Verlag: Taylor & Francis, 2018
ISBN 10: 1138571962 ISBN 13: 9781138571969
Anbieter: Brook Bookstore, Milano, MI, Italien
Zustand: new.
Verlag: Routledge 2018-09-26, 2018
ISBN 10: 1138571962 ISBN 13: 9781138571969
Anbieter: Chiron Media, Wallingford, Vereinigtes Königreich
Hardcover. Zustand: New.
Verlag: Taylor & Francis Ltd, 2018
ISBN 10: 1138571962 ISBN 13: 9781138571969
Anbieter: THE SAINT BOOKSTORE, Southport, Vereinigtes Königreich
Hardback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Verlag: Taylor & Francis Ltd, 2018
ISBN 10: 1138571962 ISBN 13: 9781138571969
Anbieter: THE SAINT BOOKSTORE, Southport, Vereinigtes Königreich
Hardback. Zustand: New. New copy - Usually dispatched within 4 working days.
Verlag: Routledge, 2018
ISBN 10: 1138571962 ISBN 13: 9781138571969
Anbieter: Biblios, Frankfurt am main, HESSE, Deutschland
Zustand: New.
Verlag: Taylor & Francis, 2018
ISBN 10: 1138571962 ISBN 13: 9781138571969
Anbieter: moluna, Greven, Deutschland
Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. David Sanjek (1952-2011) was Professor of Popular Music and Director of the Music Research Centre at the University of Salford, Greater Manchester, England. He was considered to be a world expert in this field. Professor Sanjek received .
Verlag: Routledge, 2018
ISBN 10: 1138571962 ISBN 13: 9781138571969
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Hardcover. Zustand: Brand New. 242 pages. 9.50x6.25x1.00 inches. In Stock.
Verlag: Taylor & Francis Ltd, London, 2018
ISBN 10: 1138571962 ISBN 13: 9781138571969
Anbieter: AussieBookSeller, Truganina, VIC, Australien
Hardcover. Zustand: new. Hardcover. How has the history of rock n roll been told? Has it become formulaic? Or remained, like the music itself, open to outside influences? Who have been the genres primary historians? What common frameworks or sets of assumptions have music history narratives shared? And, most importantly, what is the cost of failing to question such assumptions? "Stories We Could Tell:Putting Words to American Popular Music" identifies eight typical strategies used when critics and historians write about American popular music, and subjects each to forensic analysis. This posthumous book is a unique work of cultural historiography that analyses, catalogues, and contextualizes music writing in order to afford the reader new perspectives on the field of cultural production, and offer new ways of thinking about, and writing about, popular music. "Stories We Could Tell:Putting Words to American Popular Music" identifies eight typical strategies used when critics and historians write about American popular music, and subjects each to forensic analysis. This posthumous book is a unique work of cultural historiography that analyses, catalogues, and contextualizes music writing. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.