ISBN: 9780985096069 - out of easy reach (22 Ergebnisse)

Paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Zustand: New. Brand New.

Zustand: As New. Unread book in perfect condition.

Zustand: new.

Zustand: New.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: New. Countering conventional accounts of art history, which have often overlooked the artistic contributions of women of color, the exhibition "Out of Easy Reach" presents the work of twenty-four US-based, female-identifying artists from the black and Latina diasporas. The exhibition proposes myriad ways that artists are employing abstraction as a tool to explore histories both personal and universal, with focuses on mapping, migration, archives, landscape, vernacular culture, language, and the body. This catalog-which accompanies an exhibition opening in April 2018 at the DePaul Art Museum, Gallery 400 at the University of Illinois at Chicago, and Stony Island Arts Bank-includes full-color plates of the works on view; commissioned essays by exhibition curator Allison Glenn, and Cameron Shaw, executive director and founding editor of Pelican Bomb; and short-form contributions about each artist featured in the exhibition written by invited scholars, curators, writers, and artists.…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. 2018. 1st Edition. Paperback. . . . . .

Paperback. Zustand: Brand New. 120 pages. 14.00x10.00x0.10 inches. In Stock.

Zustand: New. pp. 120.

Paperback. Zustand: new. Paperback. Countering conventional accounts of art history, which have often overlooked the artistic contributions of women of color, the exhibition Out of Easy Reach presents the work of twenty-four US-based, female-identifying artists from the black and Latina diasporas. The exhibition proposes myriad ways that artists are employing abstraction as a tool to explore histories both personal and universal, with focuses on mapping, migration, archives, landscape, vernacular culture, language, and the body. This catalogwhich accompanies an exhibition opening in April 2018 at the DePaul Art Museum, Gallery 400 at the University of Illinois at Chicago, and Stony Island Arts Bankincludes full-color plates of the works on view; commissioned essays by exhibition curator Allison Glenn, and Cameron Shaw, executive director and founding editor of Pelican Bomb; and short-form contributions about each artist featured in the exhibition written by invited scholars, curators, writers, and artists. Exhibition catalogue highlights historic and contemporary artistic practices of female-identifying artists from the Black and Latina Diasporas. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Zustand: New. pp. 120.

Zustand: New. 2018. 1st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: New. In English.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.

Taschenbuch. Zustand: Neu. Neuware - Countering conventional accounts of art history, which have often overlooked the artistic contributions of women of color, the exhibition 'Out of Easy Reach' presents the work of twenty-four US-based, female-identifying artists from the black and Latina diasporas. The exhibition proposes myriad ways that artists are employing abstraction as a tool to explore histories both personal and universal, with focuses on mapping, migration, archives, landscape, vernacular culture, language, and the body. This catalog--which accompanies an exhibition opening in April 2018 at the DePaul Art Museum, Gallery 400 at the University of Illinois at Chicago, and Stony Island Arts Bank--includes full-color plates of the works on view; commissioned essays by exhibition curator Allison Glenn, and Cameron Shaw, executive director and founding editor of Pelican Bomb; and short-form contributions about each artist featured in the exhibition written by invited scholars, curators, writers, and artists.…

Zustand: New. &Uumlber den AutorAllison M. Glenn is manager of publications and curatorial associate for Prospect New Orleans, working on the triennial Prospect.4: The Lotus in Spite of the Swamp. KlappentextrnrnExhibition catalo.

Paperback. Zustand: new. Paperback. Countering conventional accounts of art history, which have often overlooked the artistic contributions of women of color, the exhibition Out of Easy Reach presents the work of twenty-four US-based, female-identifying artists from the black and Latina diasporas. The exhibition proposes myriad ways that artists are employing abstraction as a tool to explore histories both personal and universal, with focuses on mapping, migration, archives, landscape, vernacular culture, language, and the body. This catalogwhich accompanies an exhibition opening in April 2018 at the DePaul Art Museum, Gallery 400 at the University of Illinois at Chicago, and Stony Island Arts Bankincludes full-color plates of the works on view; commissioned essays by exhibition curator Allison Glenn, and Cameron Shaw, executive director and founding editor of Pelican Bomb; and short-form contributions about each artist featured in the exhibition written by invited scholars, curators, writers, and artists. Exhibition catalogue highlights historic and contemporary artistic practices of female-identifying artists from the Black and Latina Diasporas. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Paperback. Zustand: New. Countering conventional accounts of art history, which have often overlooked the artistic contributions of women of color, the exhibition "Out of Easy Reach" presents the work of twenty-four US-based, female-identifying artists from the black and Latina diasporas. The exhibition proposes myriad ways that artists are employing abstraction as a tool to explore histories both personal and universal, with focuses on mapping, migration, archives, landscape, vernacular culture, language, and the body. This catalog-which accompanies an exhibition opening in April 2018 at the DePaul Art Museum, Gallery 400 at the University of Illinois at Chicago, and Stony Island Arts Bank-includes full-color plates of the works on view; commissioned essays by exhibition curator Allison Glenn, and Cameron Shaw, executive director and founding editor of Pelican Bomb; and short-form contributions about each artist featured in the exhibition written by invited scholars, curators, writers, and artists.…