ISBN: 9781496863188 - bill forsyth: interviews (conversations with filmmakers series) (15 Ergebnisse)

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Taschenbuch. Zustand: Neu. Bill Forsyth | Interviews | Lloyd Sachs | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2026 | University Press of Mississippi | EAN 9781496863188 | Verantwortliche Person für die EU: Easy Access System Europe, Mustamäe Tee 50, 10621 TALLINN, ESTLAND, gpsr[dot]requests[at]easproject[dot]com | Anbieter: preigu. …

Paperback. Zustand: Brand New. 168 pages. 6.00x0.42x9.00 inches. In Stock. This item is printed on demand.

Paperback. Zustand: new. Paperback. One of the most beloved filmmakers of his time, Bill Forsyth (b. 1946) haswith one exceptionnot directed a feature in more than thirty years. This long silence is all the more remarkable given his meteoric rise: between 1979 and 1983, the Glasgow native crafted four comic gems that helped put Scottish cinema on the map. How did the director of such enduring classics as Gregorys Girl and Local Hero seemingly vanish from the film world? Its tempting to blame his retreat on the painful fallout from Being Human, the troubled Hollywood production starring Robin Williams. But even before that bigbudget flop, the deeply reserved Forsyth wrestled with the discomfort he felt directingand with audiences who often overlooked the serious themes beneath his offbeat comedies. "Ive always had a much darker side than most people have perceived," he confided to British critic John Brown. Through interviews with leading critics and film authorities, Bill Forsyth: Interviews offers a revealing look at the filmmakers personal approach to his art, shaped by early encounters with the French New Wave and a youthful stint making industrial films about forestry, fishing, and factories. Forsyth reflects on his debt to auteurs like Francois Truffaut, Preston Sturges, Jean Renoir, and Jacques Tati, and offers candid insights into his process. These conversations highlight his methods and the underappreciated dimensions of his work, including what Scottish critic Jonathan Murray calls their "comic ingenuity, idiosyncratic narrative structures, and tonal complexity." Insightful conversations with one of cinema's quietly innovative storytellers, director of Local Hero, Gregory's Girl, Housekeeping, That Sinking Feeling, and more This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Taschenbuch. Zustand: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -One of the most beloved filmmakers of his time, Bill Forsyth (b. 1946) has-with one exception-not directed a feature in more than thirty years. This long silence is all the more remarkable given his meteoric rise: between 1979 and 1983, the Glasgow native crafted four comic gems that helped put Scottish cinema on the map. How did the director of such enduring classics as Gregory's Girl and Local Hero seemingly vanish from the film world It's tempting to blame his retreat on the painful fallout from Being Human, the troubled Hollywood production starring Robin Williams. But even before that big budget flop, the deeply reserved Forsyth wrestled with the discomfort he felt directing-and with audiences who often overlooked the serious themes beneath his offbeat comedies. 'I've always had a much darker side than most people have perceived,' he confided to British critic John Brown. Through interviews with leading critics and film authorities, Bill Forsyth: Interviews offers a revealing look at the filmmaker's personal approach to his art, shaped by early encounters with the French New Wave and a youthful stint making industrial films about forestry, fishing, and factories. Forsyth reflects on his debt to auteurs like François Truffaut, Preston Sturges, Jean Renoir, and Jacques Tati, and offers candid insights into his process. These conversations highlight his methods and the underappreciated dimensions of his work, including what Scottish critic Jonathan Murray calls their 'comic ingenuity, idiosyncratic narrative structures, and tonal complexity.' 168 pp. Englisch.…

