Isbn: 9781032822648 - re-reading golden age crime writing: time, space, and place (literary criticism and cultural theory) (8 Ergebnisse)

Zustand: New.

Zustand: New. Sarah Martin is Visiting Lecturer in Crime Fiction at the University of Chester, where she recently gained her PhD. She is Co-Director of Golden Age Mysteries ltd., which runs the Agatha Christie and Golden Age of Crime conferences, and has publis.

Buch. Zustand: Neu. Neuware - Re-Reading Golden Age Crime Writing: Time, Space, and Place intervenes in debates on crime literature by offering the first sustained analysis of British and American Golden Age fiction, broadly spanning the 1910s to the 1950s, through the interrelated yet analytically distinct frameworks of time, space, and place.It shows how each dimension shapes both the genre and individual texts and how their interactions generate specific narrative, thematic, and ideological effects. Building on recent scholarship that understands crime fiction as mobile, composite, and open to continual reinterpretation, the volume foregrounds the thematic richness, theoretical sophistication, and experimental energies of Golden Age writing. It proposes a coherent critical framework and flexible set of tools for rethinking the genre. Drawing on paradigms such as Bakhtin's chronotope, islandness, heterotopia, human geography, hauntology, psychogeography, and spatial discourse analysis, the contributors demonstrate how time, space, and place structure narrative possibility, organise perception, and mediate questions of crime, knowledge, justice and power.Combining diverse theoretical paradigms, the book reconceptualises Golden Age crime fiction's formal and ideological complexity and highlights its continuing relevance for contemporary debates about crime, justice, and narrative form.…

Zustand: New. 2026. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Zustand: New. 2026. 1st Edition. hardcover. . . . . .

Hardcover. Zustand: new. Hardcover. Re-Reading Golden Age Crime Writing: Time, Space, and Place intervenes in debates on crime literature by offering the first sustained analysis of British and American Golden Age fiction, broadly spanning the 1910s to the 1950s, through the interrelated yet analytically distinct frameworks of time, space, and place.It shows how each dimension shapes both the genre and individual texts and how their interactions generate specific narrative, thematic, and ideological effects. Building on recent scholarship that understands crime fiction as mobile, composite, and open to continual reinterpretation, the volume foregrounds the thematic richness, theoretical sophistication, and experimental energies of Golden Age writing. It proposes a coherent critical framework and flexible set of tools for rethinking the genre. Drawing on paradigms such as Bakhtins chronotope, islandness, heterotopia, human geography, hauntology, psychogeography, and spatial discourse analysis, the contributors demonstrate how time, space, and place structure narrative possibility, organise perception, and mediate questions of crime, knowledge, justice and power.Combining diverse theoretical paradigms, the book reconceptualises Golden Age crime fictions formal and ideological complexity and highlights its continuing relevance for contemporary debates about crime, justice, and narrative form. Re-Reading Golden Age Crime Writing: Time, Space, and Place intervenes in debates on crime literature by offering the first sustained analysis of British and American Golden Age fiction, broadly spanning the 1910s to the 1950s, through the interrelated yet analytically distinct frameworks of time, space, and place. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Zustand: new. Hardcover. Re-Reading Golden Age Crime Writing: Time, Space, and Place intervenes in debates on crime literature by offering the first sustained analysis of British and American Golden Age fiction, broadly spanning the 1910s to the 1950s, through the interrelated yet analytically distinct frameworks of time, space, and place.It shows how each dimension shapes both the genre and individual texts and how their interactions generate specific narrative, thematic, and ideological effects. Building on recent scholarship that understands crime fiction as mobile, composite, and open to continual reinterpretation, the volume foregrounds the thematic richness, theoretical sophistication, and experimental energies of Golden Age writing. It proposes a coherent critical framework and flexible set of tools for rethinking the genre. Drawing on paradigms such as Bakhtins chronotope, islandness, heterotopia, human geography, hauntology, psychogeography, and spatial discourse analysis, the contributors demonstrate how time, space, and place structure narrative possibility, organise perception, and mediate questions of crime, knowledge, justice and power.Combining diverse theoretical paradigms, the book reconceptualises Golden Age crime fictions formal and ideological complexity and highlights its continuing relevance for contemporary debates about crime, justice, and narrative form. Re-Reading Golden Age Crime Writing: Time, Space, and Place intervenes in debates on crime literature by offering the first sustained analysis of British and American Golden Age fiction, broadly spanning the 1910s to the 1950s, through the interrelated yet analytically distinct frameworks of time, space, and place. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Zustand: new. Hardcover. Re-Reading Golden Age Crime Writing: Time, Space, and Place intervenes in debates on crime literature by offering the first sustained analysis of British and American Golden Age fiction, broadly spanning the 1910s to the 1950s, through the interrelated yet analytically distinct frameworks of time, space, and place.It shows how each dimension shapes both the genre and individual texts and how their interactions generate specific narrative, thematic, and ideological effects. Building on recent scholarship that understands crime fiction as mobile, composite, and open to continual reinterpretation, the volume foregrounds the thematic richness, theoretical sophistication, and experimental energies of Golden Age writing. It proposes a coherent critical framework and flexible set of tools for rethinking the genre. Drawing on paradigms such as Bakhtins chronotope, islandness, heterotopia, human geography, hauntology, psychogeography, and spatial discourse analysis, the contributors demonstrate how time, space, and place structure narrative possibility, organise perception, and mediate questions of crime, knowledge, justice and power.Combining diverse theoretical paradigms, the book reconceptualises Golden Age crime fictions formal and ideological complexity and highlights its continuing relevance for contemporary debates about crime, justice, and narrative form. Re-Reading Golden Age Crime Writing: Time, Space, and Place intervenes in debates on crime literature by offering the first sustained analysis of British and American Golden Age fiction, broadly spanning the 1910s to the 1950s, through the interrelated yet analytically distinct frameworks of time, space, and place. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…