Isbn: 9780998318097 - bauhaus typography at 100 (27 Ergebnisse)

Zustand: good. All pages and cover are intact. Dust jacket included if applicable, though it may be missing on hardcover editions. Spine and cover may show minor signs of wear including scuff marks, curls or bends to corners as well as cosmetic blemishes including stickers. Pages may contain limited notes or highlighting. "From the library of" labels may be present. Shrink wrap, dust covers, or boxed set packaging may be missing. Bundled media e.g., CDs, DVDs, access codes may not be included.…

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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Hardback. Zustand: New. An unprecedented, definitive look at the school's typography and print design, from its early expressive tendencies to the functional modernism for which it is famed todayThe Bauhaus looms large as one of the most influential legacies in 20th-century graphic design. Known for its bold sans-serif typefaces, crisp asymmetrical grids and clean use of negative space, the school emerged as the forebearer of a new look-one that seized the tools of mass production in the creation of a radical new art. Today, just over 100 years after the Bauhaus's opening in 1919, the school's visual hallmarks have come to define modernity as it appears on the printed page.The official catalog for Letterform Archive's inaugural gallery exhibition, Bauhaus Typography at 100 explores the school's legacy in graphic and typographic design through artifacts of its own making-its books, magazines, course materials, product catalogs, stationery, promotional fliers and other ephemera.From the book's beautifully designed pages, readers learn of typographic masters László Moholy-Nagy, Herbert Bayer and Joost Schmidt, who channeled Constructivism's geometric forms and optimism for industry into printed vehicles for the school's teachings. Here is where Bauhaus typography-its rejection of serifs and capitals, embrace of experimental alphabets, insistence on universal clarity, and innovation in layering and hierarchy-took its distinctive shape.The catalog also shines light on the Bauhaus's lesser-known early forays into expressive lettering and illustration, also tracing the school's immediate impact on seminal design movements such as the New Typography and, of course, on design practitioners working today. Lavishly illustrated, carefully researched and written, and accompanied by an in-depth introduction from noted Bauhaus expert, author and curator Ellen Lupton, Bauhaus Typography at 100 is a must-have for any fan of modern design.…

Hardcover. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Zustand: New.

Hardcover. Zustand: Very Good. 1st Edition. covers lightly rubbed, book is very clean, tight and bright.

Hardcover. Zustand: new. Hardcover. An unprecedented, definitive look at the schools typography and print design, from its early expressive tendencies to the functional modernism for which it is famed todayThe Bauhaus looms large as one of the most influential legacies in 20th-century graphic design. Known for its bold sans-serif typefaces, crisp asymmetrical grids and clean use of negative space, the school emerged as the forebearer of a new lookone that seized the tools of mass production in the creation of a radical new art. Today, just over 100 years after the Bauhauss opening in 1919, the schools visual hallmarks have come to define modernity as it appears on the printed page.The official catalog for Letterform Archives inaugural gallery exhibition, Bauhaus Typography at 100 explores the schools legacy in graphic and typographic design through artifacts of its own makingits books, magazines, course materials, product catalogs, stationery, promotional fliers and other ephemera.From the books beautifully designed pages, readers learn of typographic masters Laszlo Moholy-Nagy, Herbert Bayer and Joost Schmidt, who channeled Constructivisms geometric forms and optimism for industry into printed vehicles for the schools teachings. Here is where Bauhaus typographyits rejection of serifs and capitals, embrace of experimental alphabets, insistence on universal clarity, and innovation in layering and hierarchytook its distinctive shape.The catalog also shines light on the Bauhauss lesser-known early forays into expressive lettering and illustration, also tracing the schools immediate impact on seminal design movements such as the New Typography and, of course, on design practitioners working today. Lavishly illustrated, carefully researched and written, and accompanied by an in-depth introduction from noted Bauhaus expert, author and curator Ellen Lupton, Bauhaus Typography at 100 is a must-have for any fan of modern design. An unprecedented, definitive look at the schools typography and print design, from its early expressive tendencies to the functional modernism for which it is famed today Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Zustand: New. 2022. Hardcover. . . . . .

Zustand: As New. Unread book in perfect condition.

Zustand: New. In English.

Hardcover. Zustand: Brand New. 279 pages. 10.00x8.00x1.25 inches. In Stock.

Zustand: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.

