Isbn: 9781789521740 - george harrison in the 70s: decades (24 Ergebnisse)

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  • Sprache: Englisch

    Verlag: Sonicbond Publishing, 2022

    1789521742 / 9781789521740

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    Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

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    paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

  • Sprache: Englisch

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    Paperback. Zustand: New. Depending on who you asked, George Harrison was many different things to different people. There was his songcraft, which won over the affections of producer savant Phil Spector; there was his musicianship, that captured the hearts of blues savants Eric Clapton and Delaney Bramlett; and then there was his penchant for comedy, which made him an obvious shoo-in for Rutland Weekend Television and Saturday Night Live. But behind these traits stood a fragile man, aching for enlightenment and peace in an industry that strove to rid him of any of it. Keenly aware of this conflict, Harrison was brave enough to commit it to tape on the wistful Dark Horse, a confessional album written against the backdrop of a regrettable American Tour. But Harrison was always ready to brave the conflict, and it served him better to ride it out than to return to The Beatles for an easy paycheque. He was known as 'The Quiet Beatle', although this title did him a disservice, considering his intellectual focus and thoughtful nature. Instead, he was arguably 'The Chameleonic Beatle', a moniker that only serves to understand the deeply complex guitar player better. And in a deeply complicated decade, Harrison's artistry flourished.

  • Sprache: Englisch

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    Paperback. Zustand: New. As 'the Quiet Beatle', George Harrison had acquired a huge repertoire of unrecorded songs. This account of his solo career, starting from 1968, describes the way his creativity was unleashed in recordings including the triple album All Things Must Pass.

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    Paperback. Zustand: new. Paperback. Depending on who you asked, George Harrison was many different things to different people. There was his songcraft, which won over the affections of producer savant Phil Spector; there was his musicianship, that captured the hearts of blues savants Eric Clapton and Delaney Bramlett; and then there was his penchant for comedy, which made him an obvious shoo-in for Rutland Weekend Television and Saturday Night Live. But behind these traits stood a fragile man, aching for enlightenment and peace in an industry that strove to rid him of any of it. Keenly aware of this conflict, Harrison was brave enough to commit it to tape on the wistful Dark Horse, a confessional album written against the backdrop of a regrettable American Tour. But Harrison was always ready to brave the conflict, and it served him better to ride it out than to return to The Beatles for an easy paycheque. He was known as 'The Quiet Beatle', although this title did him a disservice, considering his intellectual focus and thoughtful nature. Instead, he was arguably 'The Chameleonic Beatle', a moniker that only serves to understand the deeply complex guitar player better. And in a deeply complicated decade, Harrison's artistry flourished. AUTHOR: Eoghan Lyng is the author of U2 on track. Like U2 themselves, Lyng harbours a tremendous love for The Beatles, and has long aspired to write a book about the Fab Four. For him, the band peaked with Revolver, and finds their solo work that bit more interesting to explore. And when the solo material includes Living In The Material World and Extra Texture (Read All About It), can you blame him? Much like the guitarist he's written about, Lyng doesn't consider Life of Brian blasphemous, but rates The Long Good Friday higher than Harrison. He lives in Dublin, Ireland. George Harrison was known as The Quiet Beatle, although this title did him a disservice, considering his intellectual focus and thoughtful nature. Instead, he was arguably The Chameleonic Beatle, a moniker that only serves to understand the deeply complex guitar player better. And in a deeply complicated decade, Harrison's artistry flourished. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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  • Sprache: Englisch

