9781784530259 - Digital Horror: Haunted Technologies, Network Panic and the Found Footage Phenomenon (International Library of the Moving Image) (17 Ergebnisse)

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Zustand: New. This book argues that, in its increasing use of hand-held techniques, the motifs of surveillance and found footage and the trope of 'digital haunting', contemporary horror cinema reflects - and exploits - the anxieties of our age. Editor(s): Reyes, Xavier Aldana; Blake, Linnie. Series: International Library of the Moving Image. Num Pages: 224 pages. BIC Classification: APFN. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 168 x 242 x 28. Weight in Grams: 498. . 2015. hardcover. . . . .

Zustand: New. 224.

Zustand: New. This book argues that, in its increasing use of hand-held techniques, the motifs of surveillance and found footage and the trope of digital haunting , contemporary horror cinema reflects - and exploits - the anxieties of our age.Klappentextrn.

Zustand: New. This book argues that, in its increasing use of hand-held techniques, the motifs of surveillance and found footage and the trope of 'digital haunting', contemporary horror cinema reflects - and exploits - the anxieties of our age. Editor(s): Reyes, Xavier Aldana; Blake, Linnie. Series: International Library of the Moving Image. Num Pages: 224 pages. BIC Classification: APFN. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 168 x 242 x 28. Weight in Grams: 498. . 2015. hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 224 pages. 9.50x6.25x1.00 inches. In Stock.

Buch. Zustand: Neu. Neuware - In recent years, the ways in which digital technologies have come to shape our experience of the world has been an immensely popular subject in the horror film genre. Contemporary horror cinema reflects and exploits the anxieties of our age, in its increasing use of hand-held techniques and in its motifs of surveillance, found footage (fictional films that appear 'real': comprising discovered video recordings left behind by victims/protagonists) and 'digital haunting' (when ghosts inhabit digital technologies). This book offers an exploration of the digital horror film phenomenon, across different national cultures and historic periods, examining the sub-genres of CCTV horror, technological haunting, snuff films, found footage and torture porn. Digital horror, it demonstrates, is a product of the post 9/11 neo-liberal world view - characterised by security paranoia, constant surveillance and social alienation. Digital horror screens its subjects via the trans-national technologies of our age - such as the camcorder and CCTV - and records them in secret footage that may, one day, be found.

HRD. Zustand: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Hardcover. Zustand: new. Hardcover. In recent years, the ways in which digital technologies have come to shape our experience of the world has been an immensely popular subject in the horror film genre. Contemporary horror cinema reflects and exploits the anxieties of our age in its increasing use of hand-held techniques and in its motifs of surveillance, found footage (fictional films that appear 'real': comprising discovered video recordings left behind by victims/protagonists) and 'digital haunting' (when ghosts inhabit digital technologies). This book offers an exploration of the digital horror film phenomenon, across different national cultures and historic periods, examining the sub-genres of CCTV horror, technological haunting, snuff films, found footage and torture porn. Digital horror, it demonstrates, is a product of the post 9/11 neo-liberal world view - characterised by security paranoia, constant surveillance and social alienation. Digital horror screens its subjects via the transnational technologies of our age, such as the camcorder and CCTV, and records them in secret footage that may, one day, be found. This book argues that, in its increasing use of hand-held techniques, the motifs of surveillance and found footage and the trope of 'digital haunting', contemporary horror cinema reflects - and exploits - the anxieties of our age. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Zustand: New. Print on Demand 224.

Hardcover. Zustand: new. Hardcover. In recent years, the ways in which digital technologies have come to shape our experience of the world has been an immensely popular subject in the horror film genre. Contemporary horror cinema reflects and exploits the anxieties of our age in its increasing use of hand-held techniques and in its motifs of surveillance, found footage (fictional films that appear 'real': comprising discovered video recordings left behind by victims/protagonists) and 'digital haunting' (when ghosts inhabit digital technologies). This book offers an exploration of the digital horror film phenomenon, across different national cultures and historic periods, examining the sub-genres of CCTV horror, technological haunting, snuff films, found footage and torture porn. Digital horror, it demonstrates, is a product of the post 9/11 neo-liberal world view - characterised by security paranoia, constant surveillance and social alienation. Digital horror screens its subjects via the transnational technologies of our age, such as the camcorder and CCTV, and records them in secret footage that may, one day, be found. This book argues that, in its increasing use of hand-held techniques, the motifs of surveillance and found footage and the trope of 'digital haunting', contemporary horror cinema reflects - and exploits - the anxieties of our age. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Zustand: New. PRINT ON DEMAND 224.