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Sprache: Englisch
Verlag: Paul Dry Books, Inc, New Jersey, 2025
ISBN 10: 1589882008 ISBN 13: 9781589882003
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Paperback. Zustand: new. Paperback. Award-winning poet and Oxford Professor of Poetry, A. E. Stallings has marshaled poetry, personal letters, paintings, a dubiously translated 1801 firman, newspaper clippings, parliamentary proceedings, a Greek political campaign, and other lore in this deliciously detailed and gossipy history of the Parthenon (AKA, Elgin) Marbles. Her narrative encompasses the removal of the Marbles from the Athenian Acropolis, their various misadventures before and after installation in the British Museum, from shipwreck to boxing matches, and the debate over their future and possible reunion in Greece.Bringing fresh air to a stale debate, Frieze Frame explores the effect the Marbles have had on poets, writers, painters, actors, architects, and vice versahow poets and painters, for instance, have framed the Marbles place in art and culture. The poets Keats, Byron, and Cavafy, as well as an aristocrat who loses his nose and his fortune, a bad painter who commits suicide, and a general who takes his cat into battle, are among the cast of characters. In the authors own words, I am, to a certain extent, as interested in the strange stories and people surrounding the stones as the controversy [over their removal] and their fate. Key for Stallings is the creative world of the Marbles, the ways that they appear in nineteenth (and twentieth) century writing and art, race theory and beyond, and the influence they have exerted in our society: cultural figures, maybe even characters, in their own right. A. E. Stallings has marshalled poetry, personal letters, paintings, a dubiously translated 1801 firman, newspaper clippings, parliamentary proceedings, a Greek political campaign, and other lore in this deliciously detailed and gossipy history of the Parthenon (AKA, Elgin) Marbles. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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In den WarenkorbPaperback. Zustand: Brand New. 180 pages. 8.00x5.00x7.87 inches. In Stock.
Sprache: Englisch
Verlag: Paul Dry Books, Inc, New Jersey, 2025
ISBN 10: 1589882008 ISBN 13: 9781589882003
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In den WarenkorbPaperback. Zustand: new. Paperback. Award-winning poet and Oxford Professor of Poetry, A. E. Stallings has marshaled poetry, personal letters, paintings, a dubiously translated 1801 firman, newspaper clippings, parliamentary proceedings, a Greek political campaign, and other lore in this deliciously detailed and gossipy history of the Parthenon (AKA, Elgin) Marbles. Her narrative encompasses the removal of the Marbles from the Athenian Acropolis, their various misadventures before and after installation in the British Museum, from shipwreck to boxing matches, and the debate over their future and possible reunion in Greece.Bringing fresh air to a stale debate, Frieze Frame explores the effect the Marbles have had on poets, writers, painters, actors, architects, and vice versahow poets and painters, for instance, have framed the Marbles place in art and culture. The poets Keats, Byron, and Cavafy, as well as an aristocrat who loses his nose and his fortune, a bad painter who commits suicide, and a general who takes his cat into battle, are among the cast of characters. In the authors own words, I am, to a certain extent, as interested in the strange stories and people surrounding the stones as the controversy [over their removal] and their fate. Key for Stallings is the creative world of the Marbles, the ways that they appear in nineteenth (and twentieth) century writing and art, race theory and beyond, and the influence they have exerted in our society: cultural figures, maybe even characters, in their own right. A. E. Stallings has marshalled poetry, personal letters, paintings, a dubiously translated 1801 firman, newspaper clippings, parliamentary proceedings, a Greek political campaign, and other lore in this deliciously detailed and gossipy history of the Parthenon (AKA, Elgin) Marbles. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Sprache: Englisch
Verlag: Paul Dry Books, Inc, New Jersey, 2025
ISBN 10: 1589882008 ISBN 13: 9781589882003
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Paperback. Zustand: new. Paperback. Award-winning poet and Oxford Professor of Poetry, A. E. Stallings has marshaled poetry, personal letters, paintings, a dubiously translated 1801 firman, newspaper clippings, parliamentary proceedings, a Greek political campaign, and other lore in this deliciously detailed and gossipy history of the Parthenon (AKA, Elgin) Marbles. Her narrative encompasses the removal of the Marbles from the Athenian Acropolis, their various misadventures before and after installation in the British Museum, from shipwreck to boxing matches, and the debate over their future and possible reunion in Greece.Bringing fresh air to a stale debate, Frieze Frame explores the effect the Marbles have had on poets, writers, painters, actors, architects, and vice versahow poets and painters, for instance, have framed the Marbles place in art and culture. The poets Keats, Byron, and Cavafy, as well as an aristocrat who loses his nose and his fortune, a bad painter who commits suicide, and a general who takes his cat into battle, are among the cast of characters. In the authors own words, I am, to a certain extent, as interested in the strange stories and people surrounding the stones as the controversy [over their removal] and their fate. Key for Stallings is the creative world of the Marbles, the ways that they appear in nineteenth (and twentieth) century writing and art, race theory and beyond, and the influence they have exerted in our society: cultural figures, maybe even characters, in their own right. A. E. Stallings has marshalled poetry, personal letters, paintings, a dubiously translated 1801 firman, newspaper clippings, parliamentary proceedings, a Greek political campaign, and other lore in this deliciously detailed and gossipy history of the Parthenon (AKA, Elgin) Marbles. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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In den WarenkorbPaperback. Zustand: New. New Book, Direct from Publisher.
Sprache: Englisch
Verlag: Paul Dry Books, Inc Aug 2025, 2025
ISBN 10: 1589882008 ISBN 13: 9781589882003
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - 'Frieze Frame is a lucidly brilliant, learned read that wears its learning lightly, inviting the reader into a coterie of artists and intellectuals, traced and uncovered with a poet's touch.'--Times Literary Supplement'Highly entertaining.'--The Spectator'[A] compact, original book. . . . Whether they are shown in London or Athens, the Marbles will always be one of history's singular Rorschach tests. Keats saw beauty; Byron saw tragedy; in Frieze Frame, readers may see some version of themselves.' --Wall Street JournalIn this deliciously detailed and gossipy history of the Parthenon (AKA, Elgin) Marbles, award-winning poet and writer A. E. Stallings discusses the removal of the Marbles from the Athenian Acropolis, their misadventures before and after installation in the British Museum (from shipwreck to boxing matches), and the debate over their future and possible reunion in Greece.Bringing fresh air to a stale debate, Frieze Frame explores the effect the Marbles have had on poets, writers, painters, actors, architects, and vice versa--how poets and painters, for instance, have framed the Marbles' place in art and culture. The poets Keats, Byron, and Cavafy, as well as an aristocrat who loses his nose and his fortune, a bad painter who commits suicide, and a general who takes his cat into battle, are among the cast of characters. In the author's own words, 'I am, to a certain extent, as interested in the strange stories and people surrounding the stones as the controversy [of their removal] and their fate.' Key for Stallings is the creative world of the Marbles, the ways that they appear in nineteenth (and twentieth) century writing and art, race theory and beyond, and the influence they have exerted in our society: cultural figures, maybe even characters, in their own right.