Anbieter: Greenworld Books, Arlington, TX, USA
Zustand: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.
Sprache: Englisch
Verlag: Duke University Press Books, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Anbieter: Michener & Rutledge Booksellers, Inc., Baldwin City, KS, USA
Paperback. Zustand: As New. Still shrinkwrapped; Sign, Storage, Transmission; 8vo 8" - 9" tall; 320 pages.
Sprache: Englisch
Verlag: Duke University Press, US, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes Königreich
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In den WarenkorbPaperback. Zustand: New. We regularly touch and handle media devices. At the same time, media devices such as body scanners, car seat pressure sensors, and smart phones scan and touch us. In Horn, Henning Schmidgen reflects on the bidirectional nature of touch and the ways in which surfaces constitute sites of mediation between interior and exterior. Schmidgen uses the concept of "horn"-whether manifested as a rhinoceros horn or a musical instrument-to stand for both natural substances and artificial objects as spaces of tactility. He enters into creative dialogue with artists, scientists, and philosophers, ranging from Salvador DalÍ, William Kentridge, and Rebecca Horn to Sigmund Freud, Walter Benjamin, and Marshall McLuhan, who plumb the complex interplay between tactility and technological and biological surfaces. Whether analyzing how DalÍ conceived of images as tactile entities during his "rhinoceros phase" or examining the problem of tactility in Thomas Pynchon's The Crying of Lot 49, Schmidgen reconfigures understandings of the dynamic phenomena of touch in media.
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: New.
Anbieter: GreatBookPrices, Columbia, MD, USA
Zustand: As New. Unread book in perfect condition.
Sprache: Englisch
Verlag: MD - Duke University Press, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Duke University Press 1/21/2022, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Anbieter: BargainBookStores, Grand Rapids, MI, USA
Paperback or Softback. Zustand: New. Horn, or The Counterside of Media. Book.
Sprache: Englisch
Verlag: Duke University Press, North Carolina, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Anbieter: Grand Eagle Retail, Bensenville, IL, USA
Paperback. Zustand: new. Paperback. We regularly touch and handle media devices. At the same time, media devices such as body scanners, car seat pressure sensors, and smart phones scan and touch us. In Horn, Henning Schmidgen reflects on the bidirectional nature of touch and the ways in which surfaces constitute sites of mediation between interior and exterior. Schmidgen uses the concept of "horn"-whether manifested as a rhinoceros horn or a musical instrument-to stand for both natural substances and artificial objects as spaces of tactility. He enters into creative dialogue with artists, scientists, and philosophers, ranging from Salvador Dali, William Kentridge, and Rebecca Horn to Sigmund Freud, Walter Benjamin, and Marshall McLuhan, who plumb the complex interplay between tactility and technological and biological surfaces. Whether analyzing how Dali conceived of images as tactile entities during his "rhinoceros phase" or examining the problem of tactility in Thomas Pynchon's The Crying of Lot 49, Schmidgen reconfigures understandings of the dynamic phenomena of touch in media. Henning Schmidgen reflects on the dynamic phenomena of touch in media, analyzing works by artists, scientists, and philosophers ranging from Salvador Dali to Walter Benjamin, who each explore the interplay between tactility and technological and biological surfaces. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
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In den WarenkorbPaperback. Zustand: Brand New. 308 pages. 9.25x6.25x0.75 inches. In Stock.
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In den WarenkorbZustand: New. 2022. Paperback. . . . . .
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In den WarenkorbPaperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.
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Sprache: Englisch
Verlag: Duke University Press Books 2022-02-25, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
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Anbieter: Kennys Bookstore, Olney, MD, USA
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Zustand: New.
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In den WarenkorbPaperback. Zustand: Brand New. 308 pages. 9.25x6.25x0.75 inches. In Stock.
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In den WarenkorbZustand: NEW.
Anbieter: moluna, Greven, Deutschland
Zustand: New. Henning Schmidgen reflects on the dynamic phenomena of touch in media, analyzing works by artists, scientists, and philosophers ranging from Salvador Dali to Walter Benjamin, who each explore the interplay between tactility and technological and biological .