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Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - One of the most beloved filmmakers of his time, Bill Forsyth (b. 1946) has-with one exception-not directed a feature in more than thirty years. This long silence is all the more remarkable given his meteoric rise: between 1979 and 1983, the Glasgow native crafted four comic gems that helped put Scottish cinema on the map. How did the director of such enduring classics as Gregory's Girl and Local Hero seemingly vanish from the film world It's tempting to blame his retreat on the painful fallout from Being Human, the troubled Hollywood production starring Robin Williams. But even before that big budget flop, the deeply reserved Forsyth wrestled with the discomfort he felt directing-and with audiences who often overlooked the serious themes beneath his offbeat comedies. 'I've always had a much darker side than most people have perceived,' he confided to British critic John Brown. Through interviews with leading critics and film authorities, Bill Forsyth: Interviews offers a revealing look at the filmmaker's personal approach to his art, shaped by early encounters with the French New Wave and a youthful stint making industrial films about forestry, fishing, and factories. Forsyth reflects on his debt to auteurs like François Truffaut, Preston Sturges, Jean Renoir, and Jacques Tati, and offers candid insights into his process. These conversations highlight his methods and the underappreciated dimensions of his work, including what Scottish critic Jonathan Murray calls their 'comic ingenuity, idiosyncratic narrative structures, and tonal complexity.'.…

Paperback. Zustand: new. Paperback. One of the most beloved filmmakers of his time, Bill Forsyth (b. 1946) haswith one exceptionnot directed a feature in more than thirty years. This long silence is all the more remarkable given his meteoric rise: between 1979 and 1983, the Glasgow native crafted four comic gems that helped put Scottish cinema on the map. How did the director of such enduring classics as Gregorys Girl and Local Hero seemingly vanish from the film world? Its tempting to blame his retreat on the painful fallout from Being Human, the troubled Hollywood production starring Robin Williams. But even before that bigbudget flop, the deeply reserved Forsyth wrestled with the discomfort he felt directingand with audiences who often overlooked the serious themes beneath his offbeat comedies. "Ive always had a much darker side than most people have perceived," he confided to British critic John Brown. Through interviews with leading critics and film authorities, Bill Forsyth: Interviews offers a revealing look at the filmmakers personal approach to his art, shaped by early encounters with the French New Wave and a youthful stint making industrial films about forestry, fishing, and factories. Forsyth reflects on his debt to auteurs like Francois Truffaut, Preston Sturges, Jean Renoir, and Jacques Tati, and offers candid insights into his process. These conversations highlight his methods and the underappreciated dimensions of his work, including what Scottish critic Jonathan Murray calls their "comic ingenuity, idiosyncratic narrative structures, and tonal complexity." Insightful conversations with one of cinema's quietly innovative storytellers, director of Local Hero, Gregory's Girl, Housekeeping, That Sinking Feeling, and more This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

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Paperback. Zustand: new. Paperback. One of the most beloved filmmakers of his time, Bill Forsyth (b. 1946) haswith one exceptionnot directed a feature in more than thirty years. This long silence is all the more remarkable given his meteoric rise: between 1979 and 1983, the Glasgow native crafted four comic gems that helped put Scottish cinema on the map. How did the director of such enduring classics as Gregorys Girl and Local Hero seemingly vanish from the film world? Its tempting to blame his retreat on the painful fallout from Being Human, the troubled Hollywood production starring Robin Williams. But even before that bigbudget flop, the deeply reserved Forsyth wrestled with the discomfort he felt directingand with audiences who often overlooked the serious themes beneath his offbeat comedies. "Ive always had a much darker side than most people have perceived," he confided to British critic John Brown. Through interviews with leading critics and film authorities, Bill Forsyth: Interviews offers a revealing look at the filmmakers personal approach to his art, shaped by early encounters with the French New Wave and a youthful stint making industrial films about forestry, fishing, and factories. Forsyth reflects on his debt to auteurs like Francois Truffaut, Preston Sturges, Jean Renoir, and Jacques Tati, and offers candid insights into his process. These conversations highlight his methods and the underappreciated dimensions of his work, including what Scottish critic Jonathan Murray calls their "comic ingenuity, idiosyncratic narrative structures, and tonal complexity." Insightful conversations with one of cinema's quietly innovative storytellers, director of Local Hero, Gregory's Girl, Housekeeping, That Sinking Feeling, and more This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…