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    Paperback. Zustand: new. Paperback. Depending on who you asked, George Harrison was many different things to different people. There was his songcraft, which won over the affections of producer savant Phil Spector; there was his musicianship, that captured the hearts of blues savants Eric Clapton and Delaney Bramlett; and then there was his penchant for comedy, which made him an obvious shoo-in for Rutland Weekend Television and Saturday Night Live. But behind these traits stood a fragile man, aching for enlightenment and peace in an industry that strove to rid him of any of it. Keenly aware of this conflict, Harrison was brave enough to commit it to tape on the wistful Dark Horse, a confessional album written against the backdrop of a regrettable American Tour. But Harrison was always ready to brave the conflict, and it served him better to ride it out than to return to The Beatles for an easy paycheque. He was known as 'The Quiet Beatle', although this title did him a disservice, considering his intellectual focus and thoughtful nature. Instead, he was arguably 'The Chameleonic Beatle', a moniker that only serves to understand the deeply complex guitar player better. And in a deeply complicated decade, Harrison's artistry flourished. AUTHOR: Eoghan Lyng is the author of U2 on track. Like U2 themselves, Lyng harbours a tremendous love for The Beatles, and has long aspired to write a book about the Fab Four. For him, the band peaked with Revolver, and finds their solo work that bit more interesting to explore. And when the solo material includes Living In The Material World and Extra Texture (Read All About It), can you blame him? Much like the guitarist he's written about, Lyng doesn't consider Life of Brian blasphemous, but rates The Long Good Friday higher than Harrison. He lives in Dublin, Ireland. George Harrison was known as The Quiet Beatle, although this title did him a disservice, considering his intellectual focus and thoughtful nature. Instead, he was arguably The Chameleonic Beatle, a moniker that only serves to understand the deeply complex guitar player better. And in a deeply complicated decade, Harrison's artistry flourished. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

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    Paperback. Zustand: new. Paperback. Depending on who you asked, George Harrison was many different things to different people. There was his songcraft, which won over the affections of producer savant Phil Spector; there was his musicianship, that captured the hearts of blues savants Eric Clapton and Delaney Bramlett; and then there was his penchant for comedy, which made him an obvious shoo-in for Rutland Weekend Television and Saturday Night Live. But behind these traits stood a fragile man, aching for enlightenment and peace in an industry that strove to rid him of any of it. Keenly aware of this conflict, Harrison was brave enough to commit it to tape on the wistful Dark Horse, a confessional album written against the backdrop of a regrettable American Tour. But Harrison was always ready to brave the conflict, and it served him better to ride it out than to return to The Beatles for an easy paycheque. He was known as 'The Quiet Beatle', although this title did him a disservice, considering his intellectual focus and thoughtful nature. Instead, he was arguably 'The Chameleonic Beatle', a moniker that only serves to understand the deeply complex guitar player better. And in a deeply complicated decade, Harrison's artistry flourished. AUTHOR: Eoghan Lyng is the author of U2 on track. Like U2 themselves, Lyng harbours a tremendous love for The Beatles, and has long aspired to write a book about the Fab Four. For him, the band peaked with Revolver, and finds their solo work that bit more interesting to explore. And when the solo material includes Living In The Material World and Extra Texture (Read All About It), can you blame him? Much like the guitarist he's written about, Lyng doesn't consider Life of Brian blasphemous, but rates The Long Good Friday higher than Harrison. He lives in Dublin, Ireland. George Harrison was known as The Quiet Beatle, although this title did him a disservice, considering his intellectual focus and thoughtful nature. Instead, he was arguably The Chameleonic Beatle, a moniker that only serves to understand the deeply complex guitar player better. And in a deeply complicated decade, Harrison's artistry flourished. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

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    Zustand: New. George Harrison was known as The Quiet Beatle , although this title did him a disservice, considering his intellectual focus and thoughtful nature. Instead, he was arguably The Chameleonic Beatle , a moniker that only serves to understand the deeply compl.

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    Paperback. Zustand: New. Depending on who you asked, George Harrison was many different things to different people. There was his songcraft, which won over the affections of producer savant Phil Spector; there was his musicianship, that captured the hearts of blues savants Eric Clapton and Delaney Bramlett; and then there was his penchant for comedy, which made him an obvious shoo-in for Rutland Weekend Television and Saturday Night Live. But behind these traits stood a fragile man, aching for enlightenment and peace in an industry that strove to rid him of any of it. Keenly aware of this conflict, Harrison was brave enough to commit it to tape on the wistful Dark Horse, a confessional album written against the backdrop of a regrettable American Tour. But Harrison was always ready to brave the conflict, and it served him better to ride it out than to return to The Beatles for an easy paycheque. He was known as 'The Quiet Beatle', although this title did him a disservice, considering his intellectual focus and thoughtful nature. Instead, he was arguably 'The Chameleonic Beatle', a moniker that only serves to understand the deeply complex guitar player better. And in a deeply complicated decade, Harrison's artistry flourished.