Zustand: New.
Zustand: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!
Paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.
Zustand: As New. Unread book in perfect condition.
Paperback. Zustand: new. Paperback. Osmos Magazine is an art magazine about the use and abuse of photography, explains founder and editor Cay Sophie Rabinowitz (formerly of Parkett and Fantom). The magazine is divided into thematic sections--some traditional, such as Portfolio, Stories and Reportage--and others more idiosyncratic, such as Eye of the Beholder, where gallerists discuss the talents they showcase; and Means to an End, about the side effects of nonartistic image production.This issue features Tom McDonough on Joy Episalla, a conversation with Gillian Wearing about her 20 years of making Polaroid self-portraits, an essay by Pavel VanDat on Jan Svoboda, Meleko Mokgosi, David Hart, Robert Rauschenberg, and a special vintage cover by Co Rentmeester. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
EUR 26,26
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 88 pages. 11.00x1.80x0.40 inches. In Stock.
Zustand: New. KlappentextOsmos Magazine is an art magazine about the use and abuse of photography, explains founder and editor Cay Sophie Rabinowitz (formerly of Parkett and Fantom). The magazine is divided into thematic section.
Taschenbuch. Zustand: Neu. Neuware - Osmos Magazine is 'an art magazine about the use and abuse of photography,' explains founder and editor Cay Sophie Rabinowitz (formerly of Parkett and Fantom). The magazine is divided into thematic sections--some traditional, such as 'Portfolio,' 'Stories' and 'Reportage'--and others more idiosyncratic, such as 'Eye of the Beholder,' where gallerists discuss the talents they showcase; and 'Means to an End,' about the side effects of nonartistic image production.