Isbn: 9781584657019 - the brillo box archive: aesthetics, design, and art (interfaces: studies in visual culture) (22 Ergebnisse)

Paperback. Zustand: Used: Very Good. Ships Out Tomorrow.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

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Soft cover. Zustand: Very Good. 1st Edition. Has some light general reading/shelfwear - otherwise this is a clean, tight copy. Quick dispatch from the UK. Book.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: New. In The Brillo Box Archive, Michael J. Golec situates the image of the Brillo® box at the intersection of design, aesthetics, and art history, tracking the familiar household item from the kitchen, to the art world, and into a critical and theoretical discourse. This tripartite approach posits the Brillo® box as a record, an archive of mid-twentieth-century visual and industrial culture. While the Brillo® box was a fixture in American homes beginning in the early twentieth century, a 1961 redesign by James Harvey imbued the red and blue box with a new wave of Cold War-era patriotic values and the promise of domestic efficiency. The subsequent ubiquity of Harvey's apropos design thrust the quotidian object headlong into the realm of art, prompting both Arthur Danto and Andy Warhol to adopt the box as a source of philosophical and artistic inspiration. Golec's interdisciplinary approach to the archive of modernity investigates the progression from industrial design to artistic reinterpretation to aesthetic theory. Warhol's appropriation of Harvey's design, employing his considerable reputation and imagination to reanimate the cardboard containers as pieces of Pop art rather than mere storage devices, opened the door for contemporary art critic Arthur Danto's assertions about the relationship between artwork and referent, inspiration and appropriation. This unique and truly interdisciplinary work will appeal to scholars of art history, design history, visual culture studies, and aesthetics.…

Zustand: New.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. A study of the iconic Brillo box through the theories of design, aesthetics, and art Num Pages: 144 pages, 34 colour illustrations. BIC Classification: 1KBB; ABA; AK; JFC. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 203 x 203 x 12. Weight in Grams: 572. . 2008. Paperback. . . . . …

Zustand: New. A study of the iconic Brillo box through the theories of design, aesthetics, and art Num Pages: 144 pages, 34 colour illustrations. BIC Classification: 1KBB; ABA; AK; JFC. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 203 x 203 x 12. Weight in Grams: 572. . 2008. Paperback. . . . . Books ship from the US and Ireland. …

Paperback. Zustand: Brand New. 144 pages. 9.00x8.25x0.50 inches. In Stock.

Paperback. Zustand: New.

Zustand: New. In English.

Zustand: New. Brand New.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.

Paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Paperback. Zustand: New. In The Brillo Box Archive, Michael J. Golec situates the image of the Brillo® box at the intersection of design, aesthetics, and art history, tracking the familiar household item from the kitchen, to the art world, and into a critical and theoretical discourse. This tripartite approach posits the Brillo® box as a record, an archive of mid-twentieth-century visual and industrial culture. While the Brillo® box was a fixture in American homes beginning in the early twentieth century, a 1961 redesign by James Harvey imbued the red and blue box with a new wave of Cold War-era patriotic values and the promise of domestic efficiency. The subsequent ubiquity of Harvey's apropos design thrust the quotidian object headlong into the realm of art, prompting both Arthur Danto and Andy Warhol to adopt the box as a source of philosophical and artistic inspiration. Golec's interdisciplinary approach to the archive of modernity investigates the progression from industrial design to artistic reinterpretation to aesthetic theory. Warhol's appropriation of Harvey's design, employing his considerable reputation and imagination to reanimate the cardboard containers as pieces of Pop art rather than mere storage devices, opened the door for contemporary art critic Arthur Danto's assertions about the relationship between artwork and referent, inspiration and appropriation. This unique and truly interdisciplinary work will appeal to scholars of art history, design history, visual culture studies, and aesthetics.…

Paperback. Zustand: New. Interfaces: Studies in Visual Culture; In The Brillo Box Archive, Michael J. Golec situates the image of the Brillo(R) box at the intersection of design, aesthetics, and art history, tracking the familiar household item from the kitchen, to the art world, and into a critical and theoretical discourse. This tripartite approach posits the Brillo(R) box as a record, an archive of mid-twentieth-century visual and industrial culture. While the Brillo(R) box was a fixture in American homes beginning in the early twentieth century, a 1961 redesign by James Harvey imbued the red and blue box with a new wave of Cold War-era patriotic values and the promise of domestic efficiency. The subsequent ubiquity of Harvey's apropos design thrust the quotidian object headlong into the realm of art, prompting both Arthur Danto and Andy Warhol to adopt the box as a source of philosophical and artistic inspiration. Golec's interdisciplinary approach to the archive of modernity investigates the progression from industrial design to artistic reinterpretation to aesthetic theory. Warhol's appropriation of Harvey's design, employing his considerable reputation and imagination to reanimate the cardboard containers as pieces of Pop art rather than mere storage devices, opened the door for contemporary art critic Arthur Danto's assertions about the relationship between artwork and referent, inspiration and appropriation. This unique and truly interdisciplinary work will appeal to scholars of art history, design history, visual culture studies, and aesthetics.…