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Verlag: Boydell Press, 2015
ISBN 10: 1783270586ISBN 13: 9781783270583
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ISBN 10: 1783270586ISBN 13: 9781783270583
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ISBN 10: 1783270586ISBN 13: 9781783270583
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ISBN 10: 1783270586ISBN 13: 9781783270583
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ISBN 10: 1783270586ISBN 13: 9781783270583
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ISBN 10: 1783270586ISBN 13: 9781783270583
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Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days. Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common.
Verlag: Boydell Press, 2015
ISBN 10: 1783270586ISBN 13: 9781783270583
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ISBN 10: 1783270586ISBN 13: 9781783270583
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Zustand: New. Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common. Editor(s): Owens, Samantha; Reul, Barbara M.; Stockigt, Janice B. Num Pages: 504 pages, 20 black & white line drawings. BIC Classification: 1DFG; 3JF; AVGC. Category: (P) Professional & Vocational. Dimension: 158 x 236 x 31. Weight in Grams: 746. . 2015. Reprint. Paperback. . . . . Books ship from the US and Ireland.
Verlag: Boydell & Brewer Ltd, 2015
ISBN 10: 1783270586ISBN 13: 9781783270583
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Zustand: New. Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common. Editor(s): Owens, Samantha; Reul, Barbara M.; Stockigt, Janice B. Num Pages: 504 pages, 20 black & white line drawings. BIC Classification: 1DFG; 3JF; AVGC. Category: (P) Professional & Vocational. Dimension: 158 x 236 x 31. Weight in Grams: 746. . 2015. Reprint. Paperback. . . . .
Verlag: Boydell & Brewer Ltd, 2015
ISBN 10: 1783270586ISBN 13: 9781783270583
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Kartoniert / Broschiert. Zustand: New. Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common.KlappentextMusic at German Courts serves.
Verlag: Boydell & Brewer Ltd, Woodbridge, 2015
ISBN 10: 1783270586ISBN 13: 9781783270583
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Paperback. Zustand: new. Paperback. Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common.What was musical life at German courts really like during the eighteenth century? Were musical ensembles as diverse as the Holy Roman Empire's kaleidoscopic political landscape? Through a series of individual case studies contributed by leading scholars from Germany, Poland, the United States, Canada, and Australia, this book investigates the realities of musical life at fifteen German courts of varied size (ranging from kingdoms to principalities), religious denomination, and geographical location. Significant shifts that occurred in the artistic priorities of each court are presented through a series of "snapshots"- in effect "core sample" years - which highlight both individualand shared patterns of development and decline. What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring a cast ofmusic directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common.SAMANTHA OWENS is Associate Professor in Musicology at the University of Queensland, Brisbane, Australia. BARBARA M. REUL is Associate Professor of Musicology at Luther College, University of Regina, Canada. JANICE B. STOCKIGT is a Principal Fellow of the University of Melbourne, Australia.Contributors: DIETER KIRSCH, URSULA KRAMER, MICHAEL MAUL, MARYOLESKIEWICZ, SAMANTHA OWENS, RASHID-S. PEGAH, BAERBEL PELKER, BARBARA M. REUL, WOLFGANG RUF, BERT SIEGMUND, JANICE B. STOCKIGT, MICHAEL TALBOT, RUEDIGER THOMSEN-FUERST, ALINA ZORAWSKA-WITKOWSKA, STEVEN ZOHN Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Verlag: Boydell & Brewer Ltd, Woodbridge, 2015
ISBN 10: 1783270586ISBN 13: 9781783270583
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Paperback. Zustand: new. Paperback. Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common.What was musical life at German courts really like during the eighteenth century? Were musical ensembles as diverse as the Holy Roman Empire's kaleidoscopic political landscape? Through a series of individual case studies contributed by leading scholars from Germany, Poland, the United States, Canada, and Australia, this book investigates the realities of musical life at fifteen German courts of varied size (ranging from kingdoms to principalities), religious denomination, and geographical location. Significant shifts that occurred in the artistic priorities of each court are presented through a series of "snapshots"- in effect "core sample" years - which highlight both individualand shared patterns of development and decline. What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring a cast ofmusic directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common.SAMANTHA OWENS is Associate Professor in Musicology at the University of Queensland, Brisbane, Australia. BARBARA M. REUL is Associate Professor of Musicology at Luther College, University of Regina, Canada. JANICE B. STOCKIGT is a Principal Fellow of the University of Melbourne, Australia.Contributors: DIETER KIRSCH, URSULA KRAMER, MICHAEL MAUL, MARYOLESKIEWICZ, SAMANTHA OWENS, RASHID-S. PEGAH, BAERBEL PELKER, BARBARA M. REUL, WOLFGANG RUF, BERT SIEGMUND, JANICE B. STOCKIGT, MICHAEL TALBOT, RUEDIGER THOMSEN-FUERST, ALINA ZORAWSKA-WITKOWSKA, STEVEN ZOHN Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.