Sprache: Englisch
Verlag: Cambridge University Press, 2019
ISBN 10: 1316632644 ISBN 13: 9781316632642
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Sprache: Englisch
Verlag: Cambridge University Press, 2019
ISBN 10: 1316632644 ISBN 13: 9781316632642
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Sprache: Englisch
Verlag: Cambridge University Press, 2019
ISBN 10: 1316632644 ISBN 13: 9781316632642
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Sprache: Englisch
Verlag: Cambridge University Press 2019-09-19, 2019
ISBN 10: 1316632644 ISBN 13: 9781316632642
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Sprache: Englisch
Verlag: Cambridge University Press, 2019
ISBN 10: 1316632644 ISBN 13: 9781316632642
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ISBN 10: 1316632644 ISBN 13: 9781316632642
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Zustand: New. Liszt and the Symphonic Poem (Paperback or Softback).
Sprache: Englisch
Verlag: Cambridge University Press, 2019
ISBN 10: 1316632644 ISBN 13: 9781316632642
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In den WarenkorbZustand: New. Today Liszt s symphonic poems are seen as alternatives to the symphony post-Beethoven. In contrast, this book returns these influential pieces to their original performance context in the theatre, arguing that the symphonic poem is as much a dramatic as a s.
Sprache: Englisch
Verlag: Cambridge University Press Sep 2019, 2019
ISBN 10: 1316632644 ISBN 13: 9781316632642
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Taschenbuch. Zustand: Neu. Neuware - Franz Liszt was preoccupied with a fundamental but difficult question: what is the content of music His answer lay in his symphonic poems, a group of orchestral pieces intended to depict a variety of subjects drawn from literature, visual art and drama. Today, the symphonic poems are usually seen as alternatives to the symphony post-Beethoven. Analysts stress their symphonic logic, thereby neglecting their 'extramusical' subject matter. This book takes a different approach: it returns these influential pieces to their original performance context in the theatre, arguing that the symphonic poem is as much a dramatic as a symphonic genre. This is evidenced in new analyses of the music that examines the theatricality of these pieces and their depiction of voices, mise-en-scène, gesture and action. Simultaneously, the book repositions Liszt's legacy within theatre history, arguing that his contributions should be placed alongside those of Mendelssohn, Berlioz and Wagner.
Sprache: Englisch
Verlag: Cambridge University Press, 2019
ISBN 10: 1316632644 ISBN 13: 9781316632642
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In den WarenkorbPaperback. Zustand: Brand New. 380 pages. 9.49x6.69x0.83 inches. In Stock. This item is printed on demand.
Sprache: Englisch
Verlag: Cambridge University Press, Cambridge, 2019
ISBN 10: 1316632644 ISBN 13: 9781316632642
Anbieter: CitiRetail, Stevenage, Vereinigtes Königreich
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In den WarenkorbPaperback. Zustand: new. Paperback. Franz Liszt was preoccupied with a fundamental but difficult question: what is the content of music? His answer lay in his symphonic poems, a group of orchestral pieces intended to depict a variety of subjects drawn from literature, visual art and drama. Today, the symphonic poems are usually seen as alternatives to the symphony post-Beethoven. Analysts stress their symphonic logic, thereby neglecting their 'extramusical' subject matter. This book takes a different approach: it returns these influential pieces to their original performance context in the theatre, arguing that the symphonic poem is as much a dramatic as a symphonic genre. This is evidenced in new analyses of the music that examines the theatricality of these pieces and their depiction of voices, mise-en-scene, gesture and action. Simultaneously, the book repositions Liszt's legacy within theatre history, arguing that his contributions should be placed alongside those of Mendelssohn, Berlioz and Wagner. Today Liszt's symphonic poems are seen as alternatives to the symphony post-Beethoven. In contrast, this book returns these influential pieces to their original performance context in the theatre, arguing that the symphonic poem is as much a dramatic as a symphonic genre and that Liszt's contribution to theatre history should not be overlooked. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.