Sprache: Englisch
Verlag: Duke University Press, North Carolina, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Anbieter: AussieBookSeller, Truganina, VIC, Australien
Paperback. Zustand: new. Paperback. We regularly touch and handle media devices. At the same time, media devices such as body scanners, car seat pressure sensors, and smart phones scan and touch us. In Horn, Henning Schmidgen reflects on the bidirectional nature of touch and the ways in which surfaces constitute sites of mediation between interior and exterior. Schmidgen uses the concept of "horn"-whether manifested as a rhinoceros horn or a musical instrument-to stand for both natural substances and artificial objects as spaces of tactility. He enters into creative dialogue with artists, scientists, and philosophers, ranging from Salvador Dali, William Kentridge, and Rebecca Horn to Sigmund Freud, Walter Benjamin, and Marshall McLuhan, who plumb the complex interplay between tactility and technological and biological surfaces. Whether analyzing how Dali conceived of images as tactile entities during his "rhinoceros phase" or examining the problem of tactility in Thomas Pynchon's The Crying of Lot 49, Schmidgen reconfigures understandings of the dynamic phenomena of touch in media. Henning Schmidgen reflects on the dynamic phenomena of touch in media, analyzing works by artists, scientists, and philosophers ranging from Salvador Dali to Walter Benjamin, who each explore the interplay between tactility and technological and biological surfaces. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Anbieter: preigu, Osnabrück, Deutschland
Taschenbuch. Zustand: Neu. Horn, or The Counterside of Media | Henning Schmidgen | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2022 | Duke University Press | EAN 9781478017721 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-nostrum[dot]co[dot]uk | Anbieter: preigu.
Sprache: Englisch
Verlag: Duke University Press, US, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Anbieter: Rarewaves.com UK, London, Vereinigtes Königreich
EUR 27,45
Anzahl: 12 verfügbar
In den WarenkorbPaperback. Zustand: New. We regularly touch and handle media devices. At the same time, media devices such as body scanners, car seat pressure sensors, and smart phones scan and touch us. In Horn, Henning Schmidgen reflects on the bidirectional nature of touch and the ways in which surfaces constitute sites of mediation between interior and exterior. Schmidgen uses the concept of "horn"-whether manifested as a rhinoceros horn or a musical instrument-to stand for both natural substances and artificial objects as spaces of tactility. He enters into creative dialogue with artists, scientists, and philosophers, ranging from Salvador DalÍ, William Kentridge, and Rebecca Horn to Sigmund Freud, Walter Benjamin, and Marshall McLuhan, who plumb the complex interplay between tactility and technological and biological surfaces. Whether analyzing how DalÍ conceived of images as tactile entities during his "rhinoceros phase" or examining the problem of tactility in Thomas Pynchon's The Crying of Lot 49, Schmidgen reconfigures understandings of the dynamic phenomena of touch in media.
Anbieter: THE SAINT BOOKSTORE, Southport, Vereinigtes Königreich
EUR 29,00
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In den WarenkorbPaperback / softback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 522.
Sprache: Englisch
Verlag: Duke University Press Jan 2022, 2022
ISBN 10: 1478017724 ISBN 13: 9781478017721
Anbieter: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Deutschland
Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -We regularly touch and handle media devices. At the same time, media devices such as body scanners, car seat pressure sensors, and smart phones scan and touch us. In Horn, Henning Schmidgen reflects on the bidirectional nature of touch and the ways in which surfaces constitute sites of mediation between interior and exterior. Schmidgen uses the concept of 'horn'-whether manifested as a rhinoceros horn or a musical instrument-to stand for both natural substances and artificial objects as spaces of tactility. He enters into creative dialogue with artists, scientists, and philosophers, ranging from Salvador DalÍ, William Kentridge, and Rebecca Horn to Sigmund Freud, Walter Benjamin, and Marshall McLuhan, who plumb the complex interplay between tactility and technological and biological surfaces. Whether analyzing how DalÍ conceived of images as tactile entities during his 'rhinoceros phase' or examining the problem of tactility in Thomas Pynchon's The Crying of Lot 49, Schmidgen reconfigures understandings of the dynamic phenomena of touch in media. 318 pp. Englisch.
Anbieter: Biblios, Frankfurt am main, HESSE, Deutschland
Zustand: New. PRINT ON DEMAND.
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - We regularly touch and handle media devices. At the same time, media devices such as body scanners, car seat pressure sensors, and smart phones scan and touch us. In Horn, Henning Schmidgen reflects on the bidirectional nature of touch and the ways in which surfaces constitute sites of mediation between interior and exterior. Schmidgen uses the concept of 'horn'-whether manifested as a rhinoceros horn or a musical instrument-to stand for both natural substances and artificial objects as spaces of tactility. He enters into creative dialogue with artists, scientists, and philosophers, ranging from Salvador DalÍ, William Kentridge, and Rebecca Horn to Sigmund Freud, Walter Benjamin, and Marshall McLuhan, who plumb the complex interplay between tactility and technological and biological surfaces. Whether analyzing how DalÍ conceived of images as tactile entities during his 'rhinoceros phase' or examining the problem of tactility in Thomas Pynchon's The Crying of Lot 49, Schmidgen reconfigures understandings of the dynamic phenomena of touch in media.