Isbn: 9780976449256 - stephen bush: gelderland (6 Ergebnisse)

Hardcover. Zustand: Very Good. crisp clean w/light shelfwear/edgewear - may have remainder mark Standard-sized.

Hardcover without dustjacket as issued; 96 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Zustand: Used - Like New. The Australian painter Stephen Bush may be best known for having made 27 copies of his The Lure of Paris, a black-and-white work in which Babar the elephant king, cast as colonial explorer, studies the view from a craggy seaside cliff. This survey of Bush's work since 2000, with a selection of earlier pieces, tracks a shift from that beautifully executed but cynical take on history painting towards a more surrealistic, Leipzig-esque style in vibrant, clashing colors. Hermetic, introverted figures and man-made structures--a beekeeper at his nests--are paired with dramatic scenery in an apocalyptic palette of hot pink, coral, lavender and kelly green. As Artforum has noted, Bush turns the landscape genre 'inside out. Rather than a mind calmed by the natural environment, these paintings record the external manifestation of psychological trauma.' Edited by Katia Zavistovski. Text by Liza Statton, Ashley Crawford, Laura Heon. Book has NOT been pre-owned, just unsealed with light shelf wear. Otherwise book is in excellent shape. Bright, crisp, neat, and clean. Tightly bound.…

Pictorial Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: No Jacket as Issued. Minimal wear to boards. Internally clean. Binding tight. 96pp Size: 190mm x 235mm. Book.

Hardcover. Zustand: New. In shrink wrap. Looks like an interesting title.

Hardcover. Zustand: New. The Australian painter Stephen Bush may be best known for having made 27 copies of his The Lure of Paris, a black-and-white work in which Babar the elephant king, cast as colonial explorer, studies the view from a craggy seaside cliff. This survey of Bush's work since 2000, with a selection of earlier pieces, tracks a shift from that beautifully executed but cynical take on history painting towards a more surrealistic, Leipzig-esque style in vibrant, clashing colors. Hermetic, introverted figures and man-made structures--a beekeeper at his nests--are paired with dramatic scenery in an apocalyptic palette of hot pink, coral, lavender and kelly green. As Artforum has noted, Bush turns the landscape genre "inside out. Rather than a mind calmed by the natural environment, these paintings record the external manifestation of psychological trauma.". …