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Hardcover. Zustand: New. Zustand des Schutzumschlags: New. 1st Edition. This copy is INSCRIBED & SIGNED BY THE AUTHOR on the 1st free page. Black boards with lettering on spine. Binding is tight. Corners are sharp. Content is clean, no markings. DJ is in pristine condition. Includes: Contents, List of Maps, Tables and Figures, Bibliography, Index. 236 p. 6.7 x 9.5 x 0.75 inches. 1.28 lb. This copy is in pristine condition, Not read or open. Inscribed and Signed By the Au.
Hardcover. Octavo, xvii, 217 pages. In Very Good condition with a Good dust jacket. Spine is pink with white and black print. Dust jacket has tear at spine tail. Boards in black cloth. Illustrated: b&w maps, photographs. NOTE: Shelved in Netdesk Column G (ND-G). 1378358. FP New Rockville Stock.
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Hardcover. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
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In den WarenkorbZustand: New.
Sprache: Englisch
Verlag: Ashgate Publishing Company, 2013
ISBN 10: 1409442721 ISBN 13: 9781409442721
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
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In den WarenkorbZustand: New. pp. 236 11 Illus., 2 Maps.
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Sprache: Englisch
Verlag: Ashgate Publishing Company, 2013
ISBN 10: 1409442721 ISBN 13: 9781409442721
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In den WarenkorbZustand: New. Singer-Songwriters and Musical Open Mics is an ethnographic exploration of New York City's live music events where musicians signup and perform short sets. Drawing from multiple qualitative methods, Aldredge describes how open mics have etched a vital organizational place in the Western and urban musical landscape. Series Editor(s): Scott, Professor Derek B.; Burns, Professor Lori; Hawkins, Professor Stan. Series: Ashgate Popular and Folk Music Series. Num Pages: 236 pages, Includes 11 b&w illustrations and 2 maps. BIC Classification: 1KBBEY; AVA. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 240 x 164 x 20. Weight in Grams: 590. . 2013. Hardback. . . . .
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In den WarenkorbHardback. Zustand: New. New copy - Usually dispatched within 4 working days.
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In den WarenkorbHardcover. Zustand: Brand New. new edition edition. 230 pages. 9.25x6.42x0.83 inches. In Stock.
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In den WarenkorbZustand: New. Singer-Songwriters and Musical Open Mics is an ethnographic exploration of New York City's live music events where musicians signup and perform short sets. Drawing from multiple qualitative methods, Aldredge describes how open mics have etched a vital organizational place in the Western and urban musical landscape. Series Editor(s): Scott, Professor Derek B.; Burns, Professor Lori; Hawkins, Professor Stan. Series: Ashgate Popular and Folk Music Series. Num Pages: 236 pages, Includes 11 b&w illustrations and 2 maps. BIC Classification: 1KBBEY; AVA. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 240 x 164 x 20. Weight in Grams: 590. . 2013. Hardback. . . . . Books ship from the US and Ireland.
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In den WarenkorbGebunden. Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Marcus Aldredge is an Assistant Professor of Sociology at Iona College in New Rochelle, New York, USA. His articles have appeared in edited books and journals including Symbolic Interaction on a variety of expressive cultural practices. His general research.
Anbieter: PBShop.store US, Wood Dale, IL, USA
HRD. Zustand: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
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EUR 228,26
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In den WarenkorbHRD. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Sprache: Englisch
Verlag: Ashgate Publishing Company, 2013
ISBN 10: 1409442721 ISBN 13: 9781409442721
Anbieter: Biblios, Frankfurt am main, HESSE, Deutschland
Zustand: New. PRINT ON DEMAND pp. 236.
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Singer-Songwriters and Musical Open Mics is an ethnographic exploration of New York City's live music events where musicians signup and perform short sets. This sociological study dispels the common assumption that open mics are culturally monolithic and reserved for novice musicians. Open mics allow musicians at different locations within their musical development and career to interactively perform, practice, and network with other musicians. Important themes in the book include: the tension between self and society in the creative process, issues of creative authenticity and authorship, and on-going cultural changes central to the Do-It-Yourself cultural zeitgeist of the early 21st century. The open mic's cultural antecedents include a radio format, folk hootenannies, and the jazz jam session. Drawing from multiple qualitative methods, Aldredge describes how open mics have etched a vital organizational place in the western and urban musical landscape. Open mics represent a creative place where the boundaries of practicing and performing seemingly blur. This allows for a range of social settings from more competitive, stratified, and homogenous music scenes to culturally diverse weekly events often stretching late into the night.