal's plaster sculpture presents an existential situation; the surrogate figure, more fagile and removed from reality when set next to the real object. The bronzes appear to reverse this idea by asserting the strength and permanence of the human figure within the surrounding environment.".…

  • Sprache: Englisch

    Verlag: Mitchell-Innes & Nash, 2004

    0971384487 / 9780971384484

    • Softcover

    Anbieter: Grand Eagle Retail, Bensenville, IL, USAGrand Eagle Retail

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    Paperback. Zustand: new. Paperback. In the late 1960s, George Segal began double-casting his work--taking a second cast from inside the mold of the original cast. This process brought finer detail to the surface and was part of his evolution to a more naturalizing image. When, in the 1980s, he began making bronze work for outdoor installation, he continued this double-casting technique and all his bronzes were made from finished plasters. As Carroll Janis writes in the introduction, Segal's plaster sculpture presents an existential situation; the surrogate figure, more fagile and removed from reality when set next to the real object. The bronzes appear to reverse this idea by asserting the strength and permanence of the human figure within the surrounding environment. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

  • Sprache: Englisch

    Verlag: Mitchell-Innes & Nash, 2004

    0971384487 / 9780971384484

    • Softcover

    Anbieter: Better World Books, Mishawaka, IN, USABetter World Books

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    Zustand: Gebraucht - Befriedigend

    EUR 19,02

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    Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

  • Sprache: Englisch

    Verlag: Mitchell-Innes & Nash, New York, 2004

    0971384487 / 9780971384484

    • Softcover

    Anbieter: Monroe Street Books, Middlebury, VT, USAMonroe Street Books

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    Zustand: Gebraucht - Gut

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    Zustand: Very Good. None. 77 pages. Softcover. Extensive b&w photography throughout. Includes extensive notes and documentation. Some shelf wear, otherwise clean, tight copy. Record # 468678.

  • Weitere Bilder

    Sprache: Englisch

    Verlag: Mitchell-Innes & Nash, New York, 2003

    0971384487 / 9780971384484

    • Softcover

    Anbieter: Mullen Books, ABAA, Marietta, PA, USAMullen Books, ABAA

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    Softcover. black, glued covers w/ white & grey printing. pictorial dustjacket. 77 pgs w/ b&w illustrations. content as follows: Catalog of an exhibition held at Mitchell-Innes & Nash, Apr. 23-June 14, 2003. VG light scratches to covers. pgs clean & unmarked. tight binding. dustjacket has light scratches; light creasing to edges.…

  • Sprache: Englisch

    Verlag: Mitchell-Inness & Nash, 2004

    0971384487 / 9780971384484

    • Softcover

    Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books

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    Paperback. Zustand: Brand New. 81 pages. 9.00x10.50x0.25 inches. In Stock.

  • Sprache: Englisch

    Verlag: Mitchell-Innes & Nash, 2004

    0971384487 / 9780971384484

    • Softcover

    Anbieter: moluna, Greven, Deutschlandmoluna

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    Zustand: New. KlappentextIn the late 1960s, George Segal began double-casting his work--taking a second cast from inside the mold of the original cast. This process brought finer detail to the surface and was part of his evolution to a more naturali.

  • Sprache: Englisch

    Verlag: Mitchell-Innes and Nash, US, 2004

    0971384487 / 9780971384484

    • Softcover

    Anbieter: Rarewaves USA United, HEBRON, KY, USARarewaves USA United

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    Paperback. Zustand: New. In the late 1960s, George Segal began "double-casting" his work--taking a second cast from inside the mold of the original cast. This process brought finer detail to the surface and was part of his evolution to a more naturalizing image. When, in the 1980s, he began making bronze work for outdoor installation, he continued this double-casting technique and all his bronzes were made from finished plasters. As Carroll Janis writes in the introduction, "Segal's plaster sculpture presents an existential situation; the surrogate figure, more fagile and removed from reality when set next to the real object. The bronzes appear to reverse this idea by asserting the strength and permanence of the human figure within the surrounding environment.".…

  • Sprache: Englisch

    Verlag: Mitchell-Innes & Nash, 2004

    0971384487 / 9780971384484

    • Softcover

    Anbieter: BennettBooksLtd, Los Angeles, CA, USABennettBooksLtd

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    Paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

  • Sprache: Englisch

    Verlag: Mitchell-Innes & Nash Feb 2004, 2004

    0971384487 / 9780971384484

    • Softcover

    Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH

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    Taschenbuch. Zustand: Neu. Neuware - In the late 1960s, George Segal began 'double-casting' his work--taking a second cast from inside the mold of the original cast. This process brought finer detail to the surface and was part of his evolution to a more naturalizing image. When, in the 1980s, he began making bronze work for outdoor installation, he continued this double-casting technique and all his bronzes were made from finished plasters. As Carroll Janis writes in the introduction, 'Segal's plaster sculpture presents an existential situation; the surrogate figure, more fagile and removed from reality when set next to the real object. The bronzes appear to reverse this idea by asserting the strength and permanence of the human figure within the surrounding environment.'.…