ISBN: 9781580460415 - a history of key characteristics in the 18th and early 19th centuries: second edition (26 Ergebnisse)

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Hardback. Zustand: New. A fully updated edition of the leading reference work on musical key characteristics during the Baroque, Classical and Romantic periods.This is a revised second edition of Dr. Steblin's important work on key characteristics, first published in 1983 by UMI Research Press and re-issued by the University of Rochester Press in 1996. The revision has been limited to athorough correction and update of the material in the first edition, so as to not disrupt the content and organization, for which the book has been praised as a significant and noteworthy reference for both scholars and research students alike. The book discusses the extra-musical meanings associated with various musical keys by ancient Greek and medieval-renaissance theorists and in particular composers and writers on music in the Baroque, Classical,and early Romantic periods. Chapters focus on Mattheson's extensive key descriptions from 1713, the Rameau-Rousseau and Marpurg-Kirnberger controversies regarding unequal versus equal temperaments, and C.F.D. Schubart's influential list based on the sharp-flat [bright-dark] principle of key-distinctions. Rita Katherine Steblin is a world-renowned music scholar, living and working in Vienna.…

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Hardback. Zustand: New. A fully updated edition of the leading reference work on musical key characteristics during the Baroque, Classical and Romantic periods.This is a revised second edition of Dr. Steblin's important work on key characteristics, first published in 1983 by UMI Research Press and re-issued by the University of Rochester Press in 1996. The revision has been limited to athorough correction and update of the material in the first edition, so as to not disrupt the content and organization, for which the book has been praised as a significant and noteworthy reference for both scholars and research students alike. The book discusses the extra-musical meanings associated with various musical keys by ancient Greek and medieval-renaissance theorists and in particular composers and writers on music in the Baroque, Classical,and early Romantic periods. Chapters focus on Mattheson's extensive key descriptions from 1713, the Rameau-Rousseau and Marpurg-Kirnberger controversies regarding unequal versus equal temperaments, and C.F.D. Schubart's influential list based on the sharp-flat [bright-dark] principle of key-distinctions. Rita Katherine Steblin is a world-renowned music scholar, living and working in Vienna.…

Hardback. Zustand: New. A fully updated edition of the leading reference work on musical key characteristics during the Baroque, Classical and Romantic periods.This is a revised second edition of Dr. Steblin's important work on key characteristics, first published in 1983 by UMI Research Press and re-issued by the University of Rochester Press in 1996. The revision has been limited to athorough correction and update of the material in the first edition, so as to not disrupt the content and organization, for which the book has been praised as a significant and noteworthy reference for both scholars and research students alike. The book discusses the extra-musical meanings associated with various musical keys by ancient Greek and medieval-renaissance theorists and in particular composers and writers on music in the Baroque, Classical,and early Romantic periods. Chapters focus on Mattheson's extensive key descriptions from 1713, the Rameau-Rousseau and Marpurg-Kirnberger controversies regarding unequal versus equal temperaments, and C.F.D. Schubart's influential list based on the sharp-flat [bright-dark] principle of key-distinctions. Rita Katherine Steblin is a world-renowned music scholar, living and working in Vienna.…

Hardback. Zustand: New. A fully updated edition of the leading reference work on musical key characteristics during the Baroque, Classical and Romantic periods.This is a revised second edition of Dr. Steblin's important work on key characteristics, first published in 1983 by UMI Research Press and re-issued by the University of Rochester Press in 1996. The revision has been limited to athorough correction and update of the material in the first edition, so as to not disrupt the content and organization, for which the book has been praised as a significant and noteworthy reference for both scholars and research students alike. The book discusses the extra-musical meanings associated with various musical keys by ancient Greek and medieval-renaissance theorists and in particular composers and writers on music in the Baroque, Classical,and early Romantic periods. Chapters focus on Mattheson's extensive key descriptions from 1713, the Rameau-Rousseau and Marpurg-Kirnberger controversies regarding unequal versus equal temperaments, and C.F.D. Schubart's influential list based on the sharp-flat [bright-dark] principle of key-distinctions. Rita Katherine Steblin is a world-renowned music scholar, living and working in Vienna.…

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Hardcover. Zustand: Brand New. 2nd edition. 408 pages. 9.00x6.00x1.25 inches. In Stock. This item is printed on demand.

Gebunden. Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. A fully updated edition of the leading reference work on musical key characteristics during the Baroque, Classical and Romantic periods.&Uumlber den AutorRita Katherine Steblin is a world-renowned music scholar, living and working i.…

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Buch. Zustand: Neu. A History of Key Characteristics in the 18th and Early 19th Centuries | Second Edition | Rita Steblin | Buch | Einband - fest (Hardcover) | Englisch | 2008 | University of Rochester Press | EAN 9781580460415 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.…

Buch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The concept of key characteristics - the association of a mood or meaning with an individual key - has long been a controversial matter. Taking an historical approach, this book aims to further a better understanding of what the various keys meant to, and how they were used by, composers in different eras. Of particular importance is the discussion of many 'new' sources, adding considerably to knowledge of what the keys meant to the composers of the baroque, classical and romantic eras. RITA STEBLIN gained her doctorate from the University of Illinois at Urbana-Champaign.…