Buch. Zustand: Neu. Neuware -An unprecedented, definitive look at the school's typography and print design, from its early expressive tendencies to the functional modernism for which it is famed todayThe Bauhaus looms large as one of the most influential legacies in 20th-century graphic design. Known for its bold sans-serif typefaces, crisp asymmetrical grids and clean use of negative space, the school emerged as the forebearer of a new look--one that seized the tools of mass production in the creation of a radical new art. Today, just over 100 years after the Bauhaus's opening in 1919, the school's visual hallmarks have come to define modernity as it appears on the printed page. The official catalog for Letterform Archive's inaugural gallery exhibition, Bauhaus Typography at 100 explores the school's legacy in graphic and typographic design through artifacts of its own making--its books, magazines, course materials, product catalogs, stationery, promotional fliers and other ephemera. From the book's beautifully designed pages, readers learn of typographic masters László Moholy-Nagy, Herbert Bayer and Joost Schmidt, who channeled Constructivism's geometric forms and optimism for industry into printed vehicles for the school's teachings. Here is where Bauhaus typography--its rejection of serifs and capitals, embrace of experimental alphabets, insistence on universal clarity, and innovation in layering and hierarchy--took its distinctive shape. The catalog also shines light on the Bauhaus's lesser-known early forays into expressive lettering and illustration, also tracing the school's immediate impact on seminal design movements such as the New Typography and, of course, on design practitioners working today. Lavishly illustrated, carefully researched and written, and accompanied by an in-depth introduction from noted Bauhaus expert, author and curator Ellen Lupton, Bauhaus Typography at 100 is a must-have for any fan of modern design. 280 pp. Englisch. …

Buch. Zustand: Neu. Neuware -An unprecedented, definitive look at the school's typography and print design, from its early expressive tendencies to the functional modernism for which it is famed todayThe Bauhaus looms large as one of the most influential legacies in 20th-century graphic design. Known for its bold sans-serif typefaces, crisp asymmetrical grids and clean use of negative space, the school emerged as the forebearer of a new look--one that seized the tools of mass production in the creation of a radical new art. Today, just over 100 years after the Bauhaus's opening in 1919, the school's visual hallmarks have come to define modernity as it appears on the printed page. The official catalog for Letterform Archive's inaugural gallery exhibition, Bauhaus Typography at 100 explores the school's legacy in graphic and typographic design through artifacts of its own making--its books, magazines, course materials, product catalogs, stationery, promotional fliers and other ephemera. From the book's beautifully designed pages, readers learn of typographic masters László Moholy-Nagy, Herbert Bayer and Joost Schmidt, who channeled Constructivism's geometric forms and optimism for industry into printed vehicles for the school's teachings. Here is where Bauhaus typography--its rejection of serifs and capitals, embrace of experimental alphabets, insistence on universal clarity, and innovation in layering and hierarchy--took its distinctive shape. The catalog also shines light on the Bauhaus's lesser-known early forays into expressive lettering and illustration, also tracing the school's immediate impact on seminal design movements such as the New Typography and, of course, on design practitioners working today. Lavishly illustrated, carefully researched and written, and accompanied by an in-depth introduction from noted Bauhaus expert, author and curator Ellen Lupton, Bauhaus Typography at 100 is a must-have for any fan of modern design. 280 pp. Englisch. …

Buch. Zustand: Neu. Neuware -An unprecedented, definitive look at the school's typography and print design, from its early expressive tendencies to the functional modernism for which it is famed todayThe Bauhaus looms large as one of the most influential legacies in 20th-century graphic design. Known for its bold sans-serif typefaces, crisp asymmetrical grids and clean use of negative space, the school emerged as the forebearer of a new look--one that seized the tools of mass production in the creation of a radical new art. Today, just over 100 years after the Bauhaus's opening in 1919, the school's visual hallmarks have come to define modernity as it appears on the printed page. The official catalog for Letterform Archive's inaugural gallery exhibition, Bauhaus Typography at 100 explores the school's legacy in graphic and typographic design through artifacts of its own making--its books, magazines, course materials, product catalogs, stationery, promotional fliers and other ephemera. From the book's beautifully designed pages, readers learn of typographic masters László Moholy-Nagy, Herbert Bayer and Joost Schmidt, who channeled Constructivism's geometric forms and optimism for industry into printed vehicles for the school's teachings. Here is where Bauhaus typography--its rejection of serifs and capitals, embrace of experimental alphabets, insistence on universal clarity, and innovation in layering and hierarchy--took its distinctive shape. The catalog also shines light on the Bauhaus's lesser-known early forays into expressive lettering and illustration, also tracing the school's immediate impact on seminal design movements such as the New Typography and, of course, on design practitioners working today. Lavishly illustrated, carefully researched and written, and accompanied by an in-depth introduction from noted Bauhaus expert, author and curator Ellen Lupton, Bauhaus Typography at 100 is a must-have for any fan of modern design. …

Zustand: New. pp. 280.

Zustand: NEW.

Hardback. Zustand: New. An unprecedented, definitive look at the school's typography and print design, from its early expressive tendencies to the functional modernism for which it is famed todayThe Bauhaus looms large as one of the most influential legacies in 20th-century graphic design. Known for its bold sans-serif typefaces, crisp asymmetrical grids and clean use of negative space, the school emerged as the forebearer of a new look-one that seized the tools of mass production in the creation of a radical new art. Today, just over 100 years after the Bauhaus's opening in 1919, the school's visual hallmarks have come to define modernity as it appears on the printed page.The official catalog for Letterform Archive's inaugural gallery exhibition, Bauhaus Typography at 100 explores the school's legacy in graphic and typographic design through artifacts of its own making-its books, magazines, course materials, product catalogs, stationery, promotional fliers and other ephemera.From the book's beautifully designed pages, readers learn of typographic masters László Moholy-Nagy, Herbert Bayer and Joost Schmidt, who channeled Constructivism's geometric forms and optimism for industry into printed vehicles for the school's teachings. Here is where Bauhaus typography-its rejection of serifs and capitals, embrace of experimental alphabets, insistence on universal clarity, and innovation in layering and hierarchy-took its distinctive shape.The catalog also shines light on the Bauhaus's lesser-known early forays into expressive lettering and illustration, also tracing the school's immediate impact on seminal design movements such as the New Typography and, of course, on design practitioners working today. Lavishly illustrated, carefully researched and written, and accompanied by an in-depth introduction from noted Bauhaus expert, author and curator Ellen Lupton, Bauhaus Typography at 100 is a must-have for any fan of modern design.…

Buch. Zustand: Neu. Neuware - An unprecedented, definitive look at the school's typography and print design, from its early expressive tendencies to the functional modernism for which it is famed todayThe Bauhaus looms large as one of the most influential legacies in 20th-century graphic design. Known for its bold sans-serif typefaces, crisp asymmetrical grids and clean use of negative space, the school emerged as the forebearer of a new look--one that seized the tools of mass production in the creation of a radical new art. Today, just over 100 years after the Bauhaus's opening in 1919, the school's visual hallmarks have come to define modernity as it appears on the printed page. The official catalog for Letterform Archive's inaugural gallery exhibition, Bauhaus Typography at 100 explores the school's legacy in graphic and typographic design through artifacts of its own making--its books, magazines, course materials, product catalogs, stationery, promotional fliers and other ephemera. From the book's beautifully designed pages, readers learn of typographic masters László Moholy-Nagy, Herbert Bayer and Joost Schmidt, who channeled Constructivism's geometric forms and optimism for industry into printed vehicles for the school's teachings. Here is where Bauhaus typography--its rejection of serifs and capitals, embrace of experimental alphabets, insistence on universal clarity, and innovation in layering and hierarchy--took its distinctive shape. The catalog also shines light on the Bauhaus's lesser-known early forays into expressive lettering and illustration, also tracing the school's immediate impact on seminal design movements such as the New Typography and, of course, on design practitioners working today. Lavishly illustrated, carefully researched and written, and accompanied by an in-depth introduction from noted Bauhaus expert, author and curator Ellen Lupton, Bauhaus Typography at 100 is a must-have for any fan of modern design. …

Zustand: New.

Buch. Zustand: Neu. Neuware -An unprecedented, definitive look at the school's typography and print design, from its early expressive tendencies to the functional modernism for which it is famed todayThe Bauhaus looms large as one of the most influential legacies in 20th-century graphic design. Known for its bold sans-serif typefaces, crisp asymmetrical grids and clean use of negative space, the school emerged as the forebearer of a new look--one that seized the tools of mass production in the creation of a radical new art. Today, just over 100 years after the Bauhaus's opening in 1919, the school's visual hallmarks have come to define modernity as it appears on the printed page. The official catalog for Letterform Archive's inaugural gallery exhibition, Bauhaus Typography at 100 explores the school's legacy in graphic and typographic design through artifacts of its own making--its books, magazines, course materials, product catalogs, stationery, promotional fliers and other ephemera. From the book's beautifully designed pages, readers learn of typographic masters László Moholy-Nagy, Herbert Bayer and Joost Schmidt, who channeled Constructivism's geometric forms and optimism for industry into printed vehicles for the school's teachings. Here is where Bauhaus typography--its rejection of serifs and capitals, embrace of experimental alphabets, insistence on universal clarity, and innovation in layering and hierarchy--took its distinctive shape. The catalog also shines light on the Bauhaus's lesser-known early forays into expressive lettering and illustration, also tracing the school's immediate impact on seminal design movements such as the New Typography and, of course, on design practitioners working today. Lavishly illustrated, carefully researched and written, and accompanied by an in-depth introduction from noted Bauhaus expert, author and curator Ellen Lupton, Bauhaus Typography at 100 is a must-have for any fan of modern design.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 280 pp. Englisch. …

Buch. Zustand: Neu. Bauhaus Typography at 100 | Ellen Lupton | Buch | Gebunden | Englisch | 2022 | Letterform Archive Books | EAN 9780998318097 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Hardcover. Zustand: As New. Bound in half cloth (hardcover), 279p, lavishly illustrated (chiefly in color), 25 cm. As new, still in publishers shrink wrap.

Hardcover. Zustand: new. Hardcover. An unprecedented, definitive look at the schools typography and print design, from its early expressive tendencies to the functional modernism for which it is famed todayThe Bauhaus looms large as one of the most influential legacies in 20th-century graphic design. Known for its bold sans-serif typefaces, crisp asymmetrical grids and clean use of negative space, the school emerged as the forebearer of a new lookone that seized the tools of mass production in the creation of a radical new art. Today, just over 100 years after the Bauhauss opening in 1919, the schools visual hallmarks have come to define modernity as it appears on the printed page.The official catalog for Letterform Archives inaugural gallery exhibition, Bauhaus Typography at 100 explores the schools legacy in graphic and typographic design through artifacts of its own makingits books, magazines, course materials, product catalogs, stationery, promotional fliers and other ephemera.From the books beautifully designed pages, readers learn of typographic masters Laszlo Moholy-Nagy, Herbert Bayer and Joost Schmidt, who channeled Constructivisms geometric forms and optimism for industry into printed vehicles for the schools teachings. Here is where Bauhaus typographyits rejection of serifs and capitals, embrace of experimental alphabets, insistence on universal clarity, and innovation in layering and hierarchytook its distinctive shape.The catalog also shines light on the Bauhauss lesser-known early forays into expressive lettering and illustration, also tracing the schools immediate impact on seminal design movements such as the New Typography and, of course, on design practitioners working today. Lavishly illustrated, carefully researched and written, and accompanied by an in-depth introduction from noted Bauhaus expert, author and curator Ellen Lupton, Bauhaus Typography at 100 is a must-have for any fan of modern design. An unprecedented, definitive look at the schools typography and print design, from its early expressive tendencies to the functional modernism for which it is famed today Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Buch. Zustand: Neu. Neuware -An unprecedented, definitive look at the school's typography and print design, from its early expressive tendencies to the functional modernism for which it is famed todayThe Bauhaus looms large as one of the most influential legacies in 20th-century graphic design. Known for its bold sans-serif typefaces, crisp asymmetrical grids and clean use of negative space, the school emerged as the forebearer of a new look--one that seized the tools of mass production in the creation of a radical new art. Today, just over 100 years after the Bauhaus's opening in 1919, the school's visual hallmarks have come to define modernity as it appears on the printed page. The official catalog for Letterform Archive's inaugural gallery exhibition, Bauhaus Typography at 100 explores the school's legacy in graphic and typographic design through artifacts of its own making--its books, magazines, course materials, product catalogs, stationery, promotional fliers and other ephemera. From the book's beautifully designed pages, readers learn of typographic masters László Moholy-Nagy, Herbert Bayer and Joost Schmidt, who channeled Constructivism's geometric forms and optimism for industry into printed vehicles for the school's teachings. Here is where Bauhaus typography--its rejection of serifs and capitals, embrace of experimental alphabets, insistence on universal clarity, and innovation in layering and hierarchy--took its distinctive shape. The catalog also shines light on the Bauhaus's lesser-known early forays into expressive lettering and illustration, also tracing the school's immediate impact on seminal design movements such as the New Typography and, of course, on design practitioners working today. Lavishly illustrated, carefully researched and written, and accompanied by an in-depth introduction from noted Bauhaus expert, author and curator Ellen Lupton, Bauhaus Typography at 100 is a must-have for any fan of modern design. 280 pp. Englisch. …