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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Explores the rich and varied interactions between nineteenth-century science and the world of opera for the first time.
Sprache: Englisch
Verlag: Cambridge University Press, Cambridge, 2021
ISBN 10: 1107529026 ISBN 13: 9781107529021
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Paperback. Zustand: new. Paperback. Scientific thinking has long been linked to music theory and instrument making, yet the profound and often surprising intersections between the sciences and opera during the long nineteenth century are here explored for the first time. These touch on a wide variety of topics, including vocal physiology, theories of listening and sensory communication, technologies of theatrical machinery and discourses of biological degeneration. Taken together, the chapters reveal an intertwined cultural history that extends from backstage hydraulics to drawing-room hypnotism, and from laryngoscopy to theatrical aeronautics. Situated at the intersection of opera studies and the history of science, the book therefore offers a novel and illuminating set of case studies, of a kind that will appeal to historians of both science and opera, and of European culture more generally from the French Revolution to the end of the Victorian period. This innovative book will appeal to anyone interested in the cultural, musical and scientific history of the nineteenth century - from undergraduates to professional researchers. Chapters explore topics such as hypnosis, vocal physiology, stage machinery, histories of listening and the interaction of opera with nineteenth-century scientific theories. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Sprache: Englisch
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ISBN 10: 1107529026 ISBN 13: 9781107529021
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ISBN 10: 1107529026 ISBN 13: 9781107529021
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In den WarenkorbPaperback. Zustand: new. Paperback. Scientific thinking has long been linked to music theory and instrument making, yet the profound and often surprising intersections between the sciences and opera during the long nineteenth century are here explored for the first time. These touch on a wide variety of topics, including vocal physiology, theories of listening and sensory communication, technologies of theatrical machinery and discourses of biological degeneration. Taken together, the chapters reveal an intertwined cultural history that extends from backstage hydraulics to drawing-room hypnotism, and from laryngoscopy to theatrical aeronautics. Situated at the intersection of opera studies and the history of science, the book therefore offers a novel and illuminating set of case studies, of a kind that will appeal to historians of both science and opera, and of European culture more generally from the French Revolution to the end of the Victorian period. This innovative book will appeal to anyone interested in the cultural, musical and scientific history of the nineteenth century - from undergraduates to professional researchers. Chapters explore topics such as hypnosis, vocal physiology, stage machinery, histories of listening and the interaction of opera with nineteenth-century scientific theories. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Sprache: Englisch
Verlag: Cambridge University Press, 2021
ISBN 10: 1107529026 ISBN 13: 9781107529021
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In den WarenkorbZustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This innovative book will appeal to anyone interested in the cultural, musical and scientific history of the nineteenth century - from undergraduates to professional researchers. Chapters explore topics such as hypnosis, vocal physiology, stage machinery, h.
Sprache: Englisch
Verlag: Cambridge University Press, Cambridge, 2021
ISBN 10: 1107529026 ISBN 13: 9781107529021
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Paperback. Zustand: new. Paperback. Scientific thinking has long been linked to music theory and instrument making, yet the profound and often surprising intersections between the sciences and opera during the long nineteenth century are here explored for the first time. These touch on a wide variety of topics, including vocal physiology, theories of listening and sensory communication, technologies of theatrical machinery and discourses of biological degeneration. Taken together, the chapters reveal an intertwined cultural history that extends from backstage hydraulics to drawing-room hypnotism, and from laryngoscopy to theatrical aeronautics. Situated at the intersection of opera studies and the history of science, the book therefore offers a novel and illuminating set of case studies, of a kind that will appeal to historians of both science and opera, and of European culture more generally from the French Revolution to the end of the Victorian period. This innovative book will appeal to anyone interested in the cultural, musical and scientific history of the nineteenth century - from undergraduates to professional researchers. Chapters explore topics such as hypnosis, vocal physiology, stage machinery, histories of listening and the interaction of opera with nineteenth-century scientific theories. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Sprache: Englisch
Verlag: Cambridge University Press, 2021
ISBN 10: 1107529026 ISBN 13: 9781107529021
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Taschenbuch. Zustand: Neu. Nineteenth-Century Opera and the Scientific Imagination | David Trippett (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2021 | Cambridge University Press | EAN 9781107529021 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.