Isbn: 9781474494700 - the other side of glamour: the left-wing studio network in hong kong cinema in the cold war era and beyond (global film studios) (19 Ergebnisse)

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  • Sprache: Englisch

    Verlag: Edinburgh University Press, 2022

    1474494706 / 9781474494700

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  • Sprache: Englisch

    Verlag: Edinburgh University Press, Edinburgh, 2022

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    Paperback. Zustand: new. Paperback. Since its inception more than a century ago, Hong Kong cinema has been a pre-eminent form of local entertainment and a site of ideological contentions propelled by colonial, national and international politics at different historical junctures. The Other Side of Glamour is a study of the historical development of the left-wing film establishment in Hong Kong. The interplay between the macro-politics of the Cold War and the micro-politics of a regionalised/localised ideological warfare lends itself to a critical mapping of the general contours of the 'cultural Cold War' between the KMT and the CCP as it materialised in the so-called 'leftright divide' in the filmmaking world. Using the major studios as the main axis of analysis, this study traces the footprints of the other collaborating cultural agents which made up the left-wing film network in Hong Kong. It argues that the left-wing's institutional character and corporate strategies in the making of a 'popular left-wing cinema' are indispensable to an understanding of their nuanced legacy in Hong Kong cinema today. Hong Kong cinema has been a pre-eminent form of local entertainment and a site of ideological contentions propelled by colonial, national and international politics at different historical junctures. The Other Side of Glamour is a study of the historical development of the left-wing film establishment in Hong Kong. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

  • Sprache: Englisch

    Verlag: Edinburgh University Press, GB, 2022

    1474494706 / 9781474494700

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    Paperback. Zustand: New. Since its inception more than a century ago, Hong Kong cinema has been a pre-eminent form of local entertainment and a site of ideological contentions propelled by colonial, national and international politics at different historical junctures. The Other Side of Glamour is a study of the historical development of the left-wing film establishment in Hong Kong. The interplay between the macro-politics of the Cold War and the micro-politics of a regionalised/localised ideological warfare lends itself to a critical mapping of the general contours of the 'cultural Cold War' between the KMT and the CCP as it materialised in the so-called 'left right divide' in the filmmaking world. Using the major studios as the main axis of analysis, this study traces the footprints of the other collaborating cultural agents which made up the left-wing film network in Hong Kong. It argues that the left-wing's institutional character and corporate strategies in the making of a 'popular left-wing cinema' are indispensable to an understanding of their nuanced legacy in Hong Kong cinema today.…

  • Sprache: Englisch

    Verlag: Edinburgh University Press, 2022

    1474494706 / 9781474494700

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  • Sprache: Englisch

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  • Sprache: Englisch

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    Paperback. Zustand: New. Since its inception more than a century ago, Hong Kong cinema has been a pre-eminent form of local entertainment and a site of ideological contentions propelled by colonial, national and international politics at different historical junctures. The Other Side of Glamour is a study of the historical development of the left-wing film establishment in Hong Kong. The interplay between the macro-politics of the Cold War and the micro-politics of a regionalised/localised ideological warfare lends itself to a critical mapping of the general contours of the 'cultural Cold War' between the KMT and the CCP as it materialised in the so-called 'left right divide' in the filmmaking world. Using the major studios as the main axis of analysis, this study traces the footprints of the other collaborating cultural agents which made up the left-wing film network in Hong Kong. It argues that the left-wing's institutional character and corporate strategies in the making of a 'popular left-wing cinema' are indispensable to an understanding of their nuanced legacy in Hong Kong cinema today.…

  • Sprache: Englisch

    Verlag: Edinburgh University Press, 2022

    1474494706 / 9781474494700

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  • Sprache: Englisch

    Verlag: Edinburgh University Press, 2022

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  • Sprache: Englisch

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  • Sprache: Englisch

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  • Sprache: Englisch

    Verlag: Edinburgh University Press, 2022

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  • Sprache: Englisch

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  • Sprache: Englisch

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  • Sprache: Englisch

    Verlag: Edinburgh Univ Pr, 2022

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    Paperback. Zustand: Brand New. 192 pages. 9.21x6.14x0.41 inches. In Stock.

  • Sprache: Englisch

    Verlag: Edinburgh University Press Mär 2022, 2022

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    Taschenbuch. Zustand: Neu. Neuware - Since its inception more than a century ago, Hong Kong cinema has been a pre-eminent form of local entertainment and a site of ideological contentions propelled by colonial, national and international politics at different historical junctures. The Other Side of Glamour is a study of the historical development of the left-wing film establishment in Hong Kong. The interplay between the macro-politics of the Cold War and the micro-politics of a regionalised/localised ideological warfare lends itself to a critical mapping of the general contours of the 'cultural Cold War' between the KMT and the CCP as it materialised in the so-called 'left-right divide' in the filmmaking world. Using the major studios as the main axis of analysis, this study traces the footprints of the other collaborating cultural agents which made up the left-wing film network in Hong Kong. It argues that the left-wing's institutional character and corporate strategies in the making of a 'popular left-wing cinema' are indispensable to an understanding of their nuanced legacy in Hong Kong cinema today.…

  • Sprache: Englisch

    Verlag: Edinburgh University Press, GB, 2022

    1474494706 / 9781474494700

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    Paperback. Zustand: New. Since its inception more than a century ago, Hong Kong cinema has been a pre-eminent form of local entertainment and a site of ideological contentions propelled by colonial, national and international politics at different historical junctures. The Other Side of Glamour is a study of the historical development of the left-wing film establishment in Hong Kong. The interplay between the macro-politics of the Cold War and the micro-politics of a regionalised/localised ideological warfare lends itself to a critical mapping of the general contours of the 'cultural Cold War' between the KMT and the CCP as it materialised in the so-called 'left right divide' in the filmmaking world. Using the major studios as the main axis of analysis, this study traces the footprints of the other collaborating cultural agents which made up the left-wing film network in Hong Kong. It argues that the left-wing's institutional character and corporate strategies in the making of a 'popular left-wing cinema' are indispensable to an understanding of their nuanced legacy in Hong Kong cinema today.…

  • Sprache: Englisch

    Verlag: EDINBURGH UNIV PR, 2022

    1474494706 / 9781474494700

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    Zustand: New. &Uumlber den AutorVivian Lee is Associate Professor in the Department of Chinese and History at City University of Hong Kong. She is the author of Hong Kong Cinema since 1997: the Post-nostalgic Imagination and editor of East Asia.

  • Sprache: Englisch

    Verlag: Edinburgh University Press, Edinburgh, 2022

    1474494706 / 9781474494700

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    Paperback. Zustand: new. Paperback. Since its inception more than a century ago, Hong Kong cinema has been a pre-eminent form of local entertainment and a site of ideological contentions propelled by colonial, national and international politics at different historical junctures. The Other Side of Glamour is a study of the historical development of the left-wing film establishment in Hong Kong. The interplay between the macro-politics of the Cold War and the micro-politics of a regionalised/localised ideological warfare lends itself to a critical mapping of the general contours of the cultural Cold War between the KMT and the CCP as it materialised in the so-called leftright divide in the filmmaking world. Using the major studios as the main axis of analysis, this study traces the footprints of the other collaborating cultural agents which made up the left-wing film network in Hong Kong. It argues that the left-wings institutional character and corporate strategies in the making of a popular left-wing cinema are indispensable to an understanding of their nuanced legacy in Hong Kong cinema today. Hong Kong cinema has been a pre-eminent form of local entertainment and a site of ideological contentions propelled by colonial, national and international politics at different historical junctures. The Other Side of Glamour is a study of the historical development of the left-wing film establishment in Hong Kong. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

  • Sprache: Englisch

    Verlag: Edinburgh University Press, GB, 2022

    1474494706 / 9781474494700

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    Paperback. Zustand: New. Since its inception more than a century ago, Hong Kong cinema has been a pre-eminent form of local entertainment and a site of ideological contentions propelled by colonial, national and international politics at different historical junctures. The Other Side of Glamour is a study of the historical development of the left-wing film establishment in Hong Kong. The interplay between the macro-politics of the Cold War and the micro-politics of a regionalised/localised ideological warfare lends itself to a critical mapping of the general contours of the 'cultural Cold War' between the KMT and the CCP as it materialised in the so-called 'left right divide' in the filmmaking world. Using the major studios as the main axis of analysis, this study traces the footprints of the other collaborating cultural agents which made up the left-wing film network in Hong Kong. It argues that the left-wing's institutional character and corporate strategies in the making of a 'popular left-wing cinema' are indispensable to an understanding of their nuanced legacy in Hong Kong cinema